Ticket to Love

I was in a huge hurry and basically just grabbed this off the shelf for lack of seeing anything else that sparked my interest. I saw the trailer for this movie at the theater and thought that it looked incredibly stupid. I don't particularly like Andy Garcia or Andi McDowell, but I just watched on a whim and the next thing that I knew I was laughing (and crying). I was really surprised by how well I liked this film!

The plot was a tad silly, but the characters were so colorful and likeable (even the junky pregnant girl) that I got past the immaturity of the story line. It showed a small bit of the dark underbelly of NY ticket scalping, but the good intentions of everyone counteracted the negativity and the result was very optimistic. Andy Garcia was so good as the romantic lead, I particularly loved the scenes preparing for the big catering and the the kitchen destruction...too funny!

Bottom line, I think these two made a great on screen couple and I would recommend this to anyone who like me, enjoys these kinds of films, or to anyone who might need a little cheering up.

Gary (Andy Garcia) makes his living in NYC scalping tickets. A charming crook, he has attracted the attention of would-be chef Linda (Andie MacDowell). They have had a go at a relationship but Linda has become unhappy about his profession and his careless ways. Seeing no future in the involvement, Linda has tried to end it. Yet, Gary keeps coming around, weakening her resolve. As these things go, other scalpers seem to be encroaching on Gary's territory. Will he give up the criminal life to win the affections of his girlfriend?

This movie works because of the appeal of Garcia and MacDowell. They have a sparkling chemistry which is infectious. There are some funny scenes involving Garcia at Catholic confession as well as some dramatic ones concerning the up and down lives of the other scalpers. The ending is a demonstration of the adage "all's well that ends well". Although it is not the best romantic comedy out there, fans of the genre should give this movie a whirl. It might be just the ticket for an enjoyable evening of entertainment.

I was surprised at this film's low ratings and poor critical reviews. This is a really, really good film! A unique piece of filmmaking like nothing I've seen in a while! First of all, it has a great sense of realism. Writer/director Richard Wenk does a brilliant job at capturing the hustle and bustle of New York City streets. And unlike in many films, where directors decide to cut corners and shoot part of the movie in Canada, "Just the Ticket" possesses an authenticity of the Big Apple that only NY-based directors like Martin Scorcese and Sidney Lumet have captured better. There are no gimmicky attempts at style (in the words of Mr. Lumet: what's style?); we're not bombarded by pretentious shots of the Statue of Liberty or anything like that. A film like this perfectly captures the essence of New York, without patronizing the city.

Andy Garcia possibly gives the best performance of his career! I've always admired him as an actor, and I respect almost all Hispanic actors who make it big in show-biz (most of them happen to be great actors, too). Garcia displays an unrelenting energy in his performance as ticket scalper Gary Stark. After watching this film, I'm surprised if he doesn't get approached to star in a Broadway play. He has enough energy to light up the stage! Yet he's charming all the way; never obnoxious. We fall in love with his character. We fall in love with the supporting characters as well. Andie McDowell (though I don't think she has an attractive presence; hey, beauty's in the eye of the beholder!) is charming as his love interest. The two Andys have a perfect chemistry together--a real chemistry. The kind of chemistry that real lovers would possess; and not "Hollywood lovers." You can't help but smile every minute they share the screen. Though they quarrel at times, you just keep thinking "They were meant for each other." And best of all (especially considering it's an R-rated film) their relationship is not based on sex. There's not one sex scene in this movie. If it weren't for some naughty street language, you can take the whole family to see this movie. Richard Bradford is amazingly likeable as Gary's friend for life/father figure. You feel more and more sympathy for him (which is ironic for a guy who scalps tickets and tells lies for a living) and their father-son relationship as the film goes along. I was touched by the subplot between Gary and his heroin-abusing pregnant friend Cyclops (Laura Harris). Their interactions, including his attempts to stop her from abusing drugs, are very moving. I was also glad to see a male-female friendship that doesn't end in love or sex. You don't see that too much in the movies. Rob Liebman (who co-starred with Garcia in "Night Falls on Manhattan") makes a few short appearances. He's a terrific, underrated actor and it was great to see the two of them share the screen again.

Some may find this film uneven. I can predict there's going to be a lot of complaints about the way "it can't decide whether it wants to be a comedy or drama." I liked the balance between the comedic and dramatic elements, with romance rubbed into the equation. This is not one of those over-the-top, slapstick, screwball comedies that many are probably used to. It has a good sense of maturity. And most of the humor is used for comic relief. There's a good deal of drama in the story, so don't expect to be laughing all the way. So if you want to blame someone--blame the ones who marketed this film. But I was so engaged in the story and characters that I didn't feel a need for laughs. This is an interesting, moving piece of storytelling that never goes over the top and keeps its feet on the ground. Never once was I uttering, "this only happens in the movies." Wenk didn't take any cheap shots, and I admire him for that. So why--oh why was this film so poorly rewarded?

Not to mention this the first film to provide insight into the world of ticket scalping. And I don't think they could've done it any better. I saw Garcia on Conan O'Brien's show when he was promoting the movie, and he said that he did actual field research and posed as a ticket scalper to help get into the shoes of his character. I'll also mention that a famous celebrity (a living legend to some) makes a brief appearance. I was amazed when he appeared on screen. It wasn't one of those predictable cameos, where you had a feeling that person was going to show up anyway. Face it, brace yourselves. And don't read the complete IMDB cast list before watching the movie; it'll ruin the experience. :)

"Just the Ticket" is a charming, engaging, unique, touching film that'll fill your heart with good cheer. It's definitely one of those overlooked flops that'll amaze you. Plus, the soundtrack's great! Andy Garcia helped compose most of the music for the score. I developed the biggest smile on my face when they played "Signed, Sealed, Delivered" at the final scene. This is a film that captures your heart from all angles.

My score: 8 (out of 10)

I saw this movie on cable a a couple of days ago and loved it.I guess the only reason why I never bothered to watch this was that an early movie review on BBC was not very positive.I also did not like the poster so everytime I saw a pic of this movie I got fed up!

Well enough is enough.This is a very nice movie with all the right cliches.It gets your attension and fills you up just when you thought it was all over.

Garcia plays a ticket scalper who tries to find the ONE job that he can do to retire and be with the girl he loves plyed by Mcdowell.But fate has other plans for him as he realises as there is no such thing as last job and people don't wait all day for you to finish.

It is more or less about life and what sohuld matter to you. I highly recomend you to watch this movie.

`Just The Ticket' This current trend of movies being announced for home video before, or during, a theatrical run is very heartbreaking. Good movies are lost in the stampede for the rental market, and I feel it cheapens the minor magic of seeing a film in the theater. `Another Day In Paradise', "Go", and `At First Sight' are recent examples of this. `Just The Ticket' is the latest. Appearing in the Phoenix area 6 weeks after its debut, it's also about 6 weeks before you can go to Blockbuster and rent it. Sad. What that means to me, and seemingly only me due to the reviews I have read, is that a very amiable and charming romantic-comedy-drama is going to fall below the radar with most people. Andy Garcia is an actor with an amazing dramatic charge that easily makes him one of the best actors we have. It's his choice of films that taint that assessment considerably.

I like him a lot, and `Ticket' gives Garcia that perfect opportunity to show off his range. His performance here as a ticket scalper ranks with his best work. He can take hold of the moment with the best of them, and he has an unbelievably funny scene involving the laserdisc of "Stargate". With Andie MacDowell, who I have always believed had the range of a half-empty box of Honey Nut Cherrios, Garcia creates believable chemistry. Their scenes of foreplay are truly enjoyable. The background story of `Ticket' is that they shot the New York street scenes without a permit, often having the citizens around them not aware that a movie was being made.

This aspect of the movie is its strongest asset. The dirty, low budget mentality makes the flick more enjoyable. The grainy film stock, passerby's looking into the camera, and Garcia actually seeming like he's having fun is such a breath of fresh air. It's like a student film with A list actors. Truth be told, the film falters when it reaches for more dramatically satisfying material. A drug addicted pregnant girl, a life-challenged mentor, and a rival scalper make for some weak moments. They threaten to crush the film. Somehow Garcia, with director Richard Wenk, make everything come together with a decent ending that doesn't feel forced. This isn't landmark material, but it is the rare film that isn't too forceful, and has complete faith in the power of its actors.------------- 8