Ein freiberuflicher ehemaliger US-Geheimdienstler versucht, ein mysteriöses Paket aufzuspüren, das von den Iren und Russen gesucht wird.Ein freiberuflicher ehemaliger US-Geheimdienstler versucht, ein mysteriöses Paket aufzuspüren, das von den Iren und Russen gesucht wird.Ein freiberuflicher ehemaliger US-Geheimdienstler versucht, ein mysteriöses Paket aufzuspüren, das von den Iren und Russen gesucht wird.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Amidou
- Man at Exchange
- (as Amidou Ben Messaoud)
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For its genre, Ronin is a good film. I don't think it's quite fair to criticize it for what it is not, such as saying that it's a poor film because there are movies out there with better car chases.
I saw it at the theatre and thought it was OK, saw it on video expecting to be more disappointed, and actually liked it better the second time.
I don't think the plot is as difficult to understand as some might claim. I had no trouble following it. Whether or not it's credible, well, how many action films are? It's credible enough for me to watch it and not say is this ever stupid. That's about all that I look for in an action film, sorry to say.
I actually enjoyed the dialogue for the most part. DeNiro and Reno in particular were solid. The film did begin to fade towards the end, especially once everyone was in the skating arena. I appreciated Frankenheimer showing as much of France as he did. That was a bonus.
So, yes, I could point to a number of flaws in Ronin. But, perhaps because of my low esteem for action films overall, I would say it's a worthwhile watch if you're an action fan, or a DeNiro fan, as I am.
I saw it at the theatre and thought it was OK, saw it on video expecting to be more disappointed, and actually liked it better the second time.
I don't think the plot is as difficult to understand as some might claim. I had no trouble following it. Whether or not it's credible, well, how many action films are? It's credible enough for me to watch it and not say is this ever stupid. That's about all that I look for in an action film, sorry to say.
I actually enjoyed the dialogue for the most part. DeNiro and Reno in particular were solid. The film did begin to fade towards the end, especially once everyone was in the skating arena. I appreciated Frankenheimer showing as much of France as he did. That was a bonus.
So, yes, I could point to a number of flaws in Ronin. But, perhaps because of my low esteem for action films overall, I would say it's a worthwhile watch if you're an action fan, or a DeNiro fan, as I am.
Now THIS is what I call an action movie. Combine a brilliant cast (Robert De Niro + the underrated Jean Reno, Sean Bean amongst them) with brilliant action scenes - gun fights and car chases are both top notch here; in fact, they're some of the best that have been put on film ever, and stand the rest of time really well (watching in 2022g - with lots of exotic European locals, like Paris and Nice, and a touch of swirling intrigue thrown in for good measure and you have a really great film.
De Niro plays a no-nonsense American mercenary hired by someone shadowy to retrieve a case. He doesn't know much more than that, except the folks currently in control of it are willing to kill to keep it in their possession. Lots of sketchy actors on both sides, including Russians and Irish!
De Niro plays a no-nonsense American mercenary hired by someone shadowy to retrieve a case. He doesn't know much more than that, except the folks currently in control of it are willing to kill to keep it in their possession. Lots of sketchy actors on both sides, including Russians and Irish!
A great movie that you can't just watch with one eye. It starts slow, laying a strong foundation, and if it's on TV, it's easy to get lost by not paying attention at the beginning. However, it's an outstanding film, exploring the characters with a huge action movie in the background.
It's visually interesting and doesn't ever let you know the things you think you need to know, but by the end you've forgotten that you wanted to know them in the first place. Robert DeNiro gives a strong performance and doesn't get lost in some of the showiness he can deliver when he's making up for a weaker story, and the supporting cast is full of familiar faces, many of which blend so well into the characters they play that, again, you can become lost in the story (although this time, it a good way).
It's visually interesting and doesn't ever let you know the things you think you need to know, but by the end you've forgotten that you wanted to know them in the first place. Robert DeNiro gives a strong performance and doesn't get lost in some of the showiness he can deliver when he's making up for a weaker story, and the supporting cast is full of familiar faces, many of which blend so well into the characters they play that, again, you can become lost in the story (although this time, it a good way).
Ronin is a beautiful looking movie that utilizes its gritty depiction of Paris and Nice to its advantage. Watching this picture 26 years after it originally released, it paints a thoroughly nostalgic and unconventionally idyllic view of France. Laden with big leather jackets and a plethora of iconic European cars from the 90's, it is oozing with atmosphere and easily immerses you into its setting. That is by far this movie's biggest strength, along with its extremely entertaining (albeit sometimes clunky) car chase scenes.
The plot is... less great. It tells a very vague and mostly nonsensical heist story, where a group of international criminals meet up for the first time to do a job together, in a similar vein to Reservoir Dogs. The glaring difference between the two movies is that the person who's in charge of setting up the job in Ronin seems to have very little control over their hired criminals, who easily bully their handler into being given more information and money, as well as them being generally terrible at working in a group!
While the overall premise is little more than flimsy, the moment-to-moment banter between the group is decent, and the action scenes are well executed. The acting is also great in general, despite somewhat poor writing in a couple of scenes. It's a movie carried quite effortlessly by its aesthetics, to a point where you can ignore most of the plot's faults because of how easily you get immersed into the world the movie's created for itself. Ronin drags a bit towards the end, with a third segment that was not as entertaining as the rest of the movie, but it is overall a great, laidback watch.
The plot is... less great. It tells a very vague and mostly nonsensical heist story, where a group of international criminals meet up for the first time to do a job together, in a similar vein to Reservoir Dogs. The glaring difference between the two movies is that the person who's in charge of setting up the job in Ronin seems to have very little control over their hired criminals, who easily bully their handler into being given more information and money, as well as them being generally terrible at working in a group!
While the overall premise is little more than flimsy, the moment-to-moment banter between the group is decent, and the action scenes are well executed. The acting is also great in general, despite somewhat poor writing in a couple of scenes. It's a movie carried quite effortlessly by its aesthetics, to a point where you can ignore most of the plot's faults because of how easily you get immersed into the world the movie's created for itself. Ronin drags a bit towards the end, with a third segment that was not as entertaining as the rest of the movie, but it is overall a great, laidback watch.
This thriller from veteren John Frankenheimer is pure excellence, the script, acting and action are top draw. De Niro and Reno are brilliant in this as of course you would expect from two such excellent actors. The action scenes are pulse pounding and particularly excellent are the car chases, probably the best ever. Not only did the stunt guys risk their lives but the guys shooting the action captured some truly thrilling close up view from the cars as they speed along. The action also carries a certain degree of realism to it, the shootouts are sensible and the car chases and crashes seem very genuine no massive corkscrewing threw the air like most car chases or cars jumping 100 feet in the air like in Gone in 60 seconds, which is all very good but not for this sort of thriller. The pacing of the film was great and there was a constant chilling atmosphere. As I said before Robert De Niro and Jean Reno were exceptional particularly in their scenes together. The support cast are good too with a brief but excellent display from Sean Bean and Natasha Mchelhone and Jonathan Pryce are both good as Irish terrosists with comendable accents. All in all a very god way to spend a few hours.
Wusstest du schon
- WissenswertesA total of 80 automobiles were destroyed during filming.
- PatzerJean-Pierre claims that "All 47 of them committed Seppuku," but in fact only 46 did. The 47th Ronin, Terasaka Kichiemon, had a different mission. He was later pardoned. When he died at 87, he was buried along with the other 46.
- VerbindungenEdited into Ronin: Alternative Ending (1999)
- SoundtracksTime To Say Goodbye (Con te partirò)
Composed by Francesco Sartori
Lyrics by Lucio Quarantotto
English lyrics by Frank Peterson
Performed by Sarah Brightman featuring Andrea Bocelli
Courtesy of Angel Records
Under license from EMI Music Special Markets
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Sát Thủ Tự Do
- Drehorte
- Blue Sky, Rue des Trois-Frères, Paris 18, Paris, Frankreich(restaurant in opening sequence)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 55.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 41.616.262 $
- Eröffnungswochenende in den USA und in Kanada
- 12.697.641 $
- 27. Sept. 1998
- Weltweiter Bruttoertrag
- 41.616.262 $
- Laufzeit
- 2 Std. 2 Min.(122 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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