The Rolling Stones Rock and Roll Circus

Most people who watch "The Rolling Stones Rock and Roll Circus," a TV program that the Stones put together for the BBC in December '68--but that was never aired--will likely be struck by the same thought: How could this remarkable show fail to have been shown back when? The program turns out to be a godsend for fans of '60s rock, featuring as it does not only "The World's Greatest Rock 'n' Roll Band," but also Jethro Tull, The Who, Marianne Faithful, Taj Mahal and a band called Dirty Mac, interspersed, under the big top, with some amusing circus acts, and observed by a small but enthusiastic audience in whimsical regalia. All the performers are in top form here, but the highlights for me were Jethro Tull, here with future Black Sabbath guitarist Tony Iommi filling in for the recently departed Mick Abrahams, and the two songs performed by the Dirty Mac. This was a one-shot supergroup consisting of Mitch Mitchell on drums and Eric Clapton, Keith Richards and John Lennon on guitars! The version of the Fab Four's "Yer Blues" that they dish out here is just awesome, and when Yoko Ono hits the stage to caterwaul on the instrumental blues romp "Whole Lotta Yoko"...well, just hold on to your eardrums! This program, fittingly, belongs to the Stones, however, and the six tunes that the boys give us are just terrific, especially that "Sympathy for the Devil," during which Mick Jagger gets to prove again that he really is rock's best frontman. Whotta high-energy display; no wonder John Lennon can be seen boogying his pies off in the audience! Bottom line: If you're a fan of any of the artists mentioned above, this DVD is for you!

Wow. Wasn't that a party. An "intimate" show in a circus tent with the bad boys. I don't know why Mick felt the stones' performance was weaker than the other acts, I mean, The Who were the best of the bunch, but it doesn't get any better than the version of "No Expectations" contained herein. A time capsule in the best sense of the word, all the acts were great- from Tull's wicked opener to The Dirty Mac's "Yer Blues". If only Barnum & Bailey could do it as good.....Let's Drink To The Good Hearted People...

This was one great special, but it was sad to see the man who was the original visionary of the Stones, Brian Jones, and the pitiful shell he had become. It was pretty much known that it was the end for him as a member of the band and this can be seen as his last hurrah. You also can see the changes the Stones had undergone from their beginnings as a group that covered songs by American blues greats to the juggernaut that was the Jagger/Richards songwriting team. It was also interesting to see The Who as they were in the middle of their transition from being the icons of the mods to the hard rock force they would be a few months later. Roger Daltry hadn't gone all the way with the look he was famous for, the fringed shirt and long curly blonde hair, and Pete Townsend had not yet gotten his white boiler suit. And as many people have commented, The Who blew the Mick and the boys off the stage that night.

Rock'n'Roll fans it doesn't get any better than this! This is as close as you're going to get to your 60s rock dream. A Lennon/Keef/Clapton/Mitch Mitchell jam. Early tasty Tull with Sabbath's Tony Iommi on guitar. Marianne Faithfull looking like an angel. The Who destroying the competition with a sensational version of A Quick One. And last, but not least, The Stones with a relaxed but smoking set including classics Sympathy For The Devil and You Can't Always Get What You Want. Unforgettable.

This circus-based rock show starts with Jethro Tull and The Who, moves through Dirty Mac (Lennon and Yoko, Clapton, etc.), Taj Mahal, and Marianne Faithful, and ends up with the Rolling Stones themselves. Some acrobats and other acts along the way add to the sense of spaced-out-ness and general oddity.

The performances range from great (the Stones set culminating with 'Sympathy for the Devil'; the Who with 'A Quick One'; Jethro Tull - featuring a young Tony Iommi - with 'Song for Jeffrey') to embarrassing (Yoko's wailing). The mood is chaotic and more than a little amateur, but this gives the show a certain amount of interest and charm.

The only colour footage of the original Stones line-up? Some crazy costumes here and colour clashes but good to see them together in their heyday, even if Brian Jones does seem a bit out of it.

Overall, enjoyable.