The Last Broadcast

Probably the most fascinating part of this entire film for me was that it was made in 1998. There's just something endlessly compelling about watching an extremely obscure amateur-style film from over 2 decades ago while perpetually being reminded that I'm getting older. It's a sensation completely different from watching a professionally filmed Hollywood movie from the 90s, probably similar to reading a personal diary from someone written in the 1800s rather than a professionally published novel.

But the film itself was mildly intriguing in its own right. My only gripe would be that there was an insufficient balance between the first half (Jim and the trial and the sequence of events leading to the murder) and the second half (casting doubt on the alleged guilt of the suspect and an extremely slight possibility of the supernatural).

I am a complete sucker for subtlety in movies like this, and this film executed it perfectly, to the point where any and all supernatural or paranormal implications are so slight that you could easily miss it completely.

But while those things are dealt with with great subtlety, the film itself doesn't manage to rise beyond "mild" in terms of interest or excitement or compulsion. Aside from the incoherent ending, it all amounts to being overall "Neat", not so much boring or even entertaining. Just kind of neat.

The Last Broadcast is presented as if it's a "documentary" about the murder of two hosts and a hired hand for a cable access show named Fact or Fiction. In the scenario, Fact or Fiction was in New Jersey's Pine Barrens to present a live show on the Jersey Devil. A second hired hand is convicted of the murders (this isn't a spoiler because it's stated at the beginning of the film). The film also makes an attempt to become more philosophical towards the end, and there is an unexpected twist.

For me, this film failed on most levels, although there were a few small things that worked. The Last Broadcast is often compared to The Blair Witch Project, which arrived a year later. The comparison is appropriate, and it's difficult to imagine that The Blair Witch Project writer/directors didn't lift the basic idea from The Last Broadcast. The Blair Witch Project didn't work for me, either, although in my view, it works better than The Last Broadcast does. Both films rest on a similar gimmick of claiming to be partially a composed "documentary" and partially a collection of videotaped images by a group of young adults who are about to get killed in the woods, and we're watching them as "evidence" of what happened to them. Both have ambiguity whether something supernatural happened, as the characters were exploring a legend about a supernatural being, or whether more mundane homicides occurred. There are finer-grained similarities as well, but I mainly bring it up to give you an idea of what The Last Broadcast is like if you haven't seen it but you've seen The Blair Witch Project.

The first problem with The Last Broadcast is that it doesn't play like a documentary. I've seen many documentaries. I've never seen one that looked like The Last Broadcast. Rather, this film looks like how an amateur filmmaker who has never seen a documentary might imagine documentaries, armed only with a description of the genre. That's a big problem, because the film hinges on playing like a documentary. In a similar vein, there is a problem with the Fact or Fiction program, and the actors playing the hosts. Even though Fact or Fiction is supposed to only be a cable access show, the material is done poorly and the actors are unconvincing. Again, it looks more like an amateur filmmaker who has never seen cable access programming imagining what it would be like based on a description only.

Like The Blair Witch Project, another big problem with The Last Broadcast is that for some strange reason directors Stefan Avalos and Lance Weiler decided to use purposefully bad camera-work for much of the material, especially any footage shot by the Fact or Fiction guys, and footage by the documentary host, David Beard. While the idea to use purposefully bad camera-work isn't flawed, the execution is flawed, because the camera-work is so ridiculous that it again comes across like an amateur filmmaker imagining what bad camera-work might be like. Characters inexplicably will not keep the camera still (a really annoying scene showing this is when David Beard is filming himself in the woods towards the end and keeps revolving). They inexplicably have extreme close-ups of mouths, eyes, etc. If the idea is to make the documentary and the cable access show seem real, such exaggerated bad camera-work just does not work.

Another problem is that the documentary keeps repeating material. Most of the videotaped evidence is repeated many times. The 911 phone call is repeated. The narrator keeps repeating the same ideas over and over. It all plays like an attempt to pad out the film's running time. Also, the narrator has a very annoying monotone, which comprises the bulk of the dialogue throughout the film. It is another aspect that does not help sell the film as a documentary.

Finally, the attempt at becoming more philosophical about media's influence on reality perception is very sophomoric, and the big "twist" at the end was fairly inexplicable to me. There were a couple other small points throughout the film that were confusing to me, as well, such as why the soap opera director wasn't involved with the Pine Barrens shoot, but my attention might have drifted a couple times. I was also confused how Fact or Fiction, which was otherwise so technically bare bones and incompetent, was able to manage an audio/video as well as an Internet satellite feed miles into the woods in 1995.

On the plus side, the premise has promise--the story is interesting, and there are some nice shots of the woods accompanied by atmospheric music. Perhaps if the film were handled more conventionally, The Last Broadcast may have been moderately successful. Even though the twist made little sense to me, the style of the film at that point, which pulled further away from the feigned documentary, worked better for me.

I had this one on my watchlist for quite some time now and decided to give it a spin this evening. It started of pretty good and I was hooked, but after 30 minutes or so the movie just kept dragging on and became very boring. I noticed that I wasn't closely paying attention because of this and was eager to turn it off. After a minute or 60, it became interesting again for a few minutes but then went back to it's dragging self.

The movie has some similarities to the Blair Witch Project, but doesn't even come close. A lot of the found footage material was so badly shot and 'damaged' that it wasn't even fun to watch anymore because you hardly could see anything.

The acting was decent at best and at some points not even convincing. The characters were dull and had very little backstory.

Without giving anything away, the big revelation is a big letdown and nothing is really explained about the 'how' and 'why', which makes it very frustrating.

Don't be fooled by the 5,5 rating which is pretty good for a horror movie on IMDb these days, it's definitely not worth wasting an hour and a half on. If you haven't seen the Blair Witch Project, you should definitely view that in favor of The Last Broadcast.

I don't care what anybody says; I think this lies amongst the most brilliant films I have ever seen. The documentary itself looks totally convincing, and the movie's ending will have you disturbed for days afterward. Sure, it was awkward to switch camera perspectives, but it NEEDED to be done. It couldn't have been worked any other way, and still have the same effect. People don't seem to understand this, and it is why THE LAST BROADCAST gets so much negative feedback.

In order to understand the sheer genius of the movie, you need to watch it multiple times and catch the many, MANY clues about the events that occur at the ending. This flick's rewatchability value is extremely high, and it never gets boring because you spot so many little details that make you think "oh, I see..."

I don't care whether this or BWP came first, but for the record, I don't care. They were both excellent and different films.

I wanted to rate this movie much higher than a 3, up until the ending. After seeing the end I struggle to give this more than a 2. The movie drew me in very well, and the documentary style has you believing it all the way through. The acting was fairly good for a low budget horror movie. The story was really good, other than the end.

It was a really good movie up until the ending. I can't believe the ending they went with. It made little to no sense and completely ruined what could have been a pretty decent horror movie. This movie gets filed under the "could have been good" category for sure. It's hard to explain how disappointing the ending was for this film. Probably because the build up was so good.