IMDb-BEWERTUNG
6,6/10
65.677
IHRE BEWERTUNG
Ein junger Mann erfährt, dass er vor einer feindlichen außerirdischen Spezies ein verstecktes Erdschiff finden muss, um das Überleben der Menschheit zu sichern.Ein junger Mann erfährt, dass er vor einer feindlichen außerirdischen Spezies ein verstecktes Erdschiff finden muss, um das Überleben der Menschheit zu sichern.Ein junger Mann erfährt, dass er vor einer feindlichen außerirdischen Spezies ein verstecktes Erdschiff finden muss, um das Überleben der Menschheit zu sichern.
- Auszeichnungen
- 1 Gewinn & 6 Nominierungen insgesamt
Matt Damon
- Cale
- (Synchronisation)
Drew Barrymore
- Akima
- (Synchronisation)
Bill Pullman
- Korso
- (Synchronisation)
Jim Breuer
- The Cook
- (Synchronisation)
Ken Hudson Campbell
- Po
- (Synchronisation)
- (as Ken Campbell)
Thomas A. Chantler
- Male Announcer
- (Synchronisation)
Elaine A. Clark
- Citizen
- (Synchronisation)
Roy Conrad
- Second Human
- (Synchronisation)
Jim Cummings
- Chowquin
- (Synchronisation)
Janeane Garofalo
- Stith
- (Synchronisation)
Leslie Hedger
- First Human
- (Synchronisation)
Roger Jackson
- First Alien
- (Synchronisation)
- (as Roger L. Jackson)
David L. Lander
- The Mayor
- (Synchronisation)
Nathan Lane
- Preed
- (Synchronisation)
John Leguizamo
- Gune
- (Synchronisation)
Alex D. Linz
- Young Cale
- (Synchronisation)
Empfohlene Bewertungen
This can be a true revolutionary of all the animated films with its real eye-stunning graphics, a very imaginative sci-fi setting, more realistic-looking characters, and plenty of real action and yes, even some blood-spilling violence.
After years of churning out shots of sparkly-starry fantasy like Rock-A-Doodle-Doo, We're Back: A Dinosaur's Story, and Troll In The Central Park, Don Bluth's crew finally comes up with a very gritty, mature science fiction story all about humans being hunted down by the evil aliens who are out to destroy the planet Earth altogether. So a very brave young engineer grimly launched an enormous project that his little son was to carry on when he finally grew up. But it just wouldn't be a very easy path for the young hero to accomplish this great feat that would give a long ray of hope to all the innocent humans hiding out in the outer space. But with the help of a very spunky young female co-pilot, a group of bickering aliens, and a hardened space veteran, he just might...even with all those dread monsters hot on his very tail!
Beautifully made, this sweeping space odyssey really takes GIGANTIC steps to break from all the traditional aspects of an animated film to introduce mouth-droppingly MAGNIFICENT visions of the distant future as well as a more adult approach to storytelling and animation, so it may take awhile for the casual viewer to get used to it...and one day truly appreciate the great changes that is taking place in the whole animation industry.
After years of churning out shots of sparkly-starry fantasy like Rock-A-Doodle-Doo, We're Back: A Dinosaur's Story, and Troll In The Central Park, Don Bluth's crew finally comes up with a very gritty, mature science fiction story all about humans being hunted down by the evil aliens who are out to destroy the planet Earth altogether. So a very brave young engineer grimly launched an enormous project that his little son was to carry on when he finally grew up. But it just wouldn't be a very easy path for the young hero to accomplish this great feat that would give a long ray of hope to all the innocent humans hiding out in the outer space. But with the help of a very spunky young female co-pilot, a group of bickering aliens, and a hardened space veteran, he just might...even with all those dread monsters hot on his very tail!
Beautifully made, this sweeping space odyssey really takes GIGANTIC steps to break from all the traditional aspects of an animated film to introduce mouth-droppingly MAGNIFICENT visions of the distant future as well as a more adult approach to storytelling and animation, so it may take awhile for the casual viewer to get used to it...and one day truly appreciate the great changes that is taking place in the whole animation industry.
Titan A. E. was a tragic victim of 'studio sidelining' where a film is shafted in favour of a bigger and 'more viable' product; in this case, it seemed Fox was focusing its efforts on X-Men in getting adequate promos and licensing deals to make that movie soar at the box office. Titan A. E. was sporadically promoted besides the occasional tv spot, but the tie-in campaign proved very moot compared to tentpole Disney films at the time.
Titan A. E. also has the distinction of being Don Bluth's latest feature film, as his in-development Dragon's Lair film still hasn't been released. It sucks, because Don always had a knack for blending pathos in with slapstick comedy that few animators dared to balance as well as he did (with the likes of Secret of Nimh, American Tail, Land Before Time and All Dogs Go To Heaven); and it would have been nice seeing that trend continue into the 2000s and beyond. Sadly, it hasn't seen another film of his yet, and fans of Don Bluth are still waiting for Dragon's Lair to become a movie. Hopefully the day will come soon when Bluth graces the world with another of his feature films.
This movie was also a nice refreshing change of pace from all the musical animated films that were nigh-omniscient thanks to the Disney Renaissance still rubbing off on the competition. Science fiction has only gotten stronger representation in animation recently thanks to the Spider-Verse films, and films like them and Wall-E owe themselves to films like Titan A. E. and The Iron Giant daring to give audiences something different and high-concept escapism in a field dominated by Disney Princesses and talking animals.
2000s animation was something of a crazy and difficult time for theatrical toons; the technology evolved rapidly thanks to PIXAR's films and Dreamworks' Shrek, and traditional cel-animation still had a foothold on television when it was dying out at the movies. And Titan A. E. is a fascinating window into that time for the animation industry, where the demands of audiences were changing and becoming very complicated, and it seemed like a case of it being too ahead of its time (who knows how a film like this would have performed in the 2010s or 2020s in a post-Spider-Verse world?). Hindsight makes it impossible to know if a failure could have had a 'second chance' at success given the proper promotional material, or if it was always gonna play out the same way regardless.
7/10 IMDb points. 3.5/5 stars. Titan A. E. gives us a glance at a simpler time for animated cinema; and how sci-fi animation has continued to refine itself thanks to the likes of it and others daring to defy Disney.
Titan A. E. also has the distinction of being Don Bluth's latest feature film, as his in-development Dragon's Lair film still hasn't been released. It sucks, because Don always had a knack for blending pathos in with slapstick comedy that few animators dared to balance as well as he did (with the likes of Secret of Nimh, American Tail, Land Before Time and All Dogs Go To Heaven); and it would have been nice seeing that trend continue into the 2000s and beyond. Sadly, it hasn't seen another film of his yet, and fans of Don Bluth are still waiting for Dragon's Lair to become a movie. Hopefully the day will come soon when Bluth graces the world with another of his feature films.
This movie was also a nice refreshing change of pace from all the musical animated films that were nigh-omniscient thanks to the Disney Renaissance still rubbing off on the competition. Science fiction has only gotten stronger representation in animation recently thanks to the Spider-Verse films, and films like them and Wall-E owe themselves to films like Titan A. E. and The Iron Giant daring to give audiences something different and high-concept escapism in a field dominated by Disney Princesses and talking animals.
2000s animation was something of a crazy and difficult time for theatrical toons; the technology evolved rapidly thanks to PIXAR's films and Dreamworks' Shrek, and traditional cel-animation still had a foothold on television when it was dying out at the movies. And Titan A. E. is a fascinating window into that time for the animation industry, where the demands of audiences were changing and becoming very complicated, and it seemed like a case of it being too ahead of its time (who knows how a film like this would have performed in the 2010s or 2020s in a post-Spider-Verse world?). Hindsight makes it impossible to know if a failure could have had a 'second chance' at success given the proper promotional material, or if it was always gonna play out the same way regardless.
7/10 IMDb points. 3.5/5 stars. Titan A. E. gives us a glance at a simpler time for animated cinema; and how sci-fi animation has continued to refine itself thanks to the likes of it and others daring to defy Disney.
After reading a number of negative reviews of this film, I went ahead and bought the DVD. I had read that, although the movie was mediocre, it was the kind of film that's great for showing off your DVD player.
I am thrilled to own this movie.
True enough, the story is cliched. Yet I didn't think about it for a second while I watched the film unfold. I was completely caught up in everything I saw on the screen. If it was a slow scene, I just gazed at the beautiful eye candy. And during the incredibly inventive action scenes, I was surprised to find myself at the edge of my seat.
There are some who say that the mix of 3d and traditional 2d animation didn't work. I couldn't disagree more. There are times when the two styles were a glaring contrast. Yet, as the movie progressed, the two became as one to my eyes. I have no problem calling this a revolutionary step forward in animation.
I loved A Bug's Life and Toy Story. But this trip, in my eyes blew those films away.
Finally, though I wouldn't consider this film 'adult' by any means, the slighter darker tone made it much more accessible as an adult viewer. Every year I sigh when I see a preview for another assembly line Disney film. (Hey, let's dumb down the gothic horror 'The Hunchback of Notre Dame' and give him cute sidekicks!) The look of Disney films hasn't changed in years. (If anything, they look more simple) This film, as cliched as the story was, was visually inspired.
The original Fantasia needed no story. It was an appreciation of music and animation. Let this be the new Fantasia. If you want to experience breathtaking and beautiful animation, I couldn't recommend this any more.
I am thrilled to own this movie.
True enough, the story is cliched. Yet I didn't think about it for a second while I watched the film unfold. I was completely caught up in everything I saw on the screen. If it was a slow scene, I just gazed at the beautiful eye candy. And during the incredibly inventive action scenes, I was surprised to find myself at the edge of my seat.
There are some who say that the mix of 3d and traditional 2d animation didn't work. I couldn't disagree more. There are times when the two styles were a glaring contrast. Yet, as the movie progressed, the two became as one to my eyes. I have no problem calling this a revolutionary step forward in animation.
I loved A Bug's Life and Toy Story. But this trip, in my eyes blew those films away.
Finally, though I wouldn't consider this film 'adult' by any means, the slighter darker tone made it much more accessible as an adult viewer. Every year I sigh when I see a preview for another assembly line Disney film. (Hey, let's dumb down the gothic horror 'The Hunchback of Notre Dame' and give him cute sidekicks!) The look of Disney films hasn't changed in years. (If anything, they look more simple) This film, as cliched as the story was, was visually inspired.
The original Fantasia needed no story. It was an appreciation of music and animation. Let this be the new Fantasia. If you want to experience breathtaking and beautiful animation, I couldn't recommend this any more.
The storyline of TITAN A.E. follows standard mythical canon: unlikely youthful hero from the boondocks is forced to follow his destiny and struggle against overwhelming odds to save his people. No surprises there, to be sure, but God is in the details, and the details is where this film excels. I can't say enough good about the animation and visual artistry--it's the best ever. Hopefully this will raise the bar for animated feature films. After forty-odd years, I have had enough of the formulaic Disney approach.
I would also give TITAN A.E. high marks for acting and for the musical selections in the soundtrack. This film should make a great addition to any enthusiast's DVD library.
I agree that the plot is rather holey, but I was so busy enjoying the film that I didn't notice at the time.
I would also give TITAN A.E. high marks for acting and for the musical selections in the soundtrack. This film should make a great addition to any enthusiast's DVD library.
I agree that the plot is rather holey, but I was so busy enjoying the film that I didn't notice at the time.
Filled with spectacular visions of other worlds, Titan A.E. brings us into the 31st century and into a whole new level of science fiction. The story is pretty simple, a race called the Drej feel the human race is a threat so they decide to destroy us. The only hope for the survival of the human species is a ship called the Titan. Only trouble is, no one knows where it is. The answer lays with Cale, the son of the inventor of Titan. Once Cale realizes what he's in for, we're off on an intergalactic roller coaster ride. We get chases in swamps filled with hydrogen trees and an imaginative hide and seek game in a field of ice crystals. Traditional hand drawn characters are blended in with amazing CGI renderings of planets, ships, and the vast emptiness of space with very good results. Sure there may be some clunker lines here and there but Titan A.E. gives fans of sci-fi what they want. Well worth the price of admission
Wusstest du schon
- WissenswertesFor a preview screening on June 6, 2000 in Atlanta, this movie was transmitted in digital form from the studio, across the Internet, to the digital projector at the theater. It never once touched film, and was the first major Hollywood film to be publicly previewed that way.
- PatzerGune's speech patterns suddenly and inexplicably change for a handful of scenes in the middle of the movie. He goes from being completely articulate to pidgin English ("Why they not say goodbye to Gune?" etc.) By the end of the film he's speaking correctly again, just as suddenly and inexplicably. This shows the character's absent-minded personality.
- Crazy CreditsThe credits for the lead actors are each displayed as a computer readout displaying the actor's name, footage of the character played as well as vital statistics and personal data.
- Alternative VersionenThe DVD includes deleted scenes, which, while some are still in pencil form, make the film more complete. They are as follows:
- "Green Drink" - This is a longer version of the scene where Cale and Korso discuss the Titan. It includes Cale fixing the broken machine and more dialogue about his father and the Titan.
- "Akima's Rescue" - This is another version of the scene where Korso and friends find Akima in the trade area. In this scene, she blows up an alarm and frees all the slaves.
- "Ice Crystals- Extended Version" - This is basically an extended version of the famous ice crystals scene. It includes more dialogue between Cale and Akima (in pencil form), and scenes in different angles.
- "Alternate Ending" - This is an extended ending where the Drej actually talk (not in subtitles) and more dialogue between Cale and Korso. Most of it is in pencil form, and it ends right after the Drej are destroyed.
- SoundtracksOver My Head
Written by Jeremy Popoff
Performed by Lit
Produced by Glen Ballard and Lit
Lit performs courtesy of RCA/Dirty Martini Records Label
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Planet Ice
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 75.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 22.753.426 $
- Eröffnungswochenende in den USA und in Kanada
- 9.376.845 $
- 18. Juni 2000
- Weltweiter Bruttoertrag
- 36.754.634 $
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
- 2.55 : 1
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