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Fantasia 2000

  • 1999
  • 0
  • 1 Std. 15 Min.
IMDb-BEWERTUNG
7,1/10
42.942
IHRE BEWERTUNG
Fantasia 2000 (1999)
CT#2
trailer wiedergeben1:16
19 Videos
99+ Fotos
Fairy TaleHand-Drawn AnimationAnimationFamilyFantasyMusic

Eine Neufassung des Originalfilms mit neuen Interpretationen großer Werke der klassischen Musik.Eine Neufassung des Originalfilms mit neuen Interpretationen großer Werke der klassischen Musik.Eine Neufassung des Originalfilms mit neuen Interpretationen großer Werke der klassischen Musik.

  • Regie
    • James Algar
    • Gaëtan Brizzi
    • Paul Brizzi
  • Drehbuch
    • Eric Goldberg
    • James Fujii
    • Joe Grant
  • Hauptbesetzung
    • James Levine
    • Steve Martin
    • Itzhak Perlman
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    42.942
    IHRE BEWERTUNG
    • Regie
      • James Algar
      • Gaëtan Brizzi
      • Paul Brizzi
    • Drehbuch
      • Eric Goldberg
      • James Fujii
      • Joe Grant
    • Hauptbesetzung
      • James Levine
      • Steve Martin
      • Itzhak Perlman
    • 225Benutzerrezensionen
    • 137Kritische Rezensionen
    • 59Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 Gewinne & 7 Nominierungen insgesamt

    Videos19

    Fantasia/Fantasia 2000 Combo: Special Edition
    Trailer 1:16
    Fantasia/Fantasia 2000 Combo: Special Edition
    Fantasia 2000: Special Edition
    Clip 0:57
    Fantasia 2000: Special Edition
    Fantasia 2000: Special Edition
    Clip 0:57
    Fantasia 2000: Special Edition
    Fantasia 2000: Special Edition
    Clip 1:14
    Fantasia 2000: Special Edition
    Fantasia 2000: Special Edition
    Clip 1:23
    Fantasia 2000: Special Edition
    Fantasia 2000: Special Edition
    Clip 1:07
    Fantasia 2000: Special Edition
    Fantasia 2000: Special Edition
    Clip 0:49
    Fantasia 2000: Special Edition

    Fotos112

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 107
    Poster ansehen

    Topbesetzung29

    Ändern
    James Levine
    • Self - Host (segment "Pomp and Circumstance"), Conductor (Chicago Symphony Orchestra)
    Steve Martin
    Steve Martin
    • Self - Introductory Host
    Itzhak Perlman
    Itzhak Perlman
    • Self - Host (segment "Pines of Rome")
    Quincy Jones
    Quincy Jones
    • Self - Host (segment "Rhapsody in Blue")
    Bette Midler
    Bette Midler
    • Self - Host (segment "Piano Concerto No. 2, Allegro, Opus 102")
    James Earl Jones
    James Earl Jones
    • Self - Host (segment "Carnival of the Animals")
    Penn Jillette
    Penn Jillette
    • Self - Host (segment "The Sorcerer's Apprentice")
    • (as Penn)
    Teller
    Teller
    • Self - Host (segment "The Sorcerer's Apprentice")
    Wayne Allwine
    Wayne Allwine
    • Mickey Mouse (segment "Pomp and Circumstance")
    • (Synchronisation)
    Angela Lansbury
    Angela Lansbury
    • Self - Host (segment "Firebird Suite - 1919 Version")
    Dennis Quaid
    Dennis Quaid
    • Self - Co-Host (segment "Pomp and Circumstance")
    Tony Anselmo
    Tony Anselmo
    • Donald Duck (segment "Pomp and Circumstance")
    • (Synchronisation)
    Russi Taylor
    Russi Taylor
    • Daisy Duck (segment "Pomp and Circumstance")
    • (Synchronisation)
    Chicago Symphony Orchestra
    • Themselves
    • (as The Chicago Symphony Orchestra)
    Kathleen Battle
    • Self - Featured Soprano (segment "Pomp and Circumstance")
    • (Gesang)
    • (Nicht genannt)
    Gaëtan Brizzi
    Gaëtan Brizzi
    • Self - Animator
    • (Nicht genannt)
    Paul Brizzi
    • Self - Animator
    • (Nicht genannt)
    Yefim Bronfman
    • Self - Pianist (segment "Piano Concerto No. 2, Allegro, Opus 102")
    • (Nicht genannt)
    • Regie
      • James Algar
      • Gaëtan Brizzi
      • Paul Brizzi
    • Drehbuch
      • Eric Goldberg
      • James Fujii
      • Joe Grant
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen225

    7,142.9K
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    Empfohlene Bewertungen

    7CuriosityKilledShawn

    Pretty good, but I wish it was longer.

    Top quality animation and a sense of humour make this sequel/add-on a formidable animated movie in its own right. The running time of 74 minutes is a bit of a let-down. I would have liked to have seen more pieces and more imagination. And be warned, The Sorcerer's Apprentice remains. As this was the original's ONLY real selling point they decided to stick it back in there, so you're really only get just over an hours worth of new footage. Which feels like a bit of a rip-off.

    But my favorite segment is the one with Donald Duck, in fact they were all cool, especially the one with the volcano. The music matches the story perfectly and it has some truly beautiful animation. Far superior to those ugly CGI crap we get these days. And the TV show style introductions were more watchable than the dubbed Deems Taylor segments in the original.

    This was the first animated movie to be made for IMAX screens and the digital picture is amazing. See this preferably on an IMAX screen or on DVD. Watching it on VHS would only insult the brilliant animation. It's sad that Disney has abandoned traditional hand-drawn animation for theatrical projects. It's what the studio was built on after all. But Disney is shadow of its former self, we all know that.

    Just as good as the original Fantasia, but loses points for not being longer and more ambitious.
    9frigmeat

    Gorgeous!

    I can't stop watching it!!! Four of the seven new segments in this film are alone well worth the admission. Roy Disney Jr. sets the stage for a remarkable departure from the usual animated dreck that Disney has been bogged down by for the last half-decade (Toy Story aside). Disney have hereby restored my faith in them as leading the pack in animated cinema. I want more!!

    "Pines of Rome", a marvelous piece set to the "story" of whales leaving the water and eventually the planet, is worth viewing several times for it's symbolism and exquisite look. "Rhapsody in Blue", by Gershwin, is given perfect treatment by a day in the life of New York City. The pace is quick and manages to give each character studied enough depth to make a very satisfying and touching ending. "Pomp and Circumstance", the graduation standard, is humorous and sweet. Creating a love story involving Donald and Daisy Duck into the story of Noah's Ark worked surprisingly well. "Firebird Suite"- WOW. This is the most incredible segment of the film. It's a PERFECT marriage of music and animation and MUST be played loud. Very emotional and powerful indeed.

    I had to post another comment because I can't stress enough that it's a worthy successor to the original Fantasia, and Walt would be proud.
    9Robin-58

    An Almost Flawless Masterpiece

    Although I was aware of the original plan to renew the Fantasia concept every so often, and that it was visualised as an ongoing project, I felt that going back after 60 years was too much, and that the original classic should be left alone. However, my initial scepticism was dispelled within seconds of the opening sequence. What we have here is a lush, vibrant fusion of animation and music, each fully complimenting the other to perfection. It's hard to pick a favorite sequence, but if really pressed, for personal taste alone, it would be the awesome sequence with the whales. Mickey's Sorcerer's Apprentice sequence is the only carry over from the original, and a worthy match for it in the 2000 lineup is the Donald "Noah".

    The only criticism I have of the film is the bridging sequences, featuring Steve Martin, Penn & Teller, Bette Midler and others. I would have preferred that they stuck to one presenter, preferably James Earl Jones or Angela Landsbury. They seemed to take the material and the project far more seriously than Martin and Penn & Teller who's humor detracted from the dignity of the movie as a whole.
    8LeRoyMarko

    Surprising

    We had two kids at home and I went to rent to one thinking it was a typical Disney movie. I was wrong, but the kids still liked it.

    I was surprise by the musical choice in this one. Great classical pieces. And the animation is very well done. Some segments better than others.

    I got to see this one on a regular tv-set, but I guess you should try to see it on an IMAX screen, or at least a cinema screen.

    Out of 100, I gave it 81. That's good for *** out of ****.

    Seen at home, in Toronto, on June 15th, 2002.
    GEM-20

    I Keep Thinking About It...

    Obviously, the original "Fantasia" was the state of the art when it was released in 1940. In fact, it remained there for many years. From an animation standpoint, I think Disney finally topped it when they released "Sleeping Beauty" in 1959. Still, as an accomplishment, I believe that "Fantasia" was Walt Disney's finest achievement.

    He certainly wanted the idea of "Fantasia" to continue, but as time went on, it seemed that it would never happen. Our tastes in animation became more and more sophisticated along with the greater advancements we have seen in animation in the last decade. When Disney released the original "Fantasia" on video in 1991, many who had seen it criticized the film as being too arty, with long segments that would not appeal to children.

    Perhaps many people thought that the word "Disney" always should be associated with kids. That is unfair, for Walt would have wanted all ages of people to enjoy his films.

    When Roy Disney announced a few years ago that Disney was making a new "Fantasia", I was surprised and excited. In the time that movies like "The Lion King", "Aladdin", "Toy Story", and "A Bug's Life" were taking in huge sums of cash, it seemed that Disney was willing to take the risk again and make the film anyway.

    What a treat it is! Most of the segments of the film stayed in my memory for days, as did the music. There is true genius in "Fantasia 2000" in the connections of imagery to music. For example, the combination of Gershwin's "Rhapsody In Blue" the Al Hirschfeld-style caricatures was so perfect that the music seemed written for that type of visual presentation.

    "Fantasia 2000" left me breathless and practically speechless. I even enjoyed the celebrity introductions throughout the picture.

    Using my preferred four-star rating system, I would give "Fantasia 2000" this:

    ****-

    The minus is there for the only criticism I have of it: Too short! The original "Fantasia" was a two-hour event, while "Fantasia 2000" was only 74 minutes. That is the same length as most other Disney animated features. Was 74 minutes determined by: a. Expense of the budget, or b. The expected length of children's attention spans?

    From the depth of my heart, I recommend "Fantasia 2000". It left me wanting more. George

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      The Broadway ending sequence of "Rhapsody in Blue" contained so many different colors (over 200) that the CAPS system had trouble rendering it, causing delays in the production of Tarzan (1999).
    • Patzer
      In "Rhapsody in Blue", a sign inside Monica's cafe reads "2 EGGS ANY STYLE 25c". A sign outside the cafe reads "2 EGGS 10c".
    • Zitate

      James Earl Jones: [introducing the Carnival of the Animals] These drawing boards have been the birthplace of some of the most beloved animal characters of all time. So it's no surprise that they choose for our next segment, "The Carnival of the Animals" by Camille Saint-Saëns. Here the sensitive strains of impressionistic music combine with the subtle artistry of the animator to finally answer that age old question: "What is man's relationship to nature?"

      [is handed a piece of paper]

      James Earl Jones: Oh, sorry... That age old question: "What would happen if you gave a yo-yo to a flock of flamingos?"

      [turns to look off-camera]

      James Earl Jones: Who wrote this?

    • Crazy Credits
      Right after the final credits, you hear Steve Martin's voice, wondering out loud if he's still on camera, then realizes it's the end of the movie. He then asks the audience, 'Can I have a ride home?'
    • Alternative Versionen
      The Rat Scene from Piano Concerto No.2
    • Verbindungen
      Edited from Fantasia (1940)
    • Soundtracks
      Symphony No. 5
      Written by Ludwig van Beethoven

      Performed by James Levine and the Chicago Symphony Orchestra

    Top-Auswahl

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    FAQ19

    • How long is Fantasia 2000?Powered by Alexa
    • How come many of the pieces do not follow a story?

    Details

    Ändern
    • Erscheinungsdatum
      • 20. Juli 2000 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Fantasia/2000
    • Drehorte
      • Walt Disney Feature Animation - 500 S. Buena Vista Street, Burbank, Kalifornien, USA(Walt Disney's house)
    • Produktionsfirmen
      • Walt Disney Pictures
      • Walt Disney Animation Studios
      • Walt Disney Feature Animation
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 80.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 60.655.420 $
    • Eröffnungswochenende in den USA und in Kanada
      • 2.290.525 $
      • 2. Jan. 2000
    • Weltweiter Bruttoertrag
      • 90.874.570 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 15 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • DTS
      • Dolby Digital
      • SDDS
      • IMAX 6-Track

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