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Fantasia 2000

  • 1999
  • 0
  • 1 Std. 15 Min.
IMDb-BEWERTUNG
7,1/10
43.057
IHRE BEWERTUNG
Fantasia 2000 (1999)
CT#2
trailer wiedergeben1:16
19 Videos
99+ Fotos
Ein MärchenFamilieFantasieMusikAnimationsfilmHandgezeichnete Animation

Eine Neufassung des Originalfilms mit neuen Interpretationen großer Werke der klassischen Musik.Eine Neufassung des Originalfilms mit neuen Interpretationen großer Werke der klassischen Musik.Eine Neufassung des Originalfilms mit neuen Interpretationen großer Werke der klassischen Musik.

  • Regie
    • James Algar
    • Gaëtan Brizzi
    • Paul Brizzi
  • Drehbuch
    • Eric Goldberg
    • James Fujii
    • Joe Grant
  • Hauptbesetzung
    • James Levine
    • Steve Martin
    • Itzhak Perlman
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    43.057
    IHRE BEWERTUNG
    • Regie
      • James Algar
      • Gaëtan Brizzi
      • Paul Brizzi
    • Drehbuch
      • Eric Goldberg
      • James Fujii
      • Joe Grant
    • Hauptbesetzung
      • James Levine
      • Steve Martin
      • Itzhak Perlman
    • 226Benutzerrezensionen
    • 137Kritische Rezensionen
    • 59Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 4 Gewinne & 7 Nominierungen insgesamt

    Videos19

    Fantasia/Fantasia 2000 Combo: Special Edition
    Trailer 1:16
    Fantasia/Fantasia 2000 Combo: Special Edition
    Fantasia 2000: Special Edition
    Clip 0:57
    Fantasia 2000: Special Edition
    Fantasia 2000: Special Edition
    Clip 0:57
    Fantasia 2000: Special Edition
    Fantasia 2000: Special Edition
    Clip 1:14
    Fantasia 2000: Special Edition
    Fantasia 2000: Special Edition
    Clip 1:23
    Fantasia 2000: Special Edition
    Fantasia 2000: Special Edition
    Clip 1:07
    Fantasia 2000: Special Edition
    Fantasia 2000: Special Edition
    Clip 0:49
    Fantasia 2000: Special Edition

    Fotos112

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 107
    Poster ansehen

    Topbesetzung29

    Ändern
    James Levine
    • Self - Host (segment "Pomp and Circumstance"), Conductor (Chicago Symphony Orchestra)
    Steve Martin
    Steve Martin
    • Self - Introductory Host
    Itzhak Perlman
    Itzhak Perlman
    • Self - Host (segment "Pines of Rome")
    Quincy Jones
    Quincy Jones
    • Self - Host (segment "Rhapsody in Blue")
    Bette Midler
    Bette Midler
    • Self - Host (segment "Piano Concerto No. 2, Allegro, Opus 102")
    James Earl Jones
    James Earl Jones
    • Self - Host (segment "Carnival of the Animals")
    Penn Jillette
    Penn Jillette
    • Self - Host (segment "The Sorcerer's Apprentice")
    • (as Penn)
    Teller
    Teller
    • Self - Host (segment "The Sorcerer's Apprentice")
    Wayne Allwine
    Wayne Allwine
    • Mickey Mouse (segment "Pomp and Circumstance")
    • (Synchronisation)
    Angela Lansbury
    Angela Lansbury
    • Self - Host (segment "Firebird Suite - 1919 Version")
    Dennis Quaid
    Dennis Quaid
    • Self - Co-Host (segment "Pomp and Circumstance")
    Tony Anselmo
    Tony Anselmo
    • Donald Duck (segment "Pomp and Circumstance")
    • (Synchronisation)
    Russi Taylor
    Russi Taylor
    • Daisy Duck (segment "Pomp and Circumstance")
    • (Synchronisation)
    Chicago Symphony Orchestra
    • Themselves
    • (as The Chicago Symphony Orchestra)
    Kathleen Battle
    • Self - Featured Soprano (segment "Pomp and Circumstance")
    • (Gesang)
    • (Nicht genannt)
    Gaëtan Brizzi
    Gaëtan Brizzi
    • Self - Animator
    • (Nicht genannt)
    Paul Brizzi
    • Self - Animator
    • (Nicht genannt)
    Yefim Bronfman
    • Self - Pianist (segment "Piano Concerto No. 2, Allegro, Opus 102")
    • (Nicht genannt)
    • Regie
      • James Algar
      • Gaëtan Brizzi
      • Paul Brizzi
    • Drehbuch
      • Eric Goldberg
      • James Fujii
      • Joe Grant
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen226

    7,143K
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    Empfohlene Bewertungen

    8TheLittleSongbird

    Very good, but not as good as the original!

    The first problem was that there was too much introduction between the pieces. Angela Lansbury and James Earl Jones were the best, but the one with Steve Martin was unnecessary, as well as Penn and Teller. The film itself was a little short, but I enjoyed it anyway. It is beautifully animated, with good choices of music, but if anything, I wish there was more of it. I love the original, but I thoroughly recommend this as well. The animation was spot on, especially in the Pines of Rome segment. This was my personal favourite, as i thought that baby whale was so sweet. Donald Duck's version of Noah's Ark set to the music of Elgar was hilarious, as was the Carnival of the animals. The most beautifully animated was the Firebird sequence,reminding me of FernGully, telling the story of "Life, death and renewal." I am not a huge fan of Stravinsky, but the Firebird I have always considered his best work. There was also the abstract images in the Beethoven. They were ambiguous but very well done, but I didn't like the chopping of the piece itself. The section they missed out is essential to the movement's development in my opinion. The Pines of Rome sequence was outstanding I thought, I showed it to my year 4 peers 8 years ago, and they all clapped at the end of that segment but were unenthuasiastic about the rest of the film. Then Gershwin treated us with Rhapsody in Blue, telling the story of a typical day in New York. The Shostakovich was very good, but marred by the interesting but overlong introduction. Great animation and music though. The Saint Saens was funny, but the Magic Trick was pointless. Unfortunately Sorceror's Apprentice was one of the highlights in the original, but was for me the weakest segment here. The Elgar was absolutely hilarious, and the Firebird very heartfelt also I had early memories of thinking the Sprite was absolutely gorgeous. The music was very well performed by James Levine and the Chicago Symphony Orchestra. All in all, 8/10 Bethany Cox.
    9Robin-58

    An Almost Flawless Masterpiece

    Although I was aware of the original plan to renew the Fantasia concept every so often, and that it was visualised as an ongoing project, I felt that going back after 60 years was too much, and that the original classic should be left alone. However, my initial scepticism was dispelled within seconds of the opening sequence. What we have here is a lush, vibrant fusion of animation and music, each fully complimenting the other to perfection. It's hard to pick a favorite sequence, but if really pressed, for personal taste alone, it would be the awesome sequence with the whales. Mickey's Sorcerer's Apprentice sequence is the only carry over from the original, and a worthy match for it in the 2000 lineup is the Donald "Noah".

    The only criticism I have of the film is the bridging sequences, featuring Steve Martin, Penn & Teller, Bette Midler and others. I would have preferred that they stuck to one presenter, preferably James Earl Jones or Angela Landsbury. They seemed to take the material and the project far more seriously than Martin and Penn & Teller who's humor detracted from the dignity of the movie as a whole.
    8claudio_carvalho

    Beautiful Sequel of a Classic Animation

    "Fantasia 2000" is a beautiful sequel of the classic animation "Fantasia" (1940). The conductor is James Levine and each segment is introduced by the actor Steve Martin, the violinist Itzhak Perlman, the actress Bette Midler, the entertainer Penn & Teller, the actor James Earl Jones, the conductor Quincy Jones and the actress Angela Lansbury. The audio is in DTS and THX and the program is the following:

    (1) Symphony No. 5 in C minor-I. Allegro con brio, by Ludwig van Beethoven.

    (2) Pines of Rome, by Ottorino Respighi.

    (3) Rhapsody in Blue, by George Gershwin.

    (4) Piano Concerto No. 2 in F Major-I. Allegro, by Dmitri Shostakovich.

    (5) The Carnival of the Animals, Finale, by Camille Saint-Saëns.

    (6) The Sorcerer's Apprentice, by Paul Dukas.

    (7) Pomp and Circumstance – Marches 1, 2, 3 and 4, by Edward Elgar.

    (8) Firebird Suite – 1919 Version, by Igor Stravinsky.

    My vote is eight.

    Title (Brazil): "Fantasia 2000"
    GEM-20

    I Keep Thinking About It...

    Obviously, the original "Fantasia" was the state of the art when it was released in 1940. In fact, it remained there for many years. From an animation standpoint, I think Disney finally topped it when they released "Sleeping Beauty" in 1959. Still, as an accomplishment, I believe that "Fantasia" was Walt Disney's finest achievement.

    He certainly wanted the idea of "Fantasia" to continue, but as time went on, it seemed that it would never happen. Our tastes in animation became more and more sophisticated along with the greater advancements we have seen in animation in the last decade. When Disney released the original "Fantasia" on video in 1991, many who had seen it criticized the film as being too arty, with long segments that would not appeal to children.

    Perhaps many people thought that the word "Disney" always should be associated with kids. That is unfair, for Walt would have wanted all ages of people to enjoy his films.

    When Roy Disney announced a few years ago that Disney was making a new "Fantasia", I was surprised and excited. In the time that movies like "The Lion King", "Aladdin", "Toy Story", and "A Bug's Life" were taking in huge sums of cash, it seemed that Disney was willing to take the risk again and make the film anyway.

    What a treat it is! Most of the segments of the film stayed in my memory for days, as did the music. There is true genius in "Fantasia 2000" in the connections of imagery to music. For example, the combination of Gershwin's "Rhapsody In Blue" the Al Hirschfeld-style caricatures was so perfect that the music seemed written for that type of visual presentation.

    "Fantasia 2000" left me breathless and practically speechless. I even enjoyed the celebrity introductions throughout the picture.

    Using my preferred four-star rating system, I would give "Fantasia 2000" this:

    ****-

    The minus is there for the only criticism I have of it: Too short! The original "Fantasia" was a two-hour event, while "Fantasia 2000" was only 74 minutes. That is the same length as most other Disney animated features. Was 74 minutes determined by: a. Expense of the budget, or b. The expected length of children's attention spans?

    From the depth of my heart, I recommend "Fantasia 2000". It left me wanting more. George
    8LeRoyMarko

    Surprising

    We had two kids at home and I went to rent to one thinking it was a typical Disney movie. I was wrong, but the kids still liked it.

    I was surprise by the musical choice in this one. Great classical pieces. And the animation is very well done. Some segments better than others.

    I got to see this one on a regular tv-set, but I guess you should try to see it on an IMAX screen, or at least a cinema screen.

    Out of 100, I gave it 81. That's good for *** out of ****.

    Seen at home, in Toronto, on June 15th, 2002.

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    Handlung

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    Wusstest du schon

    Ändern
    • Wissenswertes
      The Broadway ending sequence of "Rhapsody in Blue" contained so many different colors (over 200) that the CAPS system had trouble rendering it, causing delays in the production of Tarzan (1999).
    • Patzer
      In "Rhapsody in Blue", a sign inside Monica's cafe reads "2 EGGS ANY STYLE 25c". A sign outside the cafe reads "2 EGGS 10c".
    • Zitate

      James Earl Jones: [introducing the Carnival of the Animals] These drawing boards have been the birthplace of some of the most beloved animal characters of all time. So it's no surprise that they choose for our next segment, "The Carnival of the Animals" by Camille Saint-Saëns. Here the sensitive strains of impressionistic music combine with the subtle artistry of the animator to finally answer that age old question: "What is man's relationship to nature?"

      [is handed a piece of paper]

      James Earl Jones: Oh, sorry... That age old question: "What would happen if you gave a yo-yo to a flock of flamingos?"

      [turns to look off-camera]

      James Earl Jones: Who wrote this?

    • Crazy Credits
      Right after the final credits, you hear Steve Martin's voice, wondering out loud if he's still on camera, then realizes it's the end of the movie. He then asks the audience, 'Can I have a ride home?'
    • Alternative Versionen
      The Rat Scene from Piano Concerto No.2
    • Verbindungen
      Edited from Fantasia (1940)
    • Soundtracks
      Symphony No. 5
      Written by Ludwig van Beethoven

      Performed by James Levine and the Chicago Symphony Orchestra

    Top-Auswahl

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    FAQ

    • How long is Fantasia 2000?Powered by Alexa
    • How come many of the pieces do not follow a story?

    Details

    Ändern
    • Erscheinungsdatum
      • 20. Juli 2000 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Fantasia/2000
    • Drehorte
      • Walt Disney Feature Animation - 500 S. Buena Vista Street, Burbank, Kalifornien, USA(Walt Disney's house)
    • Produktionsfirmen
      • Walt Disney Pictures
      • Walt Disney Animation Studios
      • Walt Disney Feature Animation
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 80.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 60.655.420 $
    • Eröffnungswochenende in den USA und in Kanada
      • 2.290.525 $
      • 2. Jan. 2000
    • Weltweiter Bruttoertrag
      • 90.874.570 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 15 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • DTS
      • Dolby Digital
      • SDDS
      • IMAX 6-Track

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