Der skrupellose Ravens bahnt sich brutal den Weg zur legendären Dschungelstadt Opar. Viscount Greystoke leidet unter Albträumen und kehrt nach Afrika zurück, um als Tarzan mit dem Schamanen ... Alles lesenDer skrupellose Ravens bahnt sich brutal den Weg zur legendären Dschungelstadt Opar. Viscount Greystoke leidet unter Albträumen und kehrt nach Afrika zurück, um als Tarzan mit dem Schamanen Mugabe den Raub des Opar-Schatzes zu verhindern.Der skrupellose Ravens bahnt sich brutal den Weg zur legendären Dschungelstadt Opar. Viscount Greystoke leidet unter Albträumen und kehrt nach Afrika zurück, um als Tarzan mit dem Schamanen Mugabe den Raub des Opar-Schatzes zu verhindern.
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- Ravens
- (as Steve Waddington)
- Schiller
- (as Gys De Villers)
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In 1913, John Clayton aka Tarzan (Casper Van Dien) is preparing to marry Jane Porter (Jane March) in England. But suddenly, he receives a vision sent by a shaman named Mugambe (Winston Ntshona), informing him that explorer and treasure hunter Nigel Ravens (Stephen Waddington) is plundering African villages in search of the lost city of Opar. Now, Tarzan must return to Africa to stop Ravens while Jane follows him to assist on his adventure.
First of all, the story is pretty humdrum and shows little faithfulness to the source literary material. For example, the origin of Tarzans name came from his tribe of apes, not the natives. Jane is American, not British. And Opar is portrayed almost completely differently as a gigantic pyramid instead of an actual city. And finally, with the uncharacteristic supernatural elements, it felt like director Carl Schenkel was going for an Indiana Jones styled adventure, but it all went wrong.
Everyone was miscast here. Casper Van Dien proved he was worth his salt in Starship Troopers and might have made an acceptable Tarzan with his build, but he was no Johnny Weissmuller or Christopher Lambert. His awful fake British accent didn't help. Jane March isn't even trying as she apathetically mutters her lines and is a run-of-the-mill damsel in distress who mostly just complicates things for Tarzan. Finally, Steven Waddington just isn't tough or intimidating enough as a villain to impress the intended child audience, let alone challenge the King of the Apes.
The special effects were very poor and spoke volumes of the films modest $20 million budget; its quality looked similar to the more enjoyable TV series "Tarzan: The Epic Adventures" from 1996-1997. We see badly made slow-motion effects and choppy camera work everywhere. Tarzan's ape friends were men wearing ridiculously fake looking suits and Mugumbe's CGI Cobra form is very cheesy, even for 1998. And, finally, due to the PG rating and a desire to make this a kid's film, the action scenes aren't that exciting or impressive. Almost everything in this film felt stale.
There were some redeeming qualities though. I loved the beautiful landscape of South Africa where filming took place, from the lush jungles to the savannah fields. The porters in Ravens expedition sang a pretty catchy song while crossing a field, and the soundtrack composed by Christopher Franke had some decent pieces here and there. The massive pyramid of Opar itself, which was made with practical effects, looked fairly impressive. Finally, there was some pretty nice footage of real animals to counter the fake gorillas, including a Chimp named Jebba.
In the end, this was a bold but failed attempt to create a modern Tarzan in the 90's that didn't do Casper Van Dien's career any favors, and there wouldn't even be another live action Tarzan flick until 2016. So don't watch this unless you're either bored or a massive fan.
Tarzan is as eternal on the screen in his history as Sherlock Holmes. Both of them if you remember were brought up to date during World War II to aid the Allied effort. And Tarzan had several modern adventures through his many films and television roles right up through the nineties.
But on the cusp of a new millennium the Ape Man is returned to the period in time where Edgar Rice Burroughs set him in, clearly in British colonial Africa. Tarzan in fact has returned home to claim the title of the Earl of Greystoke and he's going to marry Jane March as Jane Porter.
But Van Dien gets one of those instinctive feelings, the kind that Chuck Norris gets when his Cherokee people are in trouble on Walker, Texas Ranger. He postpones the wedding to an exasperated Jane and heads to Africa.
Some of his native friends are indeed in trouble. A scientist who's hired a bunch of what would be called trailer park trash now is on the verge of discovering a lost city with untold wealth. It will make things worse than ever for the natives under colonialism if this archaeological Holy Grail is discovered.
Casper tries to reason with the scientist and then takes the more Tarzan like approach to the problem. But things do get real complicated when Jane follows him to Africa.
Tarzan and the Lost City is an old style adventure story with the benefit of 90s computer graphics. It's also politically sensitive, not portraying the natives as they were in those old Tarzan films from the studio days. And of course it's filmed entirely in Africa, certainly not done by MGM or RKO back in the day.
In the jungle Casper's great to look at and a wonder to behold. But why did he try to adopt that English accent. He sounded silly when he used it. You notice Johnny Weissmuller never even attempted one. Of course they did keep his dialog to a minimum.
Despite the accent, this latest big screen Tarzan is a good film and Casper Van Dien is a worthy successor to Johnny Weissmuller, Lex Barker, Gordon Scott, etc.
I thought this movie was surprisingly good and came closer to capturing the flavor of Burroughs' later Tarzan novels than anything else I have seen. Burroughs, after all, was primarily a fantasy writer and there is no point in holding his fiction to any "realistic" standard. The production standards were quite good and I liked the principal actors. In fact, Van Dien may be my second favorite Tarzan, after Gordon Scott.
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- WissenswertesJebba the chimp bit Casper Van Dien on the Chin during a photo shoot. Van Dien had to get tetanus shot but was apparently okay.
- Zitate
[repeated line]
Nigel Ravens: Welcome to the 20th century!
[last lines]
Nigel Ravens: I see it... the light... so bright
- VerbindungenFeatured in The Blockbuster Buster: Tarzan & the Lost City (2012)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
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- Auch bekannt als
- Tarzan and the Lost City
- Drehorte
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Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.172.941 $
- Eröffnungswochenende in den USA und in Kanada
- 1.110.564 $
- 26. Apr. 1998
- Weltweiter Bruttoertrag
- 2.172.941 $
- Laufzeit1 Stunde 38 Minuten
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1