Ein von Gorillas aufgezogener Mann muss entscheiden, wo er wirklich hingehört, als er entdeckt, dass er ein Mensch ist.Ein von Gorillas aufgezogener Mann muss entscheiden, wo er wirklich hingehört, als er entdeckt, dass er ein Mensch ist.Ein von Gorillas aufgezogener Mann muss entscheiden, wo er wirklich hingehört, als er entdeckt, dass er ein Mensch ist.
- 1 Oscar gewonnen
- 11 Gewinne & 23 Nominierungen insgesamt
Tony Goldwyn
- Tarzan
- (Synchronisation)
Minnie Driver
- Jane
- (Synchronisation)
Brian Blessed
- Clayton
- (Synchronisation)
Glenn Close
- Kala
- (Synchronisation)
Nigel Hawthorne
- Professor Porter
- (Synchronisation)
Lance Henriksen
- Kerchak
- (Synchronisation)
Wayne Knight
- Tantor
- (Synchronisation)
Alex D. Linz
- Young Tarzan
- (Synchronisation)
Rosie O'Donnell
- Terk
- (Synchronisation)
Jack Angel
- Monkey
- (Synchronisation)
Joseph Ashton
- Ape Boy
- (Synchronisation)
Bob Bergen
- Vincent Snipes
- (Synchronisation)
- (as Robert Bergen)
Billy Bodine
- Baby Ape
- (Synchronisation)
- (as Billy Warden Bodine)
Hillary Brooks
- Female Gorilla
- (Synchronisation)
Rodger Bumpass
- Elephant
- (Synchronisation)
- (as Roger Bumpass)
Lily Collins
- Baby Ape
- (Synchronisation)
Kat Cressida
- Kala (gorilla vocal effects)
- (Synchronisation)
Empfohlene Bewertungen
Imagine six 50-something and 60-something men and women watching this version of "Tarzan" (Disney, animated)on DVD and at the end, some of them saying "that is the best movie I have ever seen." Well, I can't personally say it was *the best* I've ever seen, but for sheer entertainment there haven't been many better.
The story is very familiar to most of us, and this version sticks to the tried and true (!) very well. The novelty are in the eye-popping Disney animation, the humorous script, and the "delivery" of the lines by the various celebrity voices. I bought the DVD because I want to watch it periodically, and also with my grandchildren as they grow up.
The "extras" on the DVD are really fine. Recording of the "Trashing the Camp" music is featured, plus a few other equally interesting features. The best being a film "short" of the animated Disney feature "Dinosaur" slated for release in May 2000. I'm going to buy that one too!
I gave this movie a solid "9" of "10" for sheer enjoyment.
The story is very familiar to most of us, and this version sticks to the tried and true (!) very well. The novelty are in the eye-popping Disney animation, the humorous script, and the "delivery" of the lines by the various celebrity voices. I bought the DVD because I want to watch it periodically, and also with my grandchildren as they grow up.
The "extras" on the DVD are really fine. Recording of the "Trashing the Camp" music is featured, plus a few other equally interesting features. The best being a film "short" of the animated Disney feature "Dinosaur" slated for release in May 2000. I'm going to buy that one too!
I gave this movie a solid "9" of "10" for sheer enjoyment.
Animated Disney films always seem to be the same in hindsight. It's only when the directors get the inclination to try something bigger that the films achieve a legendary status. It's been ten years since this new Disney renaissance began with "The Little Mermaid", the new "Tarzan" represents exactly what is wrong and what is so very right with the Mouse House's approach to the animated features.
During these last ten years, the studio has learned what's worked, and what doesn't. Disney always plays it safe. The "Tarzan" opening is very similar to the mega-successful "The Lion King". They compress the entire backstory into a 10 minute opening, and it works like a charm. We all have to admit that Phil Collins hasn't done anything substantial in the last ten years as well, yet his songs for this new film are spot on. They narrate the film and guide the audience perfectly through this loose adaptation of the Edgar Rice Burroughs novel. Having been weaned on poor character songs throughout the years, it's deliciously blasphemous to not have to sit through 5 or 6 god awful musical numbers that even the composers don't seem to like. It brings an unexpected freshness to this well-known material. With "Tarzan", Disney is taking on a character and story that has gone through countless adaptations. This animated approach seems to fit just right. By not having to rely on a physically impressive (but poorly expressive) actor, the animators have created the most believable Tarzan yet. He glides through the jungle with ease, dragging behind his the well worn knuckles of an ape-man. It's probably one of Disney's most impressive creations, even though it is one so renowned. Tony Goldwyn brings the voice of Tarzan to life with unexpected sweetness. While used sparingly, Goldwyn manages to capture the character with ease. I also enjoyed Minnie Driver's spunky voice for Jane, making her the most palatable animated heroine since Lady. Rosie O'Donnell is about as grating as you might suspect and Glenn Close is perfect as Tarzan's ape mother. It's the villain that Disney needs to work on. While watching "Tarzan" you can easily feel that the addition of the bad guy is superfluous. He's just there because the filmmakers think we can't go without it. They're dead wrong. The flick is filled with lush visuals (courtesy of the more prominent GCI work), grand music, and a strong story. We don't need forced conflict. The conflict within is what "Tarzan" is all about. The rogue brings the film down more than it should. Coming out of "Tarzan" I had feelings I haven't felt from a Disney production in some time. I was moved by the material, shockingly filled with emotion. I came out of the theater humming the music, not an easy thing in the years of "Mulan" and "Hunchback". I also came out impressed that Disney might be making baby steps to a new and brighter future of animated films. I look forward to it. ------------ 7
During these last ten years, the studio has learned what's worked, and what doesn't. Disney always plays it safe. The "Tarzan" opening is very similar to the mega-successful "The Lion King". They compress the entire backstory into a 10 minute opening, and it works like a charm. We all have to admit that Phil Collins hasn't done anything substantial in the last ten years as well, yet his songs for this new film are spot on. They narrate the film and guide the audience perfectly through this loose adaptation of the Edgar Rice Burroughs novel. Having been weaned on poor character songs throughout the years, it's deliciously blasphemous to not have to sit through 5 or 6 god awful musical numbers that even the composers don't seem to like. It brings an unexpected freshness to this well-known material. With "Tarzan", Disney is taking on a character and story that has gone through countless adaptations. This animated approach seems to fit just right. By not having to rely on a physically impressive (but poorly expressive) actor, the animators have created the most believable Tarzan yet. He glides through the jungle with ease, dragging behind his the well worn knuckles of an ape-man. It's probably one of Disney's most impressive creations, even though it is one so renowned. Tony Goldwyn brings the voice of Tarzan to life with unexpected sweetness. While used sparingly, Goldwyn manages to capture the character with ease. I also enjoyed Minnie Driver's spunky voice for Jane, making her the most palatable animated heroine since Lady. Rosie O'Donnell is about as grating as you might suspect and Glenn Close is perfect as Tarzan's ape mother. It's the villain that Disney needs to work on. While watching "Tarzan" you can easily feel that the addition of the bad guy is superfluous. He's just there because the filmmakers think we can't go without it. They're dead wrong. The flick is filled with lush visuals (courtesy of the more prominent GCI work), grand music, and a strong story. We don't need forced conflict. The conflict within is what "Tarzan" is all about. The rogue brings the film down more than it should. Coming out of "Tarzan" I had feelings I haven't felt from a Disney production in some time. I was moved by the material, shockingly filled with emotion. I came out of the theater humming the music, not an easy thing in the years of "Mulan" and "Hunchback". I also came out impressed that Disney might be making baby steps to a new and brighter future of animated films. I look forward to it. ------------ 7
The true measure of a family film is to watch a child's reaction. My (normally jumpy) three-year-old sat with enraptured glee through this movie and was able to articulate the plot back to me with amazing detail. That's not a parent's rambling, its a credit to a brilliant movie. Tarzan ranks just below Beauty and the Beast and Little Mermaid in the list of the best of Disney's new films.
Disney formula (rogue orphan, evil villain pretending to be a friend, whacky sidekick, neurotic friend and lots a snappy tunes) has never been more apparent, but it works perfectly. But the real joy of this movie is its breathtaking beauty and the message of living without prejudice.
Don't expect anything new from Disney, and do not expect a detailed retelling of the original novel. But do expect to see their product refined even further and at its best since Beauty and the Beast. This is a kid's movie, but any grown-up can like it. Minnie Driver and Wayne Knight provide the best voice overs.
As my six-year-old daughter told me once, "I like movies with scary beginnings, silly middles and happy endings." Needless to say, she loved Tarzan. **** out of ****.
Disney formula (rogue orphan, evil villain pretending to be a friend, whacky sidekick, neurotic friend and lots a snappy tunes) has never been more apparent, but it works perfectly. But the real joy of this movie is its breathtaking beauty and the message of living without prejudice.
Don't expect anything new from Disney, and do not expect a detailed retelling of the original novel. But do expect to see their product refined even further and at its best since Beauty and the Beast. This is a kid's movie, but any grown-up can like it. Minnie Driver and Wayne Knight provide the best voice overs.
As my six-year-old daughter told me once, "I like movies with scary beginnings, silly middles and happy endings." Needless to say, she loved Tarzan. **** out of ****.
From 1989 to 1999, Walt Disney studios created some of the most amazing, mind-blowing animated movies of all time. From the little mermaid to beauty and the beast, from Aladdin to the lion king, from Pocahontas to Hercules, and finally, Mulan to Tarzan, these movies still hold their staying power to today. However, Tarzan was the last of these films, from the period known as the Disney Renaissance. Disney remains a popular animation studio in the public eye, but no one could deny how popular they were throughout the 1990s.
Tarzan itself is based upon the novels by Edgar Rice Burroughs and the movies from the 1930s. Tarzan is a baby who loses his parents, and is adopted by a family of gorillas, who raise him up as their own.
For a Disney film, this one is one of the best. For a renaissance film, It's not the best of them. I still like to say that the first 2 (The Little Mermaid & Beauty and the Beast) were the best. I know that some Disney fans would chew on me for not saying The Lion King, but that's just my personal preference.
I still think it's a great movie, worthy of being part of the collection of Disney's best.
9/10
Tarzan itself is based upon the novels by Edgar Rice Burroughs and the movies from the 1930s. Tarzan is a baby who loses his parents, and is adopted by a family of gorillas, who raise him up as their own.
For a Disney film, this one is one of the best. For a renaissance film, It's not the best of them. I still like to say that the first 2 (The Little Mermaid & Beauty and the Beast) were the best. I know that some Disney fans would chew on me for not saying The Lion King, but that's just my personal preference.
I still think it's a great movie, worthy of being part of the collection of Disney's best.
9/10
Okay. They rewrote the whole legend. But Disney has an unerring way of doing that. Anyone remember Pocahontas? They even changed Cinderella, Snow White, and every other Disney Masterpiece sitting on your shelves, so why does it matter that this, too, was changed?
It matters on several different levels, but the most important reason it matters is because Disney, in their positioning among the children's entertainment market, is in the unique position to actually teach these legends, these snippets of history, these morals and ethics, to the children of their audiences, rather than proffering sugar-coated, merchandized over-glorifications in exchange for the great American dollar.
That having been said, this is still an entertaining introduction to the legend, but I highly suggest "Greystoke: The Legend of Tarzan, Lord of the Apes," (1984), directed by Hugh Hudson. It is the most faithful adaptation I've ever seen, and a highly enjoyable adventure, which carries a PG rating and is safe for most ages to view.
A lot has been said about the deep canvas effect used throughout the jungle scenes, and I must admit that I found the technique highly effective and extremely well done. I do computer graphics myself, and I was very impressed with the 3D effects throughout, including the water variants and textures used in the ship scenes, the fire effects used in the jungle, and the smoke effects from the guns used by the poachers. The textures and backgrounds were absolutely stunning, and for me, as a graphics artist, that's what I look for when I view a quality animation.
Very good endeavor.
It rates an 8/10 from...
the Fiend :.
It matters on several different levels, but the most important reason it matters is because Disney, in their positioning among the children's entertainment market, is in the unique position to actually teach these legends, these snippets of history, these morals and ethics, to the children of their audiences, rather than proffering sugar-coated, merchandized over-glorifications in exchange for the great American dollar.
That having been said, this is still an entertaining introduction to the legend, but I highly suggest "Greystoke: The Legend of Tarzan, Lord of the Apes," (1984), directed by Hugh Hudson. It is the most faithful adaptation I've ever seen, and a highly enjoyable adventure, which carries a PG rating and is safe for most ages to view.
A lot has been said about the deep canvas effect used throughout the jungle scenes, and I must admit that I found the technique highly effective and extremely well done. I do computer graphics myself, and I was very impressed with the 3D effects throughout, including the water variants and textures used in the ship scenes, the fire effects used in the jungle, and the smoke effects from the guns used by the poachers. The textures and backgrounds were absolutely stunning, and for me, as a graphics artist, that's what I look for when I view a quality animation.
Very good endeavor.
It rates an 8/10 from...
the Fiend :.
Wusstest du schon
- WissenswertesThe signature "Tarzan yell" is provided by Brian Blessed, the voice of this movie's villain Clayton. because after noticing that Tony Goldwyn could not make a convincing scream, Blessed went to one of the producers to tell him that he could do it, the producer refused at first but after he yelled in front of him, he accepted.
- PatzerThe noises the gorillas make are sounds of chimpanzees. Gorillas' vocalizations are mainly roars, growls, and grunts.
- Crazy CreditsDuring the Walt Disney Pictures opening logo, the background turns into that of a jungle.
- Alternative VersionenIn most foreign prints of the movie (specifically the European Spanish and German versions), "Son of Man" and "Strangers Like Me" replace "You'll Be In My Heart" and "Two Worlds", respectively, in the credits.
- VerbindungenEdited into Zenimation: Discovery (2020)
- SoundtracksTwo Worlds
Music and Lyrics by Phil Collins
Produced and Arranged by Phil Collins and Mark Mancina
Performed by Phil Collins
Orchestra Conducted by Mark Mancina
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Tarzán
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 130.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 171.091.819 $
- Eröffnungswochenende in den USA und in Kanada
- 34.221.968 $
- 20. Juni 1999
- Weltweiter Bruttoertrag
- 448.192.603 $
- Laufzeit
- 1 Std. 28 Min.(88 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen