Such a Long Journey

It is wonderful to watch Roshan Seth (the strict father in 1992 "Mississippi Masala"), who once again takes on the role of a father and head of the family, and more, in SUCH A LONG JOURNEY, set in 1971 Bombay, India. Besides the closely knit family settings, subject matters include the lost and found of a friendship; the unexpected death of a friend (somehow the calm smiling face of a friend in death in the presence of prayers felt peaceful - so Gustad Noble, Roshan's character, similarly noted); a sidewalk artist's chain of events - "the wall as a latrine turned into a shrine…shrine into rumbles and ashes" was at once prophetic and philosophical. It's packed full of life lessons in different aspects of varying relationships: between father and son; mother and son; father and little daughter; little daughter and father and mother; longtime colleagues; long lost dear friends; even that of a man to man, one whose an innocent slow-witted "fool".

In spite of the tone of the film's era, it's a colorful film rich in substance, and the strength of the story in textural layers with humor and suspense. For a director who is not Indian (Sturla Gunnarsson being Icelandic), he's made a political Indian/Pakistani film. He gets into the bone marrow of the life of this Parsi portrayed by Roshan Seth, whose performance has such nuances, subtlety, and joy. (There is singing, too.) The rest of the cast is equally strong: from Om Puri the mysterious friend of a friend; Soni Razdan the enduring wife; Vrajesh Hirjee the argumentative eldest son; Sam Dastor the longtime office mate; Ranjit Chowdhry the pavement artist; to a superstitious "witch" woman of a neighbor; an unbeguiling "fool" of a man; and a long lost bosom friend - it's a world of many faces and perspectives. Director Gunnarsson has demonstrated sensitivity in the treatment of that time period and subject was well researched with attention to details. He has the good fortune to have Sooni Taraporevala (1992 "Mississippi Masala", 1988 "Salaam Bombay!") wrote the script. This is truly a worthwhile journey of a film to partake.

Along the lines of cultural exploration (road movie style), Fridrik Thor Fridriksson 1994 "Cold Fever" is an Icelandic sojourn about a Japanese young man who went across the globe in search of the specific spot to pay his last respects to his parents, dutifully following memorial rituals for the dead. Such demonstrated reverence and cross-cultural attention to family ties are heart-warming in this day and cyber age.

A bank clerk in Bombay faces conflict within his family and on his job. Slice-of-life drama during the 1971 war with Pakistan. Elegant, extraordinary performances detail the lives of ordinary people. (Rating: A)

First I must admit to being biased... I worked on this film as the boom operator. But, that also makes me a tough critic. The film is outstanding. Having been part of the process of making this film I can say truthfully that it captured some of the transcendent qualities of India, the Parsis, and of Bombay (now Mumbai). It looks great. I think it sounds decent, but what is most remarkable about this film is the warm characters (written by Rohinton Mistry, adapted to the screen by Sooni Tapooravela [probably spelled that wrong], and brilliantly acted by the likes of Roshan Seth, Soni Razdan, Om Puri, and Kerush Deboo).

A great film. The acting - from the doctor to the pavement artist to the head prostitute, with very few exceptions, was wonderful; i thought soni razdan(mrs.noble) and vrajesh hirjee(saurabh) were the best of the lesser known actors. Even Kurush Deboo (Tehmul), who might be accused of overacting, presented quite a believable and familiar character.

Another great thing was the camera work - and the way it captured the energy of bombay streets, the tranquility of gustad saying his prayers and life within the tiny apartments.

I liked the story of the wall that becomes a shrine and then gets broken down - and the artists philosophical take on it.

It's great to see good movies on indian themes.

This film was well scripted, well acted, and beautiful. It captures so much of what life is like for millions around the world not just in Bombay. We all have to deal with the human condidtion. We all have a parent-child relationship. We all have concerns about the quality of life in our immediate community, and are all ultimately affected by events on the international stage. I especially liked the philosphy of the street artist.

We have seen some of these actors before in bit parts in more mainstream films, but they all did such a fine job that I hope they continue to find parts in films worthy of their talents.