Jackpot - Krach in Atlantic City

I am a fan of Larry David, both of SEINFELD and his brilliant recent HBO special he starred in, but this is an utter disaster. A script that never should have been filmed. The main plot of money coming between cousins quickly grows tired (maybe this was a plot for a Seinfeld that never got used where George would give Kramer two quarters that he uses to hit a jackpot - might work in a twenty two minute sitcom, but not a feature film) Everyone is miscast 9even the usually steady Stephen Webber. Craig Bierko is awful, mugging and aping like Kramer's stand-in.) The character of the Jewish mother is such a cartoon and so one note. There are maybe three good jokes in the whole thing. The movie plays out like a car wreck - you find you can't look away because of the slim hope you might find a survivor!

I absolutely love this movie. Steven Weber and Craig Bierko are a spectacular duo, and I find each of them bloody hilarious (individually).

A lot of people either didn't like or hated this movie, and that's okay. But, I do not understand those people.

"Sour Grapes" was one of three movies that I used in order to vet an old girlfriend's personality. Thankfully, she laughed at all of the right jokes and is now my wife! The other two in that list were "Real Men" (Jim Belushi and John Ritter) and "The Impostors" (Stanley Tucci and Oliver Platt).

If you like movies with neurotic and/or idiosyncratic characters, please try any one of the three I've mentioned in this review.

"He gets nothennnggg... NOTHENNNGGGGG!!!!".

If I had believed all the negative on-line reviews for this film, I probably never would have rented it. But I'm very glad I didn't pay heed. While "Sour Grapes" may not quite reach the comedic heights of Larry David's "Curb Your Enthusiasm" on HBO, there's enough of David's hilarious, mean-spirited, offbeat humor to please any fan of his classic comedy series (oh, yeah, and Seinfeld fans, too). The circuitous way the plot unfolds and then crazily accelerates is very much in the style of both series and the two leads, especially the under-appreciated Craig Bierko,are great. Director and writer David takes perfect aim at such diverse targets as overbearing mothers (the actress in this part is wonderful), dutiful sons, feckless sitcom stars, brain surgeons (who shouldn't fiddle around with testicles), and homeless people. I can see why this film was a flop at the box-office. Larry David is an acquired taste and better suited to a niche audience on cable. But if you like anything else he's done, you shouldn't miss this overlooked little beauty.

Although it's been a long time since I've seen Sour Grapes, the experience of seeing it- preferably alongside another Seinfeld fan- was fairly pleasant, in that biting Larry David tone. This was the only time David wrote and directed a film, and it does show that he's giving a good try to tell a story within the framework of a film feature all the way through. It's somehow quite an entertaining piece of quietly (or not so quietly) deranged satire on envy, sexual frustration, and the condition of a principle of something. The premise is simple- two good friends go out to Las Vegas to gamble, one friend asks the other for a quarter for a slot machine, and via the quarter in the slot machine the guy wins a helluva lot of money. By the friend with the original quarter's estimation, a part of that change is his, but the friend now says that it isn't. A likely Seinfeld sub-plot is stretched out so that the ideas are given a little breathing room, even if one recognizes that, perhaps, it would be a masterpiece if it were simply a Seinfeld episode, or more appropriately a Curb Your Enthusiasm with even more acidic humor and total unease thrown at the situation.

Around the premise, David also tosses in a supporting character who has one of his testicles removed- the wrong one by the doctor, who is one of the friends- and despite his now high voice (ho-ho) he seeks out some payback. That's one of the clearest big gags, as obvious as it is, is the moment when the 'testicle-man', as one might be tempted to describe him, is told by the doctor that the wrong one was taken out during surgery, to his immediate fainted response in a cut-away. On top of this, David experiments with some stupid sex humor (not that there wasn't at least a little later on on CYE, eg Jeff's mother's ass at a stoplight), like with Bierko's character in the self-humiliation of not being able to, um, 'service' himself in a certain way, under the stress of the tear in the friendship. As mentioned, none of this really makes for the kind of classic comedy one might expect, or crave, from maybe one of the only geniuses (yeah, I said it) working in comedy today. But as almost something of a fluke, it does its job well.

It's so funny that I didn't know Larry David wrote the script to this movie, because the whole time I was watching it I kept saying "That scene was just like something out of Seinfeld." or "That character reminds me of George Costanza" or "He kinda reminds me of Kramer.".

Larry David applies his unique brand of comedy to this script very well. It literally plays out like a long "Seinfeld" or "Curb Your Enthusiasm" episode. All the elements are here. Especially the way everything is related in the end.

The movie also has some really good performances from the cast, namely Steven Weber and Craig Bierko. Both of them are very fun to watch here. You can tell they must have had fun making the movie, because they work together very well.

Like I said, very Seinfeld-ish. Now that you know Larry David wrote it, you'll notice even more Larry David elements within the movie. They're everywhere when you consider the structure of the plot, the amplified & quirky characters etc...