Teurer als Rubine

Well, I switched on the television late one night, and came across this movie. It was just starting, and being a Modern Orthodox Jew in the Diaspora it made me interested to watch it. I started and got really into the movie, later I was wrong -the whole movie was wrong.

Firstly, let me tell you that sexual intercourse is considered to be the Holiest Mitzvah, it is also a mitzvah for a man to satisfy his wife. I have been to Yeshiva and it was taught that a man is obliged to get married and to SATISFY HIS WIFE COMPLETELY. If it is the choice of studying the Torah or being with his partner, the choice is to satisfy the partner (of course). Why did the movie not point that one out?

Second: This is such an anti - religious movie. WHY? So, that the young Jewish women on verge for getting married will get scared away? And marry out?

Thirdly: The main character must have been really inconsiderate and immoral. A religious Jewish couple does NOT get married just for the sake's of getting married. The get married to satisfy their complete goals and potentials in live. Before the wedding the two people sit down and talk about what they want? What goals would they want to reach? and if they are heading down the same path!

Last, why does nobody ever show Judaism in all it's glory and passion and livelihood as it should be? Why is it always bad? We get shown rocks being thrown at cars in Mea'Shearim, but the commentators forget to tell us that it is Shabbat.

I disliked this movie very much. If all Jewish marriages are like that, then why is there such a small divorce rate? Why do people love each other and are inseparable? While, in the Western Society why are the break - ups of people so high? The suicide? The crime? Why is there so much disgust in the world we live in now?

Well, I thought this was a great film. A tale of desperation in a young woman's personal search, this film offers an intense experience for the viewer. Sonia embarks on a search for not only herself but also her place in the world and for the duration of the film Renee Zellweger gave Sonia the precise dignity and emotion that the role deserved. The supporting cast were strong, Juliana Margulies certainly showing that she's doesn't always play the 'nice girl'. Christopher Eccleston was convincingly wicked and Glenn Fitzgerald puts in a credible performance as Mendel, capturing the essence of the role commendably.

Yakin, although sometimes a little predictable juxta positioned shots poetically and dealt with the depths of the situation with a suitable depth of character investigation. I think definitely a 'chick flick', generally the issues dealt with in the movie were of a feminine nature and I would think that the emotional dominion, would have it seldom appeal to a male audience. It's recommended viewing although it is a deep movie so make sure you're in the mood. 3.5-4 out of 5

The cast is remarkable.

Rene Zellweger gives the performance of her life hovering between wanting to be respectful and to blossom as a business woman and mother.

She is so much smarter than her husband and wants so much more than she has that your heart aches for her. By the end of the movie the bright caterpillar is on its way to being a butterfly.

The movie accurately depicts the present condition of the Hasidic movement in New York and Brooklyn and shows its strengths and weaknesses. The jewelry business is depicted as neither black nor white, but a series of grays.

This is a great film and Rene Zellweger should be toasted for risking much and achieving more. Carol Kane was wonderful in Hester Street and Amy Irving likewise in Crossing Delancy. But Rene Zellweger soars.

Having come from a similar background to the main character, Sonia Horowitz, I was able to empathize with her plight. Although there is much to be admired in the world of Orthodox Judaism, and Hasidism in particular, it is a community with a narrow, ethnocentric perspective with little latitude for behavior outside the philosophical norm. Many in the community who strive to exceed the acceptable boundaries find themselves isolated and ostracized for their non-conformal attitude. Sonia's journey, though not typical, had some of the elements I have personally experienced.

I must note, however, that the sexual intercourse scene between Sonia and Mendel, where they perform the act fully clothed, is not technically correct. Jewish law actually expects that the couple be completely unclothed. It places the burden upon the husband to satisfy his wife to the best of his ability. I realize to what purpose the scene was done the way it was, but it incorrectly portrayed a very private and sacred part of Jewish life.

I was deeply affected by this independent film targeted to a fairly limited audience. Renee Zellweger, a Catholic/Episcopalian Texas native, turned in a remarkable performance, and got many of the nuances right, as did many of the other performers.

An ode to unconformity, the all-time human right to be different. The heroine Sonia is a member of an apparently highly traditional Jewish society. Traditional values and ethics are an every-day practice, the 'law' everyone lives by and to which everyone abides without questioning. Hence a break from the norm is considered high treason. However Sonia finds it difficult to conform. Although a fierce battle rages inside her, she has to live with her identity and consider the people she loves before trying to free herself from rules and commitments.