Ein perfekter Mord

Micheal Douglas (Steven) and Gwenyth Paltrow (Emily) are a married couple. Emily falls in love and has an affair with a young painter, David Shaw (Mortensen). Hiding the affair and making a tense move, Emily is put in the position to tell Steven or not. One way or another Steven has a plan, a plan to murder his own wife....with a little help from the someone else.

I really love this movie. I try to watch it as much as possible. In this movie it is set to the level of Micheal Douglas's creepy and insanity side of his acting. He scared me so much that I didn't feel comfortable about seeing this for the first time. Gwenyth Paltrow on the other hand, plays a very innocent and lovely role. She really doesn't have a clue what Steven and David are up to in this twisting thriller. Viggo is absolutely excellent in this movie. He gave an outstanding role and put another character on my favorite list. This is a very good movie and I recommend this movie to Alfred Hitchcock and mystery/murder fans. I would rate this 10/10

Hitchcock's DIAL M FOR MURDER was based on the Frederick Knott play of the same name. A PERFECT MURDER takes elements from the play, makes alterations in scenes and characters, changes the ending, and in attempting to modernize the whole thing has added some extra gore to the proceedings so today's audiences won't feel cheated. And yet, the result is not only distinctly disappointing, but inferior.

Only fans of Gwyneth Paltrow and Michael Douglas will relish their performances in this pale rehash of the original material. The complexity of "the key under the stairmat" which was so effectively played out in the Hitchcock film is entirely missing here. The detective work so fascinating in the original play and film is also gone despite the fact that he is played by David Suchet (in a very underwritten role). In short: none of the revisions are any improvement. Nor does Viggo Mortensen impress as Paltrow's lover.

Those who haven't seen the movie or the play DIAL M FOR MURDER will no doubt find some of this absorbing enough--but anyone able to make a comparison is bound to be disappointed. I'll take Ray Milland-Grace Kelly-Robert Cummings under Hitchcock's direction any day over a misguided Paltrow and Douglas under Andrew Davis' direction.

As for the comments of the viewer who said, "Who's Hitchcock?", please...spare me your review.

... the original being "Dial M for Murder" from 1954. Lots has changed in the ensuing 44 years, and those changes to society are reflected in the remade film. Here the wife is cheating, not with a guy who is an upright citizen if you overlook he is bedding a friend's wife, but with an artist who has a criminal past of conning rich ladies. Gwyneth Paltrow is the young wife, Emily, with inherited wealth, Michael Douglas plays Steven, the older husband whose financial interests are crumbling and figures out his wife is cheating and with who. He threatens the artist with exposure - to his wife and the police - if he does not agree to kill his wife for money so that Steven can inherit her money and save his business.

So everybody is guilty to a degree. There are not "good" characters and "bad" characters as in Dial M. Society has become too cynical for that to work. Keys still play a big part in the plot as do phone calls, but instead of the brilliant inspector Hubbard figuring everything out, here it is the wife that unravels the plan. The detective in this modern film is largely useless. In the original film the wife is a damsel in distress, unable to determine what exactly has happened and the forces that are arrayed against her. But Paltrow as Emily is an empowered would have been victim.

I went into A Perfect Murder expecting to enjoy it, but I recognised the fact that I wouldn't be in for a great film. To be honest, I love thrillers like this as they offer a solid two hours (or so) of non-too taxing entertainment, and what's not to like about that? A Perfect Murder is an update of the Hitchcock classic 'Dial M For Murder', and while the film doesn't touch Hitchcock's in terms of how thrilling it is, this update has been well handled and despite losing things such as the claustrophobia and the tight plot, A Perfect Murder still does what you'd expect it to do. The plot has become more expansive for this update, but the filmmakers have still managed to keep it tight so that the plot is focused mainly on the characters as opposed to the actual crime. The plot follows a rich man (Michael Douglas) who discovers that his trophy wife (Gweneth Paltrow) is having an affair with an artist (Viggo Mortensen). When his business affairs start to go awry, he decides to commit the perfect murder so that he can inherit his wife's trust fund. However, as all of us Hitchcock fans know; there's no such thing as the perfect murder.

Michael Douglas was the absolute perfect choice for this role. He may get typecast as the slimy businessman often, but he does it so well! You can really believe that he wants to kill his wife. Gweneth Paltrow, who is often solid but never outstanding; and Viggo Mortensen, who is actually a good actor, join him and make up the three-piece central cast. Mortensen's performance here isn't awesome; but it's good, and hints at the sort of stuff that would be to come - such as a great turn in David Cronenberg's A History of Violence. Like most nineties thrillers, this one is very stylishly shot and there's a focus on the more steamy elements of the story. The locations used aptly convey the groups within society that the characters belong to and the film does a good job of setting its scenes. The central set piece is well executed, and the build up to it is well done also; but it has to be said that the film starts to fall apart a little after that. Still, A Perfect Murder never becomes boring and even during it's down time; the film still manages to be thrilling. As mentioned, this isn't as great as Hitchcock's version - but as modern remakes go - this certainly isn't a bad one, and I recommend it to anyone who enjoys a good thriller.

Wealthy Wall Street tycoon Steven learns that his wife Emily is having an affair with David, an artist and career criminal, Steven decides to do away with his wife, using David to do the job.

Over the last few months I've worked my way though Hitchcock's catalogue of films, I was sat wondering why none of his films had been remade for an age, the I remembered this one.

So it's basically Dial M for murder, with a late 90's twist, so we've got the tech, The Wall Street tycoon and of course that wonderful 90's vibe.

I have no intentions of comparing, as I don't think you can, but as an updated version it's good, it's a stylish flick, I liked the updates, and of course the heart of the story is magical.

It perhaps has a little too much polish, but on the whole it works, Hitchcock films weren't exactly in vogue in the late 90's, so it gets credit for at least being different.

Some nice twists and turns, I particularly liked the way the tech is used, and the way that David turns the tables.

Paltrow and Mortensen are both very good, but I'd argue it is Michael Douglas that stands out, and boy does he look sharp here.

I'd forgotten David Suchet was in this, at the time it seemed as though he'd turned away from Poirot somewhat, output was lower, it felt like he was going to leave the role behind, thankfully he didn't.

7/10.