The Opposite of Sex - Das Gegenteil von Sex

The Opposite of Sex does what Don Roos set it out to do. It brings the subject of homosexuality in all its forms to light in a hard hitting, funny in your face joy ride - but yet it's not a 'gay movie'. Ricci is wonderful as Dedee, our young 'tour guide' to this strange journey. Through her eyes we see her world of lies, deception and confusion. At times you might not like her, but thats what is great about the movie, it pulls you in. If your into witty one liners, a fast story line and terrific acting (two thumbs up to Lisa Kudrow!)than this movie is for you. After a movie that makes you think about other peoples lifestyles and situations? give it a try. As an eighteen year old, I recommend this movie for older teens and up and give it a 8/10.

This film has laughs, but they are not all clumped in together. Which is good, because with a story like this, it is neccesary to have comedy in just the right spots. The film shows us Deede (played to perfection by hot Christina Ricci), a 16 year old going on 17 who is having a baby soon, but the results of the next 9 months will surprise everyone (which includes a cast of Martin Donovan, Lisa Kudrow, Johnny Galecki, Lyle Lovett and Ivan Serguei). A good idea becomes a close to very good film by vhaving a good lay out of a story and good sarcastic humor to match. One of the better films of 1998. A-

Smart film with a great cast. I am not usually a fan of Lisa Kudrow (except for Romy and Michelle) but she was very good and very funny. Christina Ricci steals the show though as Deedee, the smart-mouth, smart-ass, tough talking street wise 16 year old who wrecks havoc on her half-brother and the lives around her. The humor is different, but still plenty funny and amusing. I have been a fan of Christina's since "The Addams Family" and she deserved every award she was nominated for in this one. Some of the funniest parts are with her and Randy, her so-called boyfriend with only one ball.!*@ Watch for the humor, and the strong performances by all. Christina, you're awesome!

There's something so off-kilter about this film. Something that makes it stand apart from others of its kind. The structure is pretty complex, if one takes into accounts all of the turns in the story the film makes. The performances are aces, but Kudrow really stands far and away at the top. One of the finest TV actresses ever, if not the finest (her work in TV is masterful) she has the perfect blend of comedy and drama here. Her work is effective on a dramatic level, even though it's also a pretty hilarious turn. This is a fantastic performance, hitting all of the right notes and pitch-perfect keys that one can hit. This is highly recommended.

I admit, I readily get caught in movies, even the most incompetent ones. I laugh and more importantly I cry when I'm supposed to. I am a sucker. In fact, I have laughed and cried with Roos' other projects, swept along as per design.

But this movie is different, and it pushed past the ordinary barriers I establish for movie life, barriers I didn't even know were there.

Here's the setup: we have a movie, with love and events and discovery just like any other movie. There actually are characters and some pithy engagement among them and with us. But thats only the excuse for the filmmaker to have a completely separate dialog with us. The movie is the excuse for that dialog, though sometimes the higher level of engagement between us and Roos will borrow from the story.

He is, in fact, having a sort of sex with us at the same time he tells us its the opposite, a different sort of attraction and seduction.

Roos' surrogate is Ricci in voice-over narration. It is the very best she has been, except for that bowling alley scene in "Buffalo." Since she isn't a great acting talent, what this means is that the role is a perfect fit for her sort of sexual detachment.

The narration starts out commenting on the movie, telling us what kind of movie this is not, and how we cannot expect her to behave as if she were in a movie. She leaves home and steals a gun. While doing so, she tells us to pay attention, that the gun will prove significant. Then, she deliciously shifts back into character and says that's foreshadowing and we studied that in school.

This is pretty shocking stuff, this shift out of the movie, using moviedom's most intimate trick, the internal noir narrative that starts such films. We immediately have a bond with this girl, but in her role outside the movie. As the movie rolls on, she bonds intimately with many characters, and each is an opportunity for us to readjust the relationship we have with her outside.

It is sex, no it is the opposite of sex, at least movie sex. But it is attraction as strong. And when it goes wrong, as it must, it is devastating. We know how to have movie sex, but few of us seem to have any dexterity with these things outside of movies.

And that's the point. I guess we can thank Hal Hartley from paving the way for this.

Ted's Evaluation -- 3 of 3: Worth watching.