One Man's Hero

One Man's Hero details a little known chapter of the very unpopular Mexican American War. The acting is superb, Tom Berenger aches with conflicted loyalty to his church, to his "boys" and to his adopted country. In many ways this is a diffucult film to view. Often, Americans feel my country right or wrong. This film fairly reveals both sides with warts and all. There is never a winner in any military confrontation. Everyone loses - their own lives, the life of a loved one, a cherised home land. The US army of the 1800's often employed less than honorable tactics to lure uneducated immigrants into its rank & file. What they found was a prejudice not just reserved for the those of a different color skin or on the "other" side of the confrontation. The prejudices of the army were cruelly devisive & a socially acceptable behavior among the rank and file of the US troops. Often an ethnic groups loyalties were not grounded in the flag and mission of their adopted homeland, but among their own, where they shared traditions, culture and church. This is the story of One Man's Hero. The cast is excellent. The story will make you think. Today we talk about human rights, human dignity .... In the 1800's our country was far from the equality, freedom and dignity we are still striving to achieve today. One Man's Hero will make you think. It will make you think twice before you utter an unkindness or that "funny" joke from the water cooler. When we hurt others, we are only hurting ourselves. This is the lesson of One Man's Hero. Can we ask any more of a film.

When it comes films based on true events, it is in the filmmakers' best interest to keep all the facts as legitimate as possible without skewing the story all that much. The genre of films that probably receives the most critical of film buffs' attentions are the ones that have been historically recorded and not some fable spread by rumors and myths. Taking a deeper look, the type of historical film that gets this kind of focus is usually bio-pictures or war dramas. Further closing the gap, the war dramas that have received the motion picture treatment range; but several have depicted these tragedies during the Great War, World War II, the Vietnam War, the Revolutionary War and the American Civil War. Of course in world history, these are not the only confrontations that occurred, but for North American history, this is the usual batch. It is rare when another event is looked at that possibly was forgotten in the regular high school history books. The most recent that comes to mind is Heaven's Gate (1980), which was about a county war in 1890.

Turns out this movie takes place during the 19th century as well. Lance Hool, a producer to other various films like Missing in Action (1984), The Air Up There (1994), Flipper (1996) and Man on Fire (2004), takes a turn in the director's chair to cover the Mexican-American War in 1846. Written by Milton S. Gelman (who passed practically a decade before this film's release), the story is about real-life soldier Sergeant John Riley (Tom Berenger) and his men who abandoned the U.S. army after being persecuted because of their Catholic faith. While leaving, they find refuge with fellow Mexicans led by Cortina (Joaquim de Almeida) and Marta (Daniela Romo). There, they both decide to join Mexico and fight for their freedom. Meanwhile, Colonel Benton Lacy (Mark Moses) attempts to get Riley back to the north before General Winfield Scott (Patrick Bergin) blows them all away. Running parallel to that, Marta and Riley start to become more attracted to each other every minute they spend together.

For problems, there isn't all too much to gripe about. The only script issues that are obvious deal with character motivations. From what is known, John Riley is somewhat a mystery but only after the Mexican- American war ended. There are documents of his existence but there isn't a clear answer as to what he did post-war. Did he marry for real? In this feature, Marta is Riley's love interest as is she to Cortina. The passion that Riley has for Marta is a constant subplot that is brought up every half-hour or so. Yet Cortina repetitively reminds Riley to stay away, but Riley doesn't listen. Soon, Riley and Cortina fight and immediately right after; it's water under the bridge for some odd reason. What was all the antagonizing for if it was going to be settled so quickly? Was it even worth writing in? The only other dilemma in this movie is more technical and that's the depiction of war. This film was Orion Pictures last release and many of the studio's films were rated R (as was this one). Still there seems to be almost no blood or gore.

That particular aspect was probably the most inaccurate component. War is not light and fluffy stuff. There are a couple scenes where blood does flow but it's rated R. Gettysburg (1993) also should have been R but it was PG so the depiction of violence was much less gruesome and that's only appropriate because of its rating. Why give a movie the label of rated R if won't even play out as an R rated film? It's misleading. The cast to the film was also entertaining. Hearing Tom Berenger with an Irish accent is definitely a change in his usual speech pattern and it does sound authentic, as well as the soldiers played by Stuart Graham, Gregg Fitzgerald, Don Wycherley, Wolf Muser and Luke Hayden. Each actor equally matches Berenger in amiability. Daniela Romo as Marta is very pretty and it is obvious as to why Riley falls for her so quickly. Joaquim de Almeida is always fun to watch but in his role as Cortina, it's hard to know how trustworthy he is. Mark Moses performance as Colonel Lacy is another great show. Moses knows how to have a presence.

Visually, the film had an appealing look to it. All effects looked like they were executed practically, of which regularly gives a movie a more realistic viewing. Credit to João Fernandes as the director of photography for capturing wide shots of the western North American terrain. The actual depiction may not feel it has the right temperature to walk in casual clothing but it rightfully matches the environment of what the west was like. Fernandes was also the cinematographer for Friday the 13th Part IV: The Final Chapter (1984), Missing in Action (1984) and Red Scorpion (1988). The film score produced by Ernest Troost was another great element. Troost also composed the music to both horror comedies Tremors (1990) and Dead Heat (1988). Unlike Dead Heat (1988) though where the orchestra sounded like it came from an oldies monster film, Troost's orchestra to this film is much more full and contemporary. The main title is very applicable to the setting, with bagpipes representing Riley and his men. There's also a choir to boot.

It has some weird character motivations and underwhelming violence for an R rated war film, however it is an immersive film. The story provides a new history lesson to those unfamiliar of the Mexican-American war, the actors perform great, and the cinematography is befitting to the setting as well as the film score.

I was fortunate to attend the premiere. Now I am trying to find out when OMH will be released to the SF Bay Area so that I can tell my friends to be sure to see it.

I am very familiar with writer Michael Hogan's work in both his The Irish Soldiers of Mexico and Molly Malone and the San Patricios. Michael is a superb poet too. I happen to know too that he served as a consultant on the troop movements, the uniforms, the flags etc. when the Hools were filming in Durango.

The film depicts a little known episode in the U.S.'s quest to dominate the northern hemisphere. We know that this quest was successful, but we also know that the price in blood was much higher than any of the proponents of Manifest Destiny ever dreamed.

The acting is superb. I especially liked Joaquim Alameda for his portrayal of a renegade patriot. I think there is another great story there that perhaps the Hools should do. What did happen to him? Did he spawn Zapata?

Finally, the score, the scenery, and the battle scenes were really well done. Pity the poor lads who had to pay even more than the price named in the Military Code of Justice. That was a shame, but we must remember their memory will live on forever. Even more so now that Lance and Conrad Hool have immortalized them on film.

Anyone who doubts the power of religion to sway a man's loyalties has never studied history. Likewise, anyone who doubts the power of a man's need to feel respect and a sense of "belonging" has simply never felt the lack. The Irish of the time came to our shores fleeing famine and disease, poor in the wallet but rich in pride and heritage. They asked for nothing but a chance, and took what was offered in good faith. The politics of the time made them much as the Mexicans are viewed today. Unwanted aliens who should be sent back from whence they came. Taking the offer of the US Army at face value, they were ridiculed and scorned and abused constantly. When battle was joined they found themselves fighting a people not so different from themselves. A people who shared ties of Catholicism, as well as spirit. They got nothing but hatred and ridicule from those who supposedly would welcome them, and could not be proud of fighting Mexicans, who shared so much in common with them. All they asked was a place to belong. Once they found it, they fought for it with all they had. It just happened, they found it in the ones they were supposed to be fighting.

This is one of the most powerfully moving films I've ever seen. Maybe it does lack some technical expertise, but I got so totally lost in the storyline, I didn't notice that. This film is precisely what I appreciate so much about Tom Berenger: it seems that Tom Berenger can take a small episode of history and make it memorable--so memorable, in fact, that I've seen this movie only twice, but scenes from it keep playing in my mind.