Drei problembelastete Jugendliche, die im Gefängnis sitzen, arbeiten mit einem Undercover-Polizisten zusammen, decken einen verwickelten Drogenring auf und werden in eine tödliche Falle gelo... Alles lesenDrei problembelastete Jugendliche, die im Gefängnis sitzen, arbeiten mit einem Undercover-Polizisten zusammen, decken einen verwickelten Drogenring auf und werden in eine tödliche Falle gelockt.Drei problembelastete Jugendliche, die im Gefängnis sitzen, arbeiten mit einem Undercover-Polizisten zusammen, decken einen verwickelten Drogenring auf und werden in eine tödliche Falle gelockt.
- Auszeichnungen
- 7 Nominierungen insgesamt
- Bald Dude
- (as Stephen T. Kay)
- Gilbert - Skinny Freak
- (as Bodhi Pine Elfman)
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For those who think only kids like this movie, I am 24. I think this film has been judged by all the wrong standards, and that not enough credibility is given to this straightforward portrayal of kids in trouble.
If you think kids are incapable of these things, try watching the movie "Kids."
The lighting is way too dark for most of the movie. I understand the underground sensibility of their investigation. However it makes it hard to watch. Ribisi is good playing the jokey jittery guy. Epps is way too stiff of an actor. Danes is probably miscast here. I've never seen the TV show, and the movie is probably trying to copy Peggy Lipton. It seems better if they go more white trash for the role like a Juliette Lewis kind. Dane is way too nice and sweet. I don't know what the original TV show is like. So it's hard for me to compare and judge the movie. There is some good music but by itself, the movie is kind of boring.
Claire Danes and Omar Epps are fine (if a bit too low-key) in their roles, but Giovanni Ribisi gives one of the most highly annoying performances in recent memory. He plays his character (Pete Cochran) like some doped-up, marble-mouthed clod. Even if everything else in the film were fine, his performance here would still be a serious detriment.
What could have been a classy, fun film is rendered an unfortunate misfire. OH, what Quentin Tarantino could have done with this material!!
Three young delinquents (Claire Danes, Giovanni Ribisi and Omar Epps) are recruited by a cop (Dennis Farina) to infiltrate many various operations (prostitute rings, drug circles) that police could never get into. But after their boss is murdered and they uncover a conspiracy, the three delinquents take it upon themselves to find out the truth behind the crime.
2.5/5 stars.
- John Ulmer
The plot is pretty weak, even for a 60s TV show remake. "The Mod Squad" ran from 1968 - 1973, with somewhere in the vicinity of 120 episodes. I never saw any, but I can't imagine this film adaptation does the show much justice.
The cast is considerably OK. Danes is quite enthusiastic and pretty enough for her sweet-blonde role, Ribisi is fine as a criminal and Epps is decent enough, too. Farina ("Get Shorty," "Another Stakeout") is a good actor, always very funny, but here his role is completely wasted (literally!) and short on the sort of sly humor that would have been appropriate given the actor behind it.
The dialogue is really corny, and so are the characters' actions. Television shows need not worry about smart dialogue or characters, because they're usually 30 minutes long (sometimes an hour), and we just get "hooked" on what's going on. Can you imagine if a soap opera made its way onto the big screen? It'd completely flop. People watch television shows because they like to see continuous stories with recurring characters they learn to love over a certain time period.
You can't get any joy out of watching a bunch of actors try to grow on you for 90 minutes. If "Alias" had ever started out as a big-screen movie, it might have flopped, because let's face it: the show is not exactly quality material. People watch it because they get hooked on it, and they enjoy watching the stories and the revelations, like an old woman addicted to her "General Hospital" episodes.
So here's proof that if "The Mod Squad" had originally been a movie, there probably would have been no television show. Despite some rather bad word-of-mouth, this movie isn't a terrible one. I've seen much worse, and compared to big-screen disasters like "Freddy Got Fingered," or low-budget ones like "The Blade Master," this is nothing very laughable at all.
But compared to the fun factor of "Charlie's Angels" or "Starsky and Hutch," "The Mod Squad" falls flat on its face. It's not very funny, it's not very fun, and it's not very original. It's a cash-in, which is something Hollywood is not in short supply of right now. If you miss "The Mod Squad," you're not missing anything that hasn't been done before.
The worst part about employing young undercover cops is they binge drink at house parties and break cover.
Thankfully, the covert trio in this action movie are too busy tracking a killer to attend ragers.
Opting to work for the police in a new department instead of serving time, Julie (Claire Danes), Pete (Giovanni Ribisi) and Linc (Omar Epps) are trained in the art of infiltration by their mentor Capt. Greer (Dennis Farina).
But when Greer ends up on the wrong side of a drug lord's gun, the motley crew must bring his killer to justice.
A slapdash adaptation of the groundbreaking counterculture cop drama from the '60s, this 1999 version lacks the social and political undercurrent of its source material.
Instead, it's a lifeless and shoddily acted knock-off - similar to the original in name only.
Besides, immature undercover officers today can't stop posting on Twitter about being undercover.
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- WissenswertesOmar Epps mentioned in several interviews that he greatly disliked the denim Levi's clothes he and the cast had to wear because the jeans were very tight. He mentioned that there are several moments captured on screen during film where he wears a frown and grimace facial expression due to his jeans being too tight. The clothing in the film was specifically customized and provided by Levi's. When the film was released, Levi's put out denim commercials featuring Epps, Danes, and Ribisi.
- PatzerAs Billy Waites drives to the party with his prostitutes, he is driving a Cadillac Seville (4-door). When Julie Barnes leaves and steals the car, they show a Cadillac Eldorado (2-door) driving away. When she lights it on fire, it is back to being a Seville again.
- Zitate
[Julie hits Pete across the head]
Julie: Nice job.
Pete: Okay, I really did not like that at all, all right? Let me just explain somethin'. I was blending.
Julie: You just blended your ass right out of the club, man
Pete: Oh, come on! They're gonna let me back in the club.
Julie: Oh no, I believe the words were "you're gone for-fucking-ever." Greer's gonna kick your ass
Pete: Hey you know what? Eat me.
Julie: Come on. Lets go. You wanna lose another fight, Petey?
Pete: No. Who was the guy that you were talkin' to all night?
Julie: What guy?
Pete: Yeah, "what guy." What guy?
Linc: A suspect?
Julie: What? No. I don't even know what he's talkin' about. God, how could you see anything? You had your head buried in a pair of tits all night.
Pete: I could see things because I got eyes behind my head, all right? Julie's got a boyfriend. Julie's got...
Julie: Please grow up!
Pete: Let's all together, in harmony.
- SoundtracksGoin' Crazy
Written by Sen D.O.G. (as Sen Dog), Jeremy Fleener and Andy Zambrano
Performed by SX10
Produced by Phil Nicolo
Remixed by The Butcher Bros.
SX10 appears courtesy of Flip Records/Elektra Entertainment Group
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Mod Squad
- Drehorte
- Sixth Street Viaduct, Los Angeles, Kalifornien, USA(Squad park car and walk east to tunnel. Greer is found shot.)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 50.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 13.263.993 $
- Eröffnungswochenende in den USA und in Kanada
- 6.064.716 $
- 28. März 1999
- Weltweiter Bruttoertrag
- 13.263.993 $