Moby Dick

Usually I don't expect much out of movies made for TV. They're seven acts, instead of the traditional three, which makes plotting difficult. They work on miniscule budgets, and usually use actors on their way up or their way down. Not to be compared with theatrical motion pictures - apples and oranges. However, the exception proves the rule.

This is an epic telling of the Melville story. Okay, most of you probably had a bad experience reading the novel. You end up asking why Ahab was prepared to give his life for catching or killing the great albino whale. The answer is that Ahab and the Whale are inexorably bound in life. The whale is Ahab's grab for the eternal brass ring, one that eludes him time and again.

First: Best motion picture score I've ever heard for a TV Movie. Second: This picture is filmed like a theatrical, meant to be projected on a large screen. Third: My dear friend, Patrick Stewart who doesn't know how to give a bad performance. Patrick, like the whale is a force of nature, not to be denied. I've directed Patrick on a number of occasions and there's none of the nonsense you hear about the whims of great actors. Patrick comes to work prepared and when he makes a suggestion you take it very seriously.

I don't care about the other online reviews putting the knock on Melville or his story. What have any of us done recently that will live for more than a century and a half. That my friends is the mark of greatness. It's an elusive butterfly that anybody who gives their life to the creative arts covets and strives to achieve. I give it a ten and defy any reader of this review to tell me why it deserves a scentila less.

As a long-time fan of the 1956 John Huston film I was looking forward to seeing a new interpretation of what is recognised as a classic of world literature.

What went wrong? Well, it might have helped if the makers had respected the audience's intelligence and used (as Huston did) as much of Melville's language as possible. Alright, all viewers will understand the meaning of a "flat calm sea", but surely a "soft and dirge-like main" is so much more evocative. Worse still, Ahab's major speeches ("pasteboard masks" and "mild, mild day") are chopped by the writers and thrown away by the direction, leaving us with a story about a man who for some reason wants to chase one particular whale, his true motivation is completely lost.

Patrick Stewart did a decent job as Ahab given the circumstances but with that loss of motivation he lost the mythical, superhuman stature the character needs to give the story greatness. Gregory Peck was fine as Father Mapple (again, the sermon was chopped down until it was meaningless, depriving the actor of his best opportunity to make a lasting impression).

The supporting cast are best described as nondescript, ranting their dialogue. Starbuck is completely miscast. His opposition to Ahab is shown by surly sulking and droning on about the financial purpose of the voyage. He doesn't seem to realise the true nature of Ahab's obsession at all. Even the small but crucial appearance of Elijah (where Royal Dano had two superb minutes in 1956) is turned into a caricature who adds nothing to the mythical dimension of the story.

The effects were adequate although, for some reason I never felt the Pequod was actually moving, even in the storm scenes. Strange that a film set on a small sailing ship should feel to static.

As for Moby Dick himself, I've always felt that in Huston's film he was a *character* with an individual personality. In this version Moby Dick is just a whale, and that sums up the failure of the film as a whole.

TV movies are often flat and rushed. Not this one!

Patrick Stewart is amazing as Ahab. The actor slowly disappears and before our very eyes emerges a true monster -- a man who knows what he is doing and could stop himself, but does not. This is the real horror and tragedy of Ahab. It is also our own horror and tragedy because we all have within us what drives Ahab -- namely, pride and ego.

The FX are grand and the cast is excellent. It is a truly worthy re-make of the enduring classic.

Patrick Stuart wasn't bad as Captain Ahab, but not as good as Gregory Peck. In the scene where Ahab is telling his crew that he will chase the "white whale" virtually around the world, Stuart felt the need to shout. Peck, on the other hand, did it far more intensly by a withering look and more sterness in his voice and didn't shout. A far better performance.

There has been some debate as to what precisely Melville meant by the story of Moby Dick. On one hand, it is a whaling story which is largely based on shipping legend and fact. On another level, there is a lot of reference to Moby Dick the whale being self-referential to the book itself (white beast with black blood, he describes the whale as being a large book at one point). Ultimately, though, most readers find a two pronged story which is search for God on one hand (Ahab's need for revenge and Ishmael's need for purpose and love, note that both names also refer to biblical characters) and is the passionate bonding between males on the other. Unfortuneately, it is in these two areas that the movie does not quite portray the book with due respect.

Now, there is plenty of bonding and Ishmael does sort of get jostled around as per normal, but Melville did not want this to be the standard group of "older men ragging the new". These men, in the book, developed a passionate bond for one another. Ishmael's deep loneliness lead to his deep love for his fellow crew.

As for the search for God, the movie has some of the key scenes to suggest Ahab wants to slay the greatest of God's creatures because he feels his life has been failed and to suggest needed to get away because his life had no meaning. Yet, for the most part, the scenes become much more "sea adventure" oriented and I am not sure that there is much hey could have done to fix it considering the media of choice. I think they could have at least given Father Mapple more passion in his scene and the painting at the beginning (which suggests both the three crosses of Christ and a whale killed by a the three masts of a ship at the same) which offers a great thematic moment could have done more besides show up briefly as it did. It is almost as though they expected one to have read the book and to know what they were talking about.

Finally, as far as the movie's lacks go, they cut out most of the (usually tongue-in-cheek) humor of the book.

Now, as a made for TV movie, it is good stuff. Some of the acting is pretty sketchy at times and there are a few places where the special effects flat out fail in their purpose, but overall the movie is worth watching. Stewart plays a different version of Ahab than what I pictured, but at the same time his version has a lot of life and passion which is good. The other acting had moments of perfect time and moments of almost the opposite, but no scene comes directly to mind where the movie "cracks".

The pacing of the movie actually sort of improves upon the stop-go style of the book.

I think some of the visuals were a little less gory than they should be (this is a violent tale with a good deal of blood and despair in the original) but most of the cues are there for those who have read the book.

Because of such things as this, I almost feel as though one needs to read the book to fill in the gaps, or the story does not get the treatment it deserves. But, as long you know more of the depth of the story, the movie is a decent vessel for which to carry it in. 7/10