Der Mann in der eisernen Maske

Leonardo DiCaprio is "The Man in the Iron Mask" and also King Louis XIV in this re-telling of the famous Dumas story. He is surrounded in a sumptuous production by a stellar cast that includes Gabriel Byrne, John Malkovich, Gerard Depardieu and Jeremy Irons. The oft-filmed plot concerns the twin brother of the cruel, selfish Louis IV who is guarded loyally by D'Artagnan. Phillipe, the twin, was taken from his mother at birth and once found by the King, imprisoned and placed in an iron mask to hide his identity. When the poverty and the uprisings become too much, Aramis (Irons), who knows of Phillipe's existence, breaks him out of prison with the help of Porthos (Depardieu) and Athos (Malkovich) with the idea of having him replace Louis at an upcoming masquerade ball. It falls to Athos, who has just lost his son Raoul in war because of Louis' lust for Raoul's fiancée, to teach Philippe how to be king in a short time. Things do not go as planned.

This tremendous cast and huge production make for absorbing viewing, different yet as entertaining as the Richard Chamberlain TV version and the Louis Hayward version in the 1930s. Here the emphasis is on the old Musketeers, which works well - Porthos who feels his age and misses the old lusts, the grieving Athos and Aramis, given an impossible job by Louis, which means that Louis must go; and, of course, D'Artagnan, fiercely loyal to his King and insisting that he can be molded into a great ruler, despite evidence to the contrary. The acting is fabulous - there really isn't a standout among the four men as they are all so good.

Leonardo DiCaprio creates two completely different characters with Louis and Philippe and does an excellent job. Though he was trending toward matinée idol/chick flick territory, he pulled himself out to take on weightier roles - though there's no doubt this film was meant to bring in the teenagers. And what's wrong with that - a classic story once in a while won't kill them.

Entertaining viewing.

This 1998 movie provides everything a swashbuckling cape-and-sword flick should - legendary heroes, a cruel villain, noble sentiments, touches of love and sex, some slapstick, picturesque scenery, sumptuous interiors and of course dashing swordplay (the last perhaps a little limited by the maturity of some of the principals).

It has also some reasonably intelligent dialogue, provided by writer/producer/director, Randall Wallace, and spoken in part by two of the finest voices in the business - Jeremy Irons (Athos) and John Malkovich (Aramis). Gerard Depardieu (Porthos) and Gabriel Byrne (D'Artangnan) are the other two of the original 3 + 1 Musketeers.

The villainy of the young King Louis 14 is provided by Leonardo DiCaprio, who may be too wishy-washy for some tastes, though he certainly has the veneer of elegance needed for the part. One niggle I have is, that it would have been better if he had been instructed to pronounce Athos either with a short a or a long a (preferably the former) and not alternate between the two.

The plot, like the Dumas novel on which it is based, has no less, and no more, credibility than is appropriate for this type of film - for anyone interested in the real events and rumours surrounding the Man in the Iron Mask, I recommend this website - http://www.royalty.nu/legends/IronMask.html

One aspect of the film I find amusing is that in this version of a quintessentially French story, the only French actor in the quartet of heroes, Gerard Depardieu, plays the part of a uncouth, lecherous buffoon; while an Englishman, an American and an Irishman provide the grace, heartfelt speeches and depth of character. I wonder how that went down with the audience in France.

In 1993 we got "The Three Musketeers," a story full of levity about three members of the royal French guard who vowed to save the king of France. In 1998 we got "The Man in the Iron Mask" which is about three musketeers who are seeking to depose the corrupt young king of France.

The story was riveting. Leonardo Di Caprio played King Louis the 14th who very much reminded me of a Joffrey Baratheon from Game of Thrones. That alone made me want to see him taken down, and taken down hard. France was at war, the people were starving, and all the young king could think to do was sleep with another man's fiance.

Aramis (Jeremy Irons), Athos (John Malkovich), and Pathos (Gerard Depardieu), three ex-musketeers, desired a revolution--bloodless if possible. They could get the king they wanted on the throne if they could switch King Louis with his wrongfully imprisoned twin brother Phillipe.

The plot was a fascinating one because there was a loathsome king and those who would oppose him. It was complicated by the king's chief guard D'artagnan (Gabriel Byrne) having an allegiance to both his king and his fellow former musketeers, Aramis, Athos, and Pathos. The acting by all was delightful and the production itself was top quality. There were very few downsides to this film.

The picture is a new version of Alexandre Dumas novel and is set in 17th century French court , where two twins , one evil monarch , Louis XIV (DiCaprio) of France , and the other , Phillippe , (DiCaprio in a dual role) is imprisoned in the Bastilla as an incarcerated inmate , number 6943800 , that hides his identity wearing an iron mask . Both of whom are sons of the Queen Mother Anne (Anne Parillaud) . The King falls for a beautiful girl (Judith Godreche) and while Athos (Peter Sarsgaard) leads to the summit of the dreary musketeers , thus : the brave Dartagnan (Gabriel Byrne) ; the responsible father Athos (John Malkovich) ; the joker (though with flatulence) Portos(Gerard Depardieu) and the Priest Aramis (Jeremy Irons). They join forces for the royal vengeance with the shout : ¨One for all and all for one¨ . They are planning a twisted plot , involving substitution of the villain King by his lookalike brother.

It's a good adaptation with big budget , a moving rendition of the classic tale with derring-do , intrigue , romance , action and exciting swordplay . An excellent casting and lavish production shot in France make for a fairly amusement swashbuckler . Glimmer and watchable cinematography by Peter Suschizsky who reflects stunningly French palaces (Versalles), gardens and interior-exterior scenarios . Besides , the atmospheric and spectacular music score by Nick Glennie Smith . ¨Three Musketeers¨ remade numerous times for big screen and television . Thus : 1929 silent retelling by Alan Dawn with Douglas Fairbanks , 1939 by James Whale with Louis Hayward , 1977 TV rendition with Richard Chamberlain . The film is well realized by usual screenwriter (Braveheart) and first-time director Randal Wallace . The motion picture will appeal to costume drama enthusiastic and DiCaprio fans.

Without it being the best movie I have ever seen, I actually liked this film. I wasn't expecting a masterpiece, and I didn't get that. Instead I got a fun film, with flaws, but it was enjoyable enough.

Starting with the many good things, the cinematography is superb, as is the lavish scenery and costumes. The music is very rousing and moving, and the sword play is energetic. Also I thought the direction was fine, same with the acting. Gabriel Byrne is surprisingly good as D'Artagnan(much more suited to the part than Chris O'Donnell-the worst D'Artagnan, though I actually liked the movie- was). Even better were Jeremy Irons and Gerard Depardieu as Aramis and Porthos. John Malkovich was good too, if perhaps a little too fey to start with. Leonardo DiCaprio was somewhat uneven in his performance but he was good on the whole, personally I felt he was better as Phillippe in alternative to Louis, he never quite convinced me playing an arrogant king whereas he succeeded with Phillippe because of that spontaneous boyish charm he has.

However, the film is a little too long and the pacing is also uneven, I felt the film dragged in the middle and then it felt a tad rushed at the end. While the story is solid enough and sticks relatively faithful to the story, which is brilliant on a side note to those not familiar with it, it can get implausible with one or two soap-opera-ish qualities about it. Finally, the script does have one too many weak spots, one or two parts are a little too cheesy for my liking.

On the whole though, this is an above average and fun film. Maybe not the best for those who adore the book, but as an introduction to the story it is good enough. 7/10 Bethany Cox