Bei französischen Atomtests wird ein Leguan zu einem riesigen Monster verstrahlt, das sich auf den Weg nach New York City macht.Bei französischen Atomtests wird ein Leguan zu einem riesigen Monster verstrahlt, das sich auf den Weg nach New York City macht.Bei französischen Atomtests wird ein Leguan zu einem riesigen Monster verstrahlt, das sich auf den Weg nach New York City macht.
- Auszeichnungen
- 10 Gewinne & 13 Nominierungen insgesamt
Empfohlene Bewertungen
(Flash Review)
Starting off relatively well, this turns into Jurassic Park as it felt like a dinosaur chase movie rather than focused on the mythical Godzilla. This new Godzilla also doesn't hold true to many of the original's traits such as what it eats and how it can be killed. Now on American soil of course Godzilla ravages Manhattan while the military try to take him down as they create a ton of (needless) damage. The media desperately looking for the inside scoop also create their own damage by stirring mass hysteria. One special scientist learns Godzilla is pregnant and warns that it's nest of eggs must be found to avoid hatching more of these beasts. As expected, this is full of explosions, destruction, roars, human ineptitude, light romance and heroics. Your typical Hollywood CGI fluff action monster movie with some notable plot holes.
Starting off relatively well, this turns into Jurassic Park as it felt like a dinosaur chase movie rather than focused on the mythical Godzilla. This new Godzilla also doesn't hold true to many of the original's traits such as what it eats and how it can be killed. Now on American soil of course Godzilla ravages Manhattan while the military try to take him down as they create a ton of (needless) damage. The media desperately looking for the inside scoop also create their own damage by stirring mass hysteria. One special scientist learns Godzilla is pregnant and warns that it's nest of eggs must be found to avoid hatching more of these beasts. As expected, this is full of explosions, destruction, roars, human ineptitude, light romance and heroics. Your typical Hollywood CGI fluff action monster movie with some notable plot holes.
Matthew Broderik and Jean Reno star in what in the industry is considered a "bomb." It cost a lot but didn't make much money. However, it would be unfair to consider this movie a bad movie. Instead one can view this English version of the relatively more cheesy 1950s Japanese "Godzilla" movies with Jurassic Park overtones as entertaining, blockbuster-like. It attempts along with Broderik's own wonderful personality to insert a fairly large dose of comic humor throughout the movie. Yet the balance between comedy, drama, and horror is more uneven than the best of these monster movies. There a bit more gore than the typical Jurassic Park movies, but not necessarily over the top considering how gory movies have become. There are also lapses in rational or logical chase scenes were Godzilla seems to speed away from helicopters but can't catch up to a speeding taxicab. The attempt to create a somewhat sympathetic monster is also intriguing though it wasn't completely successful in pulling it off. Overall, this is a feel-good action monster movie that could have been better, but it wasn't nearly as awful as the dollar numbers indicate.
This is an entertaining movie, so i like it anyway, and if you don't agree then fight me
"Godzilla" is a great example of a big budget summer movie that doesn't really work. It plays by the big summer movie rules but it misses the mark. The first half of "Godzilla" is very good. But after an hour or so, the story takes a wrong turn. It actually becomes pretty silly for a while. I don't want to say that "Godzilla" wore out its welcome but it is too long by at least twenty minutes. That said, I still enjoyed watching "Godzilla" tonight.
Well, being a longtime fan of the GODZILLA/GOJIRA films as a youngster, I remember seeing this with great anticipation. I, unlike a lot of people, was not at all disappointed. This film was exactly what I was hoping it would be at the time. Sure, it certainly wasn't as charming or as funny as the films I loved as a kid, but it was a lot of fun. I loved the action scenes, the look of the monster was crazy to me, and the plot was simple enough for a first time viewer to get right into. Seeing it again 10 years later, I had the same reaction. My opinion of this film hasn't changed one bit. I guess everybody's complaints stem from how this has no charm or any kind of attempt at being cute or original. I guess that's understandable, but I still don't see what everybody's problem is. This was supposed to be a fun, exciting, and action packed thrill ride. That's all it is, no more, no less. I personally think that it succeeds at what it achieved to be perfectly. Matthew Broderick may not exactly be an action hero, but his character sure was quirky and funny. Jean Reno was as good as usual.
Five Godzilla Movies You Need to Watch
Five Godzilla Movies You Need to Watch
Celebrate Shin Godzilla returning to theaters with a look at some of our favorite Godzilla movies.
Wusstest du schon
- WissenswertesThis movie features more Simpson voice actors than any other project besides Die Simpsons (1989) itself: Hank Azaria, Harry Shearer and Nancy Cartwright. When the Simpsons later did a Godzilla parody called Homerzilla, they referenced that "Homerzilla" received a Hollywood remake that failed, a jab at this movie. The episode ends stating that Homerzilla will one day return just as soon as that "Zilla" film is forgotten.
- PatzerBased on the width and depth of the Hudson River, it would be impossible for a Los Angeles Submarine to navigate submerged, let alone make high speed turns.
- Zitate
Apache Pilot: [after accidentally hitting the Chrysler Building with a missile, blowing the roof off of it] Aw, damn, uh... That is a negative impact. I repeat, that is a negative impact.
Radio Technician #3: Negative impact, sir.
Mayor Ebert: [shocked] Negative impact? That's the goddamned Chrysler Building we're talking about here.
- Crazy CreditsA dedication to Godzilla creator Tomoyuki Tanaka appears towards the end of the credits.
- VerbindungenEdited into Engel in Amerika (2003)
- SoundtracksHeroes
Written by David Bowie & Brian Eno
Produced by Andrew Slater
Performed by The Wallflowers
Courtesy of Interscope Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Quái Vật Godzilla
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 130.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 136.314.294 $
- Eröffnungswochenende in den USA und in Kanada
- 44.047.541 $
- 24. Mai 1998
- Weltweiter Bruttoertrag
- 379.014.294 $
- Laufzeit
- 2 Std. 19 Min.(139 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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