Eine Biografie der Künstlerin Frida Kahlo, welche die Schmerzen einer schweren Verletzung und ihre stürmische Ehe in ihre Werke einfließen lässt.Eine Biografie der Künstlerin Frida Kahlo, welche die Schmerzen einer schweren Verletzung und ihre stürmische Ehe in ihre Werke einfließen lässt.Eine Biografie der Künstlerin Frida Kahlo, welche die Schmerzen einer schweren Verletzung und ihre stürmische Ehe in ihre Werke einfließen lässt.
- 2 Oscars gewonnen
- 17 Gewinne & 47 Nominierungen insgesamt
Patricia Reyes Spíndola
- Matilde Kahlo
- (as Patricia Reyes Spindola)
Loló Navarro
- Nanny
- (as Lolo Navarro)
Fermín Martínez
- Painter on Bus
- (as Fermin Martinez)
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Frida is a biopic, as decadent and beautiful as the art of Frida Kahlo. I can't imagine how you could make it any other way. Yes, we follow Frida through her dysfunctional and broken relationship with both Diego Rivera and the international socialist movement. But the way this story is told is key. The editing and cinematography pays enormous tribute to Frida's paintings and the genre of art that she represents. Salma Hayek is tremendous as Frida. Alfred Molina is tremendous as Diego. It's thoroughly exquisite.
The movie deals with the biography of Frida Kalho (well performed by Salma Hayek , though Laura San Giacomo was originally set to play her but was dropped when fans objected to a non-Mexican playing the role) who after a terrible accident with a trolley causes herself a crippling injury , then she gets away from her parents (Roger Rees and Patricia Spinola) to live on the paintings . She falls in love with famed muralist Diego Rivera (Alfred Molina , he gained 50 lbs , 23 kg , for this character) who bears a separated marriage (to Valeria Golino) . Later on , Frida is wedded to Diego and the troubles come out .
The yarn relies heavily upon their tempestuous marriage , because the different artistic temperaments burst , creating a stormy relation . The picture is correctly based on historic deeds and even Edward Norton did an uncredited rewrite of the script . Thus , it appears Leon Trosky - who has romance to Frida- , but he's murdered with a hatchet by Ramon Mercader and then is framed Diego Rivera , though later being absolved . Besides , there are several famous people : Siqueiros (Antonio Banderas) , Nelson Rockefeller (Edward Norton) , Leon Trosky (Geoffrey Rush) and others very secondaries such as Andre Breton or Josephine Baker . Frida is specially known by her mustachioed and one-brow paintings and Rivera by his impressive murals and one of them was ordered to break by Nelson Rockefeller but reflected to famous communists on the ¨Rockefeller Center¨ . The film was perfectly directed by Julie Taymor and includes magnificent cinematography by Rodrigo Prieto as when imaginatively brings to life the scenes on the Kalho's paintings , where the color is glimmer and spellbound . The motion picture attained success and achieved enough box office , obtaining two Oscars for the awesome Musical Score (Elliot Goldenthal) and Make-up . Rating : Above average . Well Worth watching.
The yarn relies heavily upon their tempestuous marriage , because the different artistic temperaments burst , creating a stormy relation . The picture is correctly based on historic deeds and even Edward Norton did an uncredited rewrite of the script . Thus , it appears Leon Trosky - who has romance to Frida- , but he's murdered with a hatchet by Ramon Mercader and then is framed Diego Rivera , though later being absolved . Besides , there are several famous people : Siqueiros (Antonio Banderas) , Nelson Rockefeller (Edward Norton) , Leon Trosky (Geoffrey Rush) and others very secondaries such as Andre Breton or Josephine Baker . Frida is specially known by her mustachioed and one-brow paintings and Rivera by his impressive murals and one of them was ordered to break by Nelson Rockefeller but reflected to famous communists on the ¨Rockefeller Center¨ . The film was perfectly directed by Julie Taymor and includes magnificent cinematography by Rodrigo Prieto as when imaginatively brings to life the scenes on the Kalho's paintings , where the color is glimmer and spellbound . The motion picture attained success and achieved enough box office , obtaining two Oscars for the awesome Musical Score (Elliot Goldenthal) and Make-up . Rating : Above average . Well Worth watching.
This is an interesting movie, but less interesting perhaps than the reactions it draws.
First, the nuts and bolts review. Selma Hyack does a great job portraying the Mexican artist Frida Kahlo, who marries, puts up with, and in some ways, maybe even excells famed Mexican muralist Diego Rivera. It's a tough role and Hyack seems to let it all hang out in many ways.
Alfred Molina is good, but not great as Rivera, and the rest of the supporting cast also performs well, including a cameo appearance by Ashley Judd as Italian born-photographer and leftwing activist Tina Modotti.
The direction is crisp and effective throughout, and the colors and ambiance of the film are simply great. This is a movie about artists and it fullfills the first requirement of art. It is visually stunning to look at.
What intrigues me is the heated debate this generates among those who know and admire Frida. It may well be impossible for anyone to make a bio picture that satisfies purists, those who are quite familiar with the subject matter. But purists have to realize that movies are too expensive and difficult to make (this one took decades)for the moviemakers to concentrate on such a small audience. They have to look at the big picture and make a film that is understandable to mass audiences, or else count on losing millions of dollars.
For myself, I knew next to nothing about Frida Kahlo, only that I had seen some of her paintings and that she was Rivera's wife. Since I like Rivera's work, I went to see the film. But I knew more about Tina Modotti when I walked into the theater than I did about Frida.
Whether this was an accurate portrayal of her character and life, I haven't a clue. But I do feel I came away knowing a lot more about her than I used to.
My single gripe is that the film seemed to make Frida take a back seat to her husband when it came to art. She is portrayed as someone who is very unsure about the value of her own work. But I can't get too mad about that, because Frida may have been that way in real life for all I know.
I am a leftist politically, but I think we often get much too caught up in politics and rhetoric and often assign political meanings to things when they don't apply. It is very, very complicated to make a biography and no 2 hour film is going to capture every facet of a complex person's personality, mucy less cover every aspect of their lives.
Overall,I'd say "Frida" accomplished its limited mission. It told me something about an artist I knew little about. I will now look for more of her work. I provided me with some fine acting, direction, etc. And perhaps best of all, allowed me to spend two hours in Mexican culture in some way, shape or form. I enjoyed the experience.
First, the nuts and bolts review. Selma Hyack does a great job portraying the Mexican artist Frida Kahlo, who marries, puts up with, and in some ways, maybe even excells famed Mexican muralist Diego Rivera. It's a tough role and Hyack seems to let it all hang out in many ways.
Alfred Molina is good, but not great as Rivera, and the rest of the supporting cast also performs well, including a cameo appearance by Ashley Judd as Italian born-photographer and leftwing activist Tina Modotti.
The direction is crisp and effective throughout, and the colors and ambiance of the film are simply great. This is a movie about artists and it fullfills the first requirement of art. It is visually stunning to look at.
What intrigues me is the heated debate this generates among those who know and admire Frida. It may well be impossible for anyone to make a bio picture that satisfies purists, those who are quite familiar with the subject matter. But purists have to realize that movies are too expensive and difficult to make (this one took decades)for the moviemakers to concentrate on such a small audience. They have to look at the big picture and make a film that is understandable to mass audiences, or else count on losing millions of dollars.
For myself, I knew next to nothing about Frida Kahlo, only that I had seen some of her paintings and that she was Rivera's wife. Since I like Rivera's work, I went to see the film. But I knew more about Tina Modotti when I walked into the theater than I did about Frida.
Whether this was an accurate portrayal of her character and life, I haven't a clue. But I do feel I came away knowing a lot more about her than I used to.
My single gripe is that the film seemed to make Frida take a back seat to her husband when it came to art. She is portrayed as someone who is very unsure about the value of her own work. But I can't get too mad about that, because Frida may have been that way in real life for all I know.
I am a leftist politically, but I think we often get much too caught up in politics and rhetoric and often assign political meanings to things when they don't apply. It is very, very complicated to make a biography and no 2 hour film is going to capture every facet of a complex person's personality, mucy less cover every aspect of their lives.
Overall,I'd say "Frida" accomplished its limited mission. It told me something about an artist I knew little about. I will now look for more of her work. I provided me with some fine acting, direction, etc. And perhaps best of all, allowed me to spend two hours in Mexican culture in some way, shape or form. I enjoyed the experience.
Ahm.. I just watched this, it was from 2002 but I had no interest what so ever in the movie or the story when it came out, I knew about it I read in papers but never did actually saw it. Well, tonight was the night. And know this.. I will see it again.. and again until I understand that woman.. Frida Kahlo.
This is the kind of story that goes straight to your heart, straight to your brain and you sit there wondering " How could this really be true.. how could this really happen to a person?" I think that Frida was one brave woman, hell of an artist.. and I wish for myself to be like her if something so horrible happens to me. She was strong, she was a prey to conflicting emotions but she survived. The movie deserves a 10!
My neck hurts from sitting in that uncomfortable chair we have in the dining room but I couldn't feel any pain while watching "Frida". Why?! Simply, because I thought.. "wow.. how was that woman capable of staying alive for so long? How did she bear all that pain?"
This is a "have to see or regret for life".
This is the kind of story that goes straight to your heart, straight to your brain and you sit there wondering " How could this really be true.. how could this really happen to a person?" I think that Frida was one brave woman, hell of an artist.. and I wish for myself to be like her if something so horrible happens to me. She was strong, she was a prey to conflicting emotions but she survived. The movie deserves a 10!
My neck hurts from sitting in that uncomfortable chair we have in the dining room but I couldn't feel any pain while watching "Frida". Why?! Simply, because I thought.. "wow.. how was that woman capable of staying alive for so long? How did she bear all that pain?"
This is a "have to see or regret for life".
"Frida" is a beautifully done biopic about Mexican artist and icon Frida Kahlo. Salma Hayek plays this role very well. She exhibits all the passion that goes into being an artist, especially when playing off Alfred Molina, who plays Diego Rivera, husband of Frida Kahlo, and a famous Mexican artist in his own right. What really impressed me was the artistic references in the movie. I loved seeing the paintings coming to life! I also liked the surreal animated sequences, particularly the hospital nightmare, populated with Day of the Dead-style skeletons. Few movies have ever made me regard them as a work of art. "Frida" is definitely one of them!
Wusstest du schon
- WissenswertesFrida Kahlo's niece was so impressed with the film that she gave Salma Hayek one of Kahlo's necklaces.
- PatzerEarly in her New York trip Frida is watching 1933's King Kong und die weiße Frau (1933). Later she is called home to tend to her dying mother. Several scenes later we see her at her mother's grave and it shows that she died in 1932, a year before King Kong was released.
- Zitate
Frida Kahlo: I had two big accidents in my life Diego, the trolley and you. You are by far the worse.
- VerbindungenFeatured in The 60th Annual Golden Globe Awards (2003)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Frida Kahlo
- Drehorte
- San Luis Potosi, San Luis Potosí, Mexiko(exterior, second bus scene)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 25.885.000 $
- Eröffnungswochenende in den USA und in Kanada
- 205.996 $
- 27. Okt. 2002
- Weltweiter Bruttoertrag
- 56.298.862 $
- Laufzeit
- 2 Std. 3 Min.(123 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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