Stadt der Engel

A very different look at the world of angels and their interaction with human beings. If this were a story about the devil, IMDB would have plenty of comments so I am not surprised to read so many negative ones.

I don't believe that angels wear black, but I do believe in the premise of this movie: "sometimes things are true whether you believe in them or not."

Meg Ryan, a very unlikely choice, was thoroughly believable as an obsessive-compulsive doctor who never sleeps. When she loses a patient for the first time, she cries bitterly and cannot understand how it could have happened--all witnessed by Nicolas Cage as Seth, an angel who was sent to escort her patient to heaven. Cage allows himself to be seen by Ryan in a hospital corridor and sweetly asks, "Are you in despair?" This entire conversation sweeps the women in the audience into their evolving relationship. Yes, I guess this is definitely a woman's movie.

Others in lesser roles were quite good. Dennis Franz nails the part of a former angel who has "fallen to earth." (I do not watch his television show so this was the first time I have seen him act--I was impressed.) Andre Braugher, formerly of Homicide (a show I did watch), was terrific as Seth's closest angel friend, although he had very few lines, as usual Braugher was effective. His smile at the end of the movie stays with you.

I just watched this movie again for about the 3rd time. People say the movie is depressing, unoriginal, and boring. I'll bend on the depressing part, but the other 2 are completely un-true.

Nicholas Cage and Meg Ryan give pretty good performances, nothing oscar-worthy, but it's not the acting that makes this movie great. It's beautiful. Pure heaven to the eyes and ears. While you see the wonderful scenes, and backgrounds, with wonderful color and beautiful art direction, and hear the perefectly performed and selected score in the background (with contributions from U2, Sarah McLachlan, and the surprise hit "Iris" from the Goo Goo Dolls) it doesn't really matter what kind of acting is happening. The screenplay is pretty good, but somewhat lacking, which is why I give it an 8.25 on a scale from 1-10. Its a love story, yes, and can get cheesy at points, but none the less, it's still worth seeing once or twice.

I was hesitant to see this movie for the longest time. Nicolas Cage and Meg Ryan in a romantic drama would seem to spell a movie filled with forlorn looks and sweet nothings whispered to each other. Upon seeing it, this movie proved my suspicions true.

However, I was astonished at how much more this film had. The sheer amount of interesting concepts, combined with the ability to look at humanity from some distance, made this movie well worth the watch. If this film succeeds, and I believe it does, it is precisely because of the mixture of Hollywood gloss and original Wenders magic. Something for everyone, if only you give it a little thought.

Touching date movie, nice discussion piece, and filled with attractive people, City of Angels is wonderfully shallow and surprisingly deep at times, making it well worth the watch.

I do think this film is underrated. For one thing, it has beautiful cinematography that just adds to the appeal of the film. Another thing I liked was the very thoughtful soundtrack, that title song is very haunting, and we just know it is going to be very sad. Some of the film is genuinely moving, and the evidence is in the chemistry of the two stars Meg Ryan and Nicolas Cage. Cage gives a very moving performance as Seth, a very unusual representation of an angel, and Ryan is very charming as always as Maggie. Of the minor roles, Dennis Franz is a scene stealer, bringing some energy into a rather slow-moving story. The script was very touching, though sometimes cheesy, and there are some overly sentimental scenes like the ending, that gets a bit hard to stomach. Though, in conclusion, a lovely looking, moving and well performed film. 7/10 Bethany Cox.

There's just one point I want to make about this movie, and that's about the OR scene when they're doing a coronary bypass. This is the first time I've ever seen a correct movie rendition of it, it's usually a baroque farce, but not here. Every instrument I could see, the bypass machine, the aortic cannula, the headlamps, the ECG monitors (and the traces!), the orders given, the type of suture, were correct (except I suspect they chose a heavier suture than normal 7-0, since a 7-0 would be very hard to see, it looked more like 4-0 or 5-0). Even the tying of knots, the Joule strengths used for defibrillation, the lidocaine dosages, the body temperature during bypass, the kind of mag the bypass operator is reading, the music (except we had Bach, country & western, Dylan or Cat Stevens, depending on surgeon and how the procedure was going), the time it will take to reprime the pump to get back on cardiac bypass again; I found not one single error! There's this one moment when everyone looks under the table, which is weird, but then Meg Ryan leaves the table, so even that is OK from a sterility point of view. I don't know if other people care, but this kind of care for detail makes a movie a lot more enjoyable for me.

Oh, one more remark: the reanimation with internal cardiac massage is a bit short, they give up a bit too soon. But that's exactly what she blames herself for, later.