A Walk on the Moon

This film is the basic story of 1969, Marty and Pearl Kantrowitz a couple who married young and have two children, on vacation in upstate NY. Anything north of the city is "upstate" and they take vacation near the well known "Nevele" and Concord Hotels, only at a more down at heel bungalow campground.

The atmosphere of the Catskills bungalow and the rather tacky but fun atmosphere is realistic. Tovah Feldshuh as Lillian is excellent, she realizes something is amiss with Pearl and lets her son know, calling him in Brooklyn.

The Moon walk itself is secondary to the actual story of America in the turbulent 1960's, Woodstock, and social unrest, but the story is not heavy handed.

Nor is it a complete miss like the faint hearted "1969" film with Robert Downey Jr., which attempts to address the same time period in America, and misses the point. Entirely.

Pearl Kantrowitz, well portrayed by Diane Lane feels something is missing, she has married too young, and subsequently meets Walker Jerome, a hippie who is known as the "Blouse man" (announced over the intercom by Julie Kavner's unmistakable voice ), when he brings his bus of clothing and jewelry to the camp site. Viggo Mortensen as Walker Jerome, is believable as a young man who eventually gets involved with Pearl, hoping for more.

The story rings true because it is simple, but believable and even sad. The affair with him, the ultimate fact that she realizes her life is passing by, but she does love her husband and children as well. and its time to say good bye to lofty dreams. There is a decent soundtrack including Joni Mitchell, and many other gems from that era. Liev Schreiber as Marty Kantrowitz is sympathetic and funny, attempting to dance to Jimi Hendrix at the end of the film.

The story is memorable without cheap sentiment, and a rare thing we see from Hollywood deserves praise. It is not a cheap romantic comedy with over the top actors, just a believable vignette which will touch you as the audience.

During the credits I noticed it was produced by Dustin Hoffman as well as Tony Goldwyn. Well done. 9/10.

I really enjoyed this movie. I think the soundtrack is amazing and appropriate although "Helplessly Hoping" is a cover of the CSNY classic. Still, we have Jefferson Airplane, Jesse Colin Young, Joni Mitchell, Judy Collins, and Richie Havens to drop a few names. Listen to the lyrics in this movie...apply them to how Pearl, Diane Lane's character is feeling... Diane Lane does a wonderful job of portraying a 60's housewife who, like so many other women of the time, found herself in a life she fell into. She meets a man who reminds her of who she wanted to be...of feelings she forgot she had. Movies aren't obligated to be lessons on morality, rather they are slices of the lives we all lead or dream of leading or hope to never lead. Some of the scenes in this movie are so powerful-they really rattle the soul. The love scene at the waterfall is wonderfully scored with the amazing "Cactus Tree" by Joni Mitchell. One can feel Pearl's guilt and confusion coupled with an excitement and verve for life she truly deserves. We see Pearl come of age metaphorically as she searches her heart to find out who she truly is. I recommend checking this one out and watching with an open heart and an open mind...the music alone is worth it.

A Walk on the Moon was Tony Goldwyn's directorial debut,

and all I can say is MORE! This is an excellently constructed film. The script was written by Pamela Gray is

fantastic. If you like a film with characters who could easily be real in believable situations that you come to care about, then you will love this film. Set in upstate New York in the summer of '69 the movie focuses on the choices and the resulting consequences made by a young woman who feels trapped in her role as wife and mother. That setting with the Vietnam War, social unrest, Woodstock, and the manned moon landing is arguably one of the most interesting times of the 20th Century and woven seamlessly into the film. The soundtrack with songs from the era fits perfectly and is great. The casting and performances were flawless. After seeing the film, I can't imagine anyone else in the roles. This was the first time I had seen Liev Schreiber who plays Marty, the husband, and Viggo Mortensen, the carefree lover. Both were terrific. Tovah Feldshuh, the perceptive earthy mother-in-law, and Anna Paquin, the rebellious daughter, were perfectly cast as well. And Diana Lane as Pearl, the lead, plays her multifaceted role well. I believe this film to be worthy of Academy consideration. The category that comes to mind (and there are others) is best supporting actor for Liev Schreiber. This film is a must see for the baby boom generation. Four stars!!!!

The sixties were a time of great transition. At their beginning was the Peace Corps: a way to help those in need of a better life. At their end it was the me generation: how high can I get or how can I satiate my senses to the fullest. This movie is one of the best "encapsulations" of those events that I've seen.

The moral overtones of the movie are overwhelming. Wrongs occur. Do we run away from them? Do we trash our lives because of them? This movie attempts to address these questions. It does it well.

Finally, what brings it all together? In two words: Diane Lane. She possesses a deep but quiet beauty that makes it work. Her character asks, "I'm approaching middle age. I have children and a good but somewhat boring husband. Is this all there is?"

All ask this question as youth begins to fade. The answer this movie purports makes it exceptional and even classic. A hundred years from our descendants will look at this movie and appreciate its incite in human existence.

A touching look at life, human weaknesses, missed dreams, and opportunities.

Having read all of the posted reviews, what I find most interesting is the overall male consensus that the film portrays the husband as the guilty party for his wife's dissatisfaction. Being male, I find it hard to believe that so many of my gender feel so weak and betrayed.

Pearl, doesn't blame her husband and only learns to value and understand him better as also having missed out on some of life's potential. Also, I find it hard to accept the moralizing in the reviews. The film is not condoning the illicit relationship, the idyllic couplings and temporary `escape', are photographed as what we dream we've missed. Are acted out fantasies, to be moralized? Pearl knows, the fantasy can't last and a price will be paid.

Haven't we all missed out from time to time? How many men have fantasized (and acted out) Pearl's actions and expected to be forgiven. Why because they're men??? A well acted, beautifully filmed, and nicely scored remembrance, of the period of self exploration and human frailty.