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Oscar Wilde

Originaltitel: Wilde
  • 1997
  • 12
  • 1 Std. 58 Min.
IMDb-BEWERTUNG
6,9/10
18.758
IHRE BEWERTUNG
Stephen Fry in Oscar Wilde (1997)
Official Trailer
trailer wiedergeben1:44
1 Video
30 Fotos
Tragische RomanzeZeitraum: DramaBiographieDramaRomanze

Der Aufruhr im Leben des Dichters und Dramatikers Oscar Wilde, nachdem er seine Homosexualität entdeckt hat.Der Aufruhr im Leben des Dichters und Dramatikers Oscar Wilde, nachdem er seine Homosexualität entdeckt hat.Der Aufruhr im Leben des Dichters und Dramatikers Oscar Wilde, nachdem er seine Homosexualität entdeckt hat.

  • Regie
    • Brian Gilbert
  • Drehbuch
    • Julian Mitchell
    • Richard Ellmann
  • Hauptbesetzung
    • Stephen Fry
    • Jude Law
    • Vanessa Redgrave
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,9/10
    18.758
    IHRE BEWERTUNG
    • Regie
      • Brian Gilbert
    • Drehbuch
      • Julian Mitchell
      • Richard Ellmann
    • Hauptbesetzung
      • Stephen Fry
      • Jude Law
      • Vanessa Redgrave
    • 117Benutzerrezensionen
    • 40Kritische Rezensionen
    • 70Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Nominiert für 2 BAFTA Awards
      • 4 Gewinne & 8 Nominierungen insgesamt

    Videos1

    Wilde
    Trailer 1:44
    Wilde

    Fotos30

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    Topbesetzung56

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    Stephen Fry
    Stephen Fry
    • Oscar Wilde
    Jude Law
    Jude Law
    • Lord Alfred Douglas
    Vanessa Redgrave
    Vanessa Redgrave
    • Lady 'Speranza' Wilde
    Jennifer Ehle
    Jennifer Ehle
    • Constance Wilde
    Gemma Jones
    Gemma Jones
    • Lady Queensberry
    Judy Parfitt
    Judy Parfitt
    • Lady Mount-Temple
    Michael Sheen
    Michael Sheen
    • Robbie Ross
    Zoë Wanamaker
    Zoë Wanamaker
    • Ada Leverson 'Sphinx'
    Tom Wilkinson
    Tom Wilkinson
    • The Marquess of Queensberry
    Ioan Gruffudd
    Ioan Gruffudd
    • John Gray
    Matthew Mills
    • Lionel Johnson
    Jason Morell
    • Ernest Dowson
    Peter Barkworth
    Peter Barkworth
    • Charles Gill
    Robert Lang
    Robert Lang
    • C.O. Humphreys
    Philip Locke
    Philip Locke
    • Judge
    David Westhead
    David Westhead
    • Edward Carson
    Jack Knight
    • Cyril Wilde
    Jackson Ellis Leach
    • Cyril Wilde, aged 4
    • (as Jackson Leach)
    • Regie
      • Brian Gilbert
    • Drehbuch
      • Julian Mitchell
      • Richard Ellmann
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen117

    6,918.7K
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    Empfohlene Bewertungen

    7Peach-2

    Interesting portrait.

    Wilde is a film about a man's passions destroying his life. Oscar Wilde was a very interesting man and discovered his dormant homosexuality late in life. The film was very tragic in a lot of ways. The love story between Wilde and Douglas was venomous and sweet. The performances by Jude Law and Stephen Fry were top notch. The direction was a little sluggish I thought and the film could have been better paced. The production design was great though and I loved listening to Wilde's sarcasm of the British class system. If you are a fan of Oscar Wilde, you will probably like this film more than the average movie fan.
    didi-5

    sympathetic reassessment of Wilde

    This film was one of the best to appear in the late 90s, and is a sensitive, involving, honest and moving biography of one of the greatest writers of the Victorian era, the infamous Oscar Wilde.

    More realistic and better played than previous studies of the writer (Robert Morley and Peter Finch both played Wilde in the 1950s), this film benefits greatly from a cracking performance by Stephen Fry in the lead. Not even regarded as an actor, more of a comedian, prior to this, Fry (himself gay, and something of an intellectual) puts across all the nuances and contradictions of the subject perfectly.

    This Wilde is torn between what is accepted love (his wife, and children), and the 'love that dare not speak its name' (primarily his destructive relationship with the needy, selfish and petulant Lord Alfred Douglas, played here by Jude Law in the role which brought him to world attention). We see his charm and conviction when creating his plays or amusing friends, we also see his weaker side and why he was the cause of his own eventual arrest and imprisonment, we see how prison changed him and - as he wrote himself in De Profundis - broke his spirit and his health.

    Watch out for other, now big, names in the cast - Ioan Gruffudd, Michael Sheen, Orlando Bloom - alongside the established players such as Vanessa Redgrave (Oscar's mother, Sperenza), Jennifer Ehle (Lady Constance Wilde), Tom Wilkinson (Marquess of Queensbury, Bosie's father), Gemma Jones (Bosie's mother), and Judy Parfitt.

    A fitting musical score, a smattering of Wilde's epigrams, and a large chunk of his children's story 'The Selfish Giant' (driving and commenting on the action at key points) leave this film close to perfection when detailing the story of the misunderstanding of another age, not too far back from our own.
    8=G=

    The importance of being accurate

    "Wilde" is an elegant film with sterling performances by Fry, the title character, and a superb supporting cast. However, "Wilde" is also a shaded and skewed partial portrait of the 19th century playwright, poet, and master of the epigram. The film is not so much a biopic as it is a drama: A drama which spends too much time on the sensational aspects of the writer's life and not enough on his history, early life, idiosyncrasies, works, and last years. Nonetheless, "Wilde" is solid entertainment for anyone interested in Victorian period dramas or the man himself. (B+)
    8bandw

    Earnest production with a great performance by Stephen Fry

    This film biography of Oscar Wilde is a showcase for Stephen Fry. He not only looks like Wilde, he breaths life into the many passages from Wilde's writings that are woven into the screenplay. The difference between reading Wilde and experiencing Fry's performance is like reading Shakespeare and seeing Olivier perform. An evening listening to Fry read from Wilde's works would be worth paying a tidy sum to attend.

    I had no idea that Wilde had married young to Constance Lloyd (Jennifer Ehle in a fine performance) and had two adorable boys by her. In an effective plot device, periodically throughout the movie Wilde reads to his sons from his children's story, "The Selfish Giant." The readings are presented in a way that cleverly integrates the storyline of the writing with the storyline of the movie, with Wilde being the selfish giant. And how many people know that Wilde wrote children's stories?

    There are many examples given of Wilde's biting wit, such as, "Give a man a mask and he will tell you the truth," "The world is a stage, but the play is badly cast," and "I find that alcohol, taken in sufficient quantities, can bring about all the effects of drunkenness." Fry delivers these with perfect tone.

    Of course a good part of the movie is devoted to Wilde's arrest and ultimate imprisonment for "indecent acts" with Lord Alfred Douglas (Jude Law). Wilde truly did live his life in accordance with his comment, "Where your life leads you, you must go. I defy society." As presented here, Wilde is a courageous and sensitive man who was forced into a tragedy by the strictures of a hidebound society. In current America most would judge his infractions with mild distaste at worst.

    There are some disconcerting transitions, mostly in scenes with Lord Douglas. Douglas is seen to have a volatile personality. He could be needy and tender, but he could also be a first-class ass and manipulator with an explosive temper. His fits of anger seemed exaggerated and disrupted the tone of the movie. I had a similar reaction to the sex scenes in terms of disrupting the flow. Robbie's initial advances were abrupt and without foundation. The explicit sex scenes between Wilde and Lord Douglas would have been better hinted at than seen - their kisses and embraces could well be imagined but they felt incongruous and unbelievable in the flesh.

    Wilde was much more than a wit. He could express emotions with eloquence. Consider this quote about encountering a previous lover after a hiatus of a few years:

    "Life cheats us with shadows. We ask it for pleasure, it gives it to us with bitterness and disappointment in its train. And we find ourselves looking with dull heart of stone at the tresses of gold-flecked hair that we once had so wildly worshiped and so madly kissed."

    The movie is nicely filmed with a good musical score. I wound up liking it more after having thought about it.

    Watching this has expanded my appreciation for Wilde as a writer and as a person - I have been left wanting to know more about him and his work.
    Gordon-11

    Touching and engaging story

    This is about the famous writer Oscar Wilde, and his forbidden love in the intolerant society.

    I watched this film two times already, and I really like it. Stephen Fry and Jude Law both give incredible performances. The script is able to portray their untainted and pure love. Their yearning for each other grips me very much. Jude Law portrays Brosie's spoiled personality well. The scene where Brosie intentionally sits in the middle of the restaurant with Wilde is particularly memorable.

    The story is touching and engaging, making me wanting more. Stephen Fry must be commended for selecting Jude Law, who was not as much of a superstar at that time, as his on screen partner. Orlando Bloom's brief appearance as one of the boys certainly comes as a surprise. Stephen Fry's eye for hot male stars is certainly to be admired!

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    Handlung

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    • Wissenswertes
      Orlando Bloom made his film debut in this film, with a brief appearance as a "Rentboy."
    • Patzer
      When Oscar Wilde visits his wife's grave near Genoa, the headstone states "Wife of Oscar Wilde." It originally stated only "Constance Mary, daughter of Horace Lloyd, Q.C." and "Wife of Oscar Wilde" was not added until later.
    • Zitate

      Oscar Wilde: [last lines]

      Oscar Wilde: In this world there are only two tragedies. One is not getting what one wants. The other is getting it.

    • Crazy Credits
      The credits are in the style of the black-ink drawings of Aubrey Beardsley (1872-1898), leading artist of the Aesthetic movement and colleague of Wilde for whom he illustrated the text of "Salome" in 1894. In the opening credits the pictures reflect the character being played or suggest the role in the production team.
    • Verbindungen
      Featured in Venice Report (1997)
    • Soundtracks
      Ah, Leave me not to Mine Alone
      from "The Pirates of Penzance"

      Words and Music by W.S. Gilbert (as Gilbert) & Arthur Sullivan (as Sullivan)

    Top-Auswahl

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    FAQ20

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    Details

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    • Erscheinungsdatum
      • 23. Oktober 1997 (Deutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Deutschland
      • Japan
    • Sprachen
      • Englisch
      • Italienisch
    • Auch bekannt als
      • Wilde
    • Drehorte
      • Durdle Door Beach, West Lulworth, Wareham, Dorset, England, Vereinigtes Königreich
    • Produktionsfirmen
      • Samuelson Productions
      • Dove International
      • NDF International
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 10.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 2.158.775 $
    • Eröffnungswochenende in den USA und in Kanada
      • 69.424 $
      • 3. Mai 1998
    • Weltweiter Bruttoertrag
      • 2.158.775 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 58 Min.(118 min)
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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