IMDb-BEWERTUNG
5,2/10
75.083
IHRE BEWERTUNG
Ein Elitesöldner wird getötet, kommt aber als widerwilliger Soldat des Teufels aus der Hölle zurück.Ein Elitesöldner wird getötet, kommt aber als widerwilliger Soldat des Teufels aus der Hölle zurück.Ein Elitesöldner wird getötet, kommt aber als widerwilliger Soldat des Teufels aus der Hölle zurück.
- Auszeichnungen
- 2 Gewinne & 6 Nominierungen insgesamt
Frank Welker
- The Devil Malebolgia
- (Synchronisation)
Robia Scott
- XNN Reporter
- (as Robia La Morte)
John Cothran
- African Liaison
- (as John Cothran Jr.)
Empfohlene Bewertungen
* (1 out of 5) Spawn
Directed by : Mark A.Z. Dippé, 1997
Cult comic book comes to the screen looking like a bad computer game. Lacklustre story, illogically put together, some really awful editing and dialogue and finally the Tron-looking computer generated special effects (as in Tron from 1982, yes).
Joe Leguizamo is wickedly funny as spooky Stephen Kingish clown and the only highlight.
Directed by : Mark A.Z. Dippé, 1997
Cult comic book comes to the screen looking like a bad computer game. Lacklustre story, illogically put together, some really awful editing and dialogue and finally the Tron-looking computer generated special effects (as in Tron from 1982, yes).
Joe Leguizamo is wickedly funny as spooky Stephen Kingish clown and the only highlight.
Everyone seems to agree that the original Spawn comic is excellent material for a pointless, violent, stupid and thoroughly amusing movie. This movie, however....It isn't all that violent (if you compare it to the comic book), but it is stupid and utterly pointless. Amusing? It could have been if they had inserted a prolonged torture scene of John Leguizamos Clown character: one of the most un-funny, irritating and tacky "comic relief" characters ever to have (dis)graced the screen. Move over Chris Tucker and Pauly Shore - we have a new candidate for overrated quasi-comedian of the decade. The special effects were kind of confusing - half of them were excellent and half of them looked like beautified Sesame Street animations (the demon "thing" of hell, for example, which had me crying with laughter). Let's hope for the next Spawn movie they take a few chances and make a grittier downbeat tale with more in common with the original comic and not like the muppet show from hell.
There are moments in Spawn that stand out with exceptional creativity, but what truly stands out about the movie is just how much of a mess it is.
The screenplay is a wreck, the acting is stiff and unconvincing, and the whole thing seems to fly by so fast, that we don't get a chance to experience much other than a look at some nifty visuals. In fairness, I suppose it is easy enough to argue that Spawn delivers its share of action sequences for a ninety minute movie, but perhaps it needs to back down a bit. It needs more story. In the end, Spawn feels like nothing more or less than an exercise in CGI and make-up effects.
It is pretty difficult to get involved with the story, in part because it makes no sense, but mostly because we simply do not care. The character of Al Simmons is about as cheap and plastic as the armour he suits up in during the second half of the feature. Quite frankly I don't find him all that likable. He is cold and nasty, even as a superhero. I really hate it when the good guys talk like the bad guys; when they cackle or make snarly remarks, like Dr. Westlake in the Darkman series.
Some of the special effects work, some don't. Our hero has a blood red cape which can expand to the size of Texas (don't ask me how). I liked that effect. The thing sort of has a computer generated life of its own, and its elegance clashes with the plastic of Spawn's armour. the primary villain is a clown from hell, who can turn into a ten foot armour plated beast which looks a bit like a cousin of the Queen from Aliens. That is another good effect. The climax takes us deep into the fiery pit of hell, which unfortunately does NOT so convincing. My screen saver is a more intimidating computer generated image. I was reminded a bit of the Brinstar level from Super Smash Brothers.
Like so many films do, Spawn ends on a note that just cries out for a sequel. Needless to say, there isn't one and there never will be. Spawn is entertaining in parts, but definitely not as a whole.
The screenplay is a wreck, the acting is stiff and unconvincing, and the whole thing seems to fly by so fast, that we don't get a chance to experience much other than a look at some nifty visuals. In fairness, I suppose it is easy enough to argue that Spawn delivers its share of action sequences for a ninety minute movie, but perhaps it needs to back down a bit. It needs more story. In the end, Spawn feels like nothing more or less than an exercise in CGI and make-up effects.
It is pretty difficult to get involved with the story, in part because it makes no sense, but mostly because we simply do not care. The character of Al Simmons is about as cheap and plastic as the armour he suits up in during the second half of the feature. Quite frankly I don't find him all that likable. He is cold and nasty, even as a superhero. I really hate it when the good guys talk like the bad guys; when they cackle or make snarly remarks, like Dr. Westlake in the Darkman series.
Some of the special effects work, some don't. Our hero has a blood red cape which can expand to the size of Texas (don't ask me how). I liked that effect. The thing sort of has a computer generated life of its own, and its elegance clashes with the plastic of Spawn's armour. the primary villain is a clown from hell, who can turn into a ten foot armour plated beast which looks a bit like a cousin of the Queen from Aliens. That is another good effect. The climax takes us deep into the fiery pit of hell, which unfortunately does NOT so convincing. My screen saver is a more intimidating computer generated image. I was reminded a bit of the Brinstar level from Super Smash Brothers.
Like so many films do, Spawn ends on a note that just cries out for a sequel. Needless to say, there isn't one and there never will be. Spawn is entertaining in parts, but definitely not as a whole.
I remember seeing this film as a kid, and i remember it being pretty bad-ass. Joining IMDb, and seeing it at a 4.9, I was astonished. But having been over twelve years, I decided to go out and buy the Director's cut. Just to be blunt, it's nowhere near worthy of the rating it's at. But, there is quite a bit of wasted potentiality. I'll start off with the good, which really there is a lot of if you think about it. First off, if you're really into action, look no further because this film sports a nice amount of it. And the basic premise is pretty interesting, but even the director's cut clocks in at under an hour and forty minutes , so it fails to dive any deeper than it certainly could've. The cinematography is by Guillermo Navarro, who many of you probably know from his work with director Guillermo del Toro ( "Blade 2", the "Hellboy" series, "Pan's Labyrinth", etc.), and he does a bang up job. With the right direction this could have been a masterpiece by all means. Mark A.Z. Dippé knew and carried out the bare minimum of film making, and if you look into it is busy now-a-days with animated Garfield productions. What a down grade, huh? About 90% of the visuals are pretty damn good actually, and the acting as it is is all right. For these things alone, I enjoyed this movie, where as I despised "X-Men Origins: Wolverine" for its predictable generic storyline and overly done flashy effects. Michael Jai White was far from terrible and John Leguizamo was pretty terrific if not a bit cartoony at times.
The bad points really hit this film hard. The pacing, attuned to its short run time, zooms by way too quickly with annoying video game like transitions and a score that didn't fit the film too well. Every time I was expecting more to be developed, I was let down. "Oh, this is a cool plot line-wait, what, we're moving on already? oh..okay..". And lastly, amongst 90% of the great CGI and make-up, the battle in hell is painstakingly terrible. They should've gone with an elaborate set and CGI here and there, but it becomes hopeless so you have to sit threw what you would call a lackluster climax.
But for what it is, I highly recommended this movie for its dark humor and awesome action.
The bad points really hit this film hard. The pacing, attuned to its short run time, zooms by way too quickly with annoying video game like transitions and a score that didn't fit the film too well. Every time I was expecting more to be developed, I was let down. "Oh, this is a cool plot line-wait, what, we're moving on already? oh..okay..". And lastly, amongst 90% of the great CGI and make-up, the battle in hell is painstakingly terrible. They should've gone with an elaborate set and CGI here and there, but it becomes hopeless so you have to sit threw what you would call a lackluster climax.
But for what it is, I highly recommended this movie for its dark humor and awesome action.
To be honest, this movie is a crap, but it has its charms. Spawn has a good make-up and following effects, and the music is quite good. It could be a guilty pleasure if you have time to waste.
6/10
6/10
Wusstest du schon
- WissenswertesMartin Sheen agreed to star in this movie because he always wanted to star in a comic book movie. He later played another comic book role, Uncle Ben in The Amazing Spider-Man (2012).
- PatzerAfter Priest shoots Spawn at the party, he runs down a corridor and into the kitchen, stumbling onto the ground as his wounds healed. When he lands on the ground, sneaker bottoms can be seen sticking a good two inches out of the bottom of Spawn's feet
- Crazy CreditsDuring the credits, at several points, there is a single frame inserted of a blurred, overexposed figure
- Alternative VersionenA R-rated Director's Cut has been released for VHS, DVD, and Laserdisc. It includes scenes that had to be cut for a PG-13. The film has a couple of new violent scenes. At the end of the film is a 30-minute interview with the creator Todd McFarlane and a Behind the Scenes of Spawn show that was first aired on the Sci-Fi Network.
- VerbindungenFeatured in The Making of 'Spawn' (1997)
- SoundtracksSatan
Written by Paul Hartnoll (as P) and Phil Hartnoll (as P Hartnoll)
Performed by Orbital with Kirk Hammett
Produced by Paul Hartnoll (as P) and Phil Hartnoll (as P Hartnoll)
Orbital appears courtesy of London Records
Kirk Hammett appears courtesy of E/M Ventures
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Kẻ Bán Linh Hồn Cho Địa Ngục
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 40.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 54.870.175 $
- Eröffnungswochenende in den USA und in Kanada
- 19.738.749 $
- 3. Aug. 1997
- Weltweiter Bruttoertrag
- 87.840.042 $
- Laufzeit
- 1 Std. 36 Min.(96 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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