Running Time
- 1997
- 1 Std. 10 Min.
IMDb-BEWERTUNG
6,8/10
1849
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuCarl is released from jail after serving a 5-year term and immediately sets about executing his next heist. The plan is relatively simple but time is critical. However, he doesn't factor in ... Alles lesenCarl is released from jail after serving a 5-year term and immediately sets about executing his next heist. The plan is relatively simple but time is critical. However, he doesn't factor in bad luck or the incompetence of his accomplices.Carl is released from jail after serving a 5-year term and immediately sets about executing his next heist. The plan is relatively simple but time is critical. However, he doesn't factor in bad luck or the incompetence of his accomplices.
- Auszeichnungen
- 1 wins total
William Stanford Davis
- Buzz
- (as Stan Davis)
Gordon Jennison Noice
- Donny
- (as Gordon Jennison)
Jules Desjarlais
- Bagman
- (as Jules DesJarlais)
Empfohlene Bewertungen
Nicely made black and white movie with some very nice acting.
Carl (Bruce Campbell), once a popular highschool student gets released from prison after serving 5 years for a heist gone bad. Outside, his friend and partner Patrick awaits his release so they can go rob a bank, but when he meets the girl he left behind in highschool 15 years ago he stands with a difficult choice of having to choose the money or her.
The movie was just over an hour and since it seemed very live we get to see all the actors really putting in a great effort to make this movie good.
Carl (Bruce Campbell), once a popular highschool student gets released from prison after serving 5 years for a heist gone bad. Outside, his friend and partner Patrick awaits his release so they can go rob a bank, but when he meets the girl he left behind in highschool 15 years ago he stands with a difficult choice of having to choose the money or her.
The movie was just over an hour and since it seemed very live we get to see all the actors really putting in a great effort to make this movie good.
Josh Becker's "Running Time" is a remarkably effective and economical heist flick shot in black and white with the illusion of being a single take. These stylistic anomalies may draw your attention at first, but "Running Time" is more than its experimental hook. It's a good, taut thriller with a sharp comic edge. It also has a refreshingly brisk pace (clocking in at about 70 minutes long).
Bruce Campbell is excellent in the lead role as Carl, an ex-con whose plan for the perfect heist is undone by the incompetence of his partner Patrick (Jeremy Roberts) and a general case of Murphy's law. Anita Barone also gives a winning performance as Carl's former high school squeeze, Janie.
"Running Time" is a fine film that deserves a wider audience. Help start the trend.
Bruce Campbell is excellent in the lead role as Carl, an ex-con whose plan for the perfect heist is undone by the incompetence of his partner Patrick (Jeremy Roberts) and a general case of Murphy's law. Anita Barone also gives a winning performance as Carl's former high school squeeze, Janie.
"Running Time" is a fine film that deserves a wider audience. Help start the trend.
Very enjoyable, oddball little shortie. When Carl got out of the pen after five years for theft, he and his idiotic best friend went directly into another heist. From the very start nothing went anywhere except the wrong way for these bungling losers. These stupids even hired a junkie as the getaway driver. Gad! When this caper went totally awry I thought Carl and his buddy should have had a lot more trouble getting away from the crime scene. They merely ran down pretty much deserted streets with no one chasing them even though three shooters were only seconds behind at one point. Although fun to watch the entire thing was just too unbelievable; no way these jackasses could have escaped the area without giving themselves away. Anita Barone was fine as the broken hearted hooker who badly needed to put her trust in someone.
"Running Time" is more a cinematic stunt than a movie. It provides intellectual diversion but little emotional involvement. All of the edits in this "continuous take" project are obvious, but it is great fun to watch Bruce Campbell do what he does so well. Anita Barone is especially good in what is essentially an underwritten part as Janine, the whore with the heart of gold. As an added bonus, the movie is shot with all-Steadicam and gave me both a headache and an upset stomach. I haven't had both of those while watching a film since "Galaxy of Terror"! I soldiered on 'til the end because I wanted to see what happened next, so I'll declare "Running Time" a cut above a mild diversion.
Made in the same all-in-one-take method that Hitchcock (who is thanked in the end credits) created for ROPE, RUNNING TIME is actually more inventive on some levels. Hitchcock shot his film on a stage at Warner Bros., but Becker's is made out in the streets of Los Angeles. Granted, Hitchcock didn't have the highly mobile, lightweight camera equipment available to Becker, but it couldn't have been easy shooting RUNNING TIME (amusing, punning title) from moving cars and on Los Angeles streets.
The script is taut and well-written, and occasionally quite amusing as the hold-up men squabble amongst themselves during the robbery. The movie is also unexpectedly romantic in a tough, ultra-film-noir manner (the hero and heroine have sex before they recognize each other from high school).
Becker also varies the style impressively at times, from a rock-steady, documentary-style approach at the beginning, to a more surrealistic sequence during the robbery, as the camera shifts wildly from one perspective to another.
The film didn't have much theatrical distribution, and is evidently available on video only from the director, but video stores should stock it. This is one of those movies whose reputation will increase in the years to come.
The script is taut and well-written, and occasionally quite amusing as the hold-up men squabble amongst themselves during the robbery. The movie is also unexpectedly romantic in a tough, ultra-film-noir manner (the hero and heroine have sex before they recognize each other from high school).
Becker also varies the style impressively at times, from a rock-steady, documentary-style approach at the beginning, to a more surrealistic sequence during the robbery, as the camera shifts wildly from one perspective to another.
The film didn't have much theatrical distribution, and is evidently available on video only from the director, but video stores should stock it. This is one of those movies whose reputation will increase in the years to come.
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- WissenswertesDirector Josh Becker stated on his website that Alfred Hitchcock's Cocktail für eine Leiche (1948) was the major influence in making his movie to seemingly not have any cuts.
- PatzerAbout 41:50 into the movie, Carl ducks behind a large garbage can. A police car drives down the street, and the camera man with camera is reflected on the police car's window.
- VerbindungenReferenced in Tainted (1998)
Top-Auswahl
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- Budget
- 130.000 $ (geschätzt)
- Laufzeit
- 1 Std. 10 Min.(70 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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