Regeneration

Regeneration treats its audience with respect. The dramatic denouement and characters are not simply laid bare for a popcorn-audience to mindlessly digest. The film unfolds, the scenarios develop, the characters live and breath the ugly reality of warfare. And this all happens in a natural, credible manner beautifully shot and paced by the under-rated Gillies McKinnon.

The opening aerial shot of the bloody consequences of battle are every bit the emotional and visceral equal of Spielberg's lauded 20-minute opening sequence in Saving Private Ryan. The rest of the film - in my opinion - surpasses Ryan as a whole in terms of its drama, poetry, anguish and thought.

The performances are outstanding. Jonathan Pryce's portrayal of Rivers falling apart at the seams as he adopts the neuroses and trauma of his patients is astonishing. Johnny Lee Miller is also excellent as the (initially) mute soldier, haunted by the brutality of a trench-attack. James Wilby's Siegfried Sassoon is perhaps the toughest role to play in the film and yet he surpasses any prior (or subsequent) performances with a characterisation that swings from harsh to likeable, strong to weak, right to wrong.

All of the numerous storylines are well constructed and followed to their natural conclusion. There are no false avenues; no bum notes; no waste.

The source material is beautifully adapted for the film (by the rare breed of writer-producer, Allan Scott), losing none of its pace or characterisation. The emotional weight so prominent in Barker's novel are perfectly transferred into the movie. How wonderful for a modern film to have non-stereotypical, imperfect lead characters and lack easy conclusions. How beautifully evoked is the friendship between Sassoon and Owen. There is no sacharine sentiment in this movie; nor artificial shock to induce pity; nor a wasted scene or moment of dialogue. Equally, the period look of the film is stunning. Filmed in Scotland, the vistas are beautifully bleak and wintry. The atmosphere of the First World War is all too frighteningly real.

The music, whilst beautiful, is perfectly restrained. Harking back to the films of the seventies, long moments of silence pervade Regeneration. How did things go so badly wrong in the last twenty years in this respect?

Regeneration achieves the very rare distinction of matching (if not surpassing) the beautiful and moving novel on which it is based. Thoughtful film-goers should treat themselves to this wonderful and intelligent film.

There are very few films glorifying the first world war, called the "Great War" by those who fought and lived through it. If anything, Hollywood has avoided the subject and left it to a few European filmmakers, for very good reason. For sheer carnage, nothing has surpassed it. The slaughter of very young men was truly appalling. One can only imagine the reaction today if 50,000 men were dying each month to hold or advance over 100 yards of desolate mud. I went to school in England where the walls of our classroom were covered with the photos of pupils who had died in the war. Mostly aged 17. It was not until much later that I realised why there were so many unmarried middle aged women around in the 50's, when the writer Dr. Phyllis Bentley explained that there was no one for them to marry. An entire generation of men had been wiped out.

Regeneration is a thoughtful anti-war film where the paradox of war is implied in a Scottish hospital for the treatment of shell shocked officers. The doctor has to get them well so they can be returned to the front lines, where they will more than likely be killed. The script is intelligent and the acting is superb. There are some allegorical scenes which do more to underscore the pigheaded arrogant mentality of the "establishment" which continued a war until quite simply, there was no one left to fight. Even sick men with TB were sent off to fight. Perhaps the saddest aspect of watching this film is when you realize that WWII began 21 years after the first once ended, just long enough for the new generation of soldiers to grow up.

Regeneration is one of those films you know in advance is going to be painful to watch. Some of the images are quite strong, almost electric, and the photography is very good. Good performances combined with seriously good writing make this an important film to see.

Regeneration is an amazing film, it discusses the unseen wounds left on soldiers by war. The emotional trauma it causes them and how best we can help them, if we can at all.

James Wilby gives a remarkable performance as an officer who is sickened by the war that he sees around him. He isn't so much mentally ill as disgusted with war and his contribution in it. Jonny Lee Miller is also amazing in his portrayal of an officer driven mute. When he discovers his voice he is angry and argumentative, but slowly we discover that all of his anger is a shell to protect the hurt that has built up inside of him.

One of the biggest underlying themes in this film is how useless war is, even if it is for the right cause. Mainly because it destroys the human psyche and removes hope.

This is a startling film, and touching and emotional. It cuts to the core of who we all are, as human beings.

This was an excellent movie. Amazing photography and casting and an

intelligent scenario which passes messages about how horrific war is

to the audience in the mildest yet touching way I've seen.

The story involves a hospital in Scotland where officers are sent when

they suffer a breakdown, a common phenomenon in the first and second

world wars. In there, a doctor (played by Jonathan Pryce) attempts to

treat his patients in a more humane way than the one other doctors of

the time choose. Through the stories of characters in the hospital --

including Siegfried Sassoon and Wilfred Owen, two poets who happen to

meet and become friends in the hospital -- the life of the British

soldiers in the first World War, as well as several political messages

about that affecting era for humanity are successfully transmitted to

the audience, without blood, without effects or huge battle scenes in

a way that touches and indicates its significance more than any other

film I've seen about the subject.

The performances are excellent, with Johny Lee Miller -- who apart

from this movie has not shown any signs of serious acting that I've

seen -- delivering a very good performance of a shocked and ambitious

officer and Jonathan Pryce metaphorically accepting the ideas of

Sassoon -- who opposes to the war after a point where he realises its

futility and the lack of values in the politicians driving it -- can

be though as the link between the soldiers and humanity itself.

It is definitely a movie I would recommend! Excellent.