IMDb-BEWERTUNG
6,6/10
1509
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn ordinary foundry worker fakes a love story between him and the chambermaid from RMS Titanic. When ship sinks and chambermaid probably dies, his story gains popularity. But lie always has ... Alles lesenAn ordinary foundry worker fakes a love story between him and the chambermaid from RMS Titanic. When ship sinks and chambermaid probably dies, his story gains popularity. But lie always has its price.An ordinary foundry worker fakes a love story between him and the chambermaid from RMS Titanic. When ship sinks and chambermaid probably dies, his story gains popularity. But lie always has its price.
- Auszeichnungen
- 7 Gewinne & 4 Nominierungen insgesamt
Enzo Decaro
- Lacroix
- (as Vincenzo De Caro)
Empfohlene Bewertungen
If you getting into this movie without expectation you will enjoy more .i started seeing this movie for just the sex scene but this movie dragged me on,will dragged you in too
because this film is a poetry...
the developing prose of the story with the abstract implying ideas (specially the suggestive narrative story telling) that synchronize in the rhythmical scenes and intense drama of passion, along the scripts playing with language from polite to vulgar.... and then there's how it's filmed rich in emotion from all the characters even by the by-standers, with an almost accurate period movie where past early after turn of the 20th century we get to glimpse travel.... but at always this film remain or kept itself simplistic in style despite the intricate weaving and integrating of the art of old world romance, dark mystery movie and sarcastic humour in suppress comedy, while the drama of human conflicts and aspirations are all in one (it all depends on your receptors at the time of watching)... or very accessible to watch...
and then there is the way of how contrasting dimensional realities (but naturally looked at as life) becomes romantic even in the hindsight tragic of titanic (distasteful exploitation of as soon as that event happened)... and then on top of even another dimension is that the story is focus on the fantasy element - huge passionate erotic romantic narration that are all base to the "keep coming back to that ultimate one-night stand" which is the center of the plot....
For instance: life in the smelters or foundry, the peasantry lower working families of rural mining processor towns, the intrigues and the theatrics of salacious subject matter have driven the pheasant existence of workers who could only dream of what's life in opulence, of experiencing real passionate romantic escapade in the midst of luxury even as a servitude (instead of just daily toiling and working to meet the basic necessity in the back-draft of small rural factory town)... sexual passion with a sensual stranger in forms of flashbacks that make one wonder of life beyond the town.... the main character's fantasy is now the town's.... whereby it begins to represent the workers' escape of a humdrum life, as all they want is to be entertained with stories of concocted true events or fantastic lies well put together..... which really is the component (patronizing crowd audience) and what is binding to the elements (the story telling or narrative) of the film...
what really is surprising and very much what makes treasure of the film is between Olivier Martinez and Aitana Sanchez-Gijon chemistry and real genuine passion, that's hard to fake sensual romantic intensity, as much as naturally born sexiness, sex appeal and good looks cannot be faked either....
the developing prose of the story with the abstract implying ideas (specially the suggestive narrative story telling) that synchronize in the rhythmical scenes and intense drama of passion, along the scripts playing with language from polite to vulgar.... and then there's how it's filmed rich in emotion from all the characters even by the by-standers, with an almost accurate period movie where past early after turn of the 20th century we get to glimpse travel.... but at always this film remain or kept itself simplistic in style despite the intricate weaving and integrating of the art of old world romance, dark mystery movie and sarcastic humour in suppress comedy, while the drama of human conflicts and aspirations are all in one (it all depends on your receptors at the time of watching)... or very accessible to watch...
and then there is the way of how contrasting dimensional realities (but naturally looked at as life) becomes romantic even in the hindsight tragic of titanic (distasteful exploitation of as soon as that event happened)... and then on top of even another dimension is that the story is focus on the fantasy element - huge passionate erotic romantic narration that are all base to the "keep coming back to that ultimate one-night stand" which is the center of the plot....
For instance: life in the smelters or foundry, the peasantry lower working families of rural mining processor towns, the intrigues and the theatrics of salacious subject matter have driven the pheasant existence of workers who could only dream of what's life in opulence, of experiencing real passionate romantic escapade in the midst of luxury even as a servitude (instead of just daily toiling and working to meet the basic necessity in the back-draft of small rural factory town)... sexual passion with a sensual stranger in forms of flashbacks that make one wonder of life beyond the town.... the main character's fantasy is now the town's.... whereby it begins to represent the workers' escape of a humdrum life, as all they want is to be entertained with stories of concocted true events or fantastic lies well put together..... which really is the component (patronizing crowd audience) and what is binding to the elements (the story telling or narrative) of the film...
what really is surprising and very much what makes treasure of the film is between Olivier Martinez and Aitana Sanchez-Gijon chemistry and real genuine passion, that's hard to fake sensual romantic intensity, as much as naturally born sexiness, sex appeal and good looks cannot be faked either....
I love this film; it dares to let the audience be soaked in wonderfully melodramatic and lustfully vulgar scenes. Feelings and drama make the film rattle, and when, in addition to this, the humor is so frequent, this film can't fail. It is erotic, wonderful, lovely. Ace.
Perhaps one of the most intriguing stories to board the Titanic craze is this exquisite tale of a foundry worker and a chambermaid. Never actually setting foot on the famed vessel itself, the action centers on a night in a Southampton hotel the night before the ill-fated vessel left England for the first and last time. That night, roomless title maid Marie who works for the line not the hotel) knocks on the door of handsome Horty, who has won a contest at the French foundry where he works and is rewarded with a trip to see the eventful sailing. Because Horty's boss has eyes for his lovely wife Zoe, she remains at home, leaving Marie and Horty to their own devices.
Horty returns home having been faithful, but is unsure if his wife has done the same. From then on, Horty's barroom revelations of his encounter with Titanic and maid become more and more embroidered. Both to anger Zoe and to please his audience, Horty's stories become nothing short of hallucinatory. After the liner's sinking, Horty's fate is sealed as a virtual one man show, relating what is now nearly all fiction, including his presence on the ship the night it went down.
But the fickle hand of fate that took the Titanic to a watery grave has just as unexpected plans for Horty and Zoe, who now "plays" Marie in a full-length stage production of Horty's story. The final act of this impressive motion picture is just as dramatic and humbling in it's way as the story of the liner itself.
Director J.J. Bigas Luna peppers this French language feature with water imagery, forshadowing the Titanic's fate and a crucial plot point for Marie and Horty. A letterbox video release is terrific except for that the subtitles are a bit small. See it on a bigscreen TV. Although, there's no sinking to gape at, the human drama is also of titanic size.
Horty returns home having been faithful, but is unsure if his wife has done the same. From then on, Horty's barroom revelations of his encounter with Titanic and maid become more and more embroidered. Both to anger Zoe and to please his audience, Horty's stories become nothing short of hallucinatory. After the liner's sinking, Horty's fate is sealed as a virtual one man show, relating what is now nearly all fiction, including his presence on the ship the night it went down.
But the fickle hand of fate that took the Titanic to a watery grave has just as unexpected plans for Horty and Zoe, who now "plays" Marie in a full-length stage production of Horty's story. The final act of this impressive motion picture is just as dramatic and humbling in it's way as the story of the liner itself.
Director J.J. Bigas Luna peppers this French language feature with water imagery, forshadowing the Titanic's fate and a crucial plot point for Marie and Horty. A letterbox video release is terrific except for that the subtitles are a bit small. See it on a bigscreen TV. Although, there's no sinking to gape at, the human drama is also of titanic size.
This collaboration between France and Italy is simply a very original movie, with a scrip of a great intelligence. We don't really know if Olivier Martinez is telling lies, but like the people who listen to him, we want to hear him and believe him. And like in a great short story of litterature, we know the true at the end, but the director told us, in a little part, that it's not really sure... The idea of shows in little theatres, by the last half of the film, is simply brillant. I have study the reaction of people with melodrama at this time of the 20th century, and we saw that in this film
exactly like it was in the early 1910's. This is truly a wonderful movie.
exactly like it was in the early 1910's. This is truly a wonderful movie.
Wusstest du schon
- PatzerWhen the Titanic is seen leaving the dock, smoke is coming from four funnels. On the real ship, the fourth smokestack was a dummy.
- SoundtracksAndante Cantabile - Piano Quartet in E Flat, Op. 47
Written by Robert Schumann
Performed by Beaux Arts Trio
Courtesy of Polygram Projects Spéciaux
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- The Chambermaid on the Titanic
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 244.465 $
- Eröffnungswochenende in den USA und in Kanada
- 7.902 $
- 16. Aug. 1998
- Weltweiter Bruttoertrag
- 1.638.788 $
- Laufzeit
- 1 Std. 41 Min.(101 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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