Cinderella

I've finally seen a B&W kinescope copy of the live color telecast of March 31, 1957--about 3 months after I was born. Someone of my age can take into account that this was live television (something many younger viewers may not be able to do), and accept all the limitations inherent in that medium. Still, this is by far a superior version of the R&H classic. The celebrated team did not condescend to the medium of television, but chose to treat it as every bit as important as a Broadway show. Hammerstein's lyrics for such songs as "IN MY OWN LITTLE CORNER," "IMPOSSIBLE," and "DO I LOVE YOU BECAUSE YOU'RE BEAUTIFUL" are as fine as any he wrote for Broadway. Likewise, Rodgers' music for those songs, plus his "GAVOTTE," "WALTZ FOR A BALL," and "WHEN YOU'RE DRIVING THROUGH THE MOONLIGHT/A LOVELY NIGHT" are among his best melodies. The script is witty; the actors play it realistically, and with humor. All in all, this production should be revived today on live television [despite the Disney version with a miscast Brandy] with a cast equal to the original. Unfortunately, there is probably no one to rival Julie Andrews in today's young musical comedy stars--although Kristen Chenowith might be great Cinderella. (Hint, hint!!) If you ever get a chance to see thus version, GO!!!!!

Just saw this b&w copy on KET2 (Kentucky Educational Television). What a treat! Julie Andrews' voice was marvelous (though I didn't think she quite captured the innocence of Cinderella, even at 21). Edie Adams really hammed it up as the fairy godmother -- she was terrific! And it was fun seeing familiar character actors such as Jon Cypher and Alice Ghostley in their earlier days. The version I saw broke in periodically for current-day commentary by Julie Andrews, Jon Cypher, Kaye Ballard, etc. It was fascinating that they did it in real time, with costume changes just barely beating the camera!

If you get a chance to see this, go for it! It's a national treasure, even if the old Cinderella story is not your cup of tea.

Two decades into the 21st century, this 1957 TV special , "Cinderella," remains the most lavish and splendid live musical production ever done on TV. Thankfully, CBS recorded the broadcast and it's now on DVD. So, many decades later, people can still enjoy this splendid classic just as it aired on the night of March 31, 1957. Many other staged musicals and theatrical productions have been made since. But this is the original and benchmark fairy tale musical brought to life.

Julie Andrews stars in this super-sized stage production. A previously unknown singing actor leads the supporting cast. John Cypher plays Prince Christopher in his first ever film. Two superb Broadway masters play the king and queen - Howard Lindsay and Dorothy Stickney. The rest of the major roles are all excellently cast.

Of course one can tell that this is a stage production by the sets. But they are nevertheless well done. Everything about this production is excellent.

Andrews brings the story of Cinderella to life with the wonderful music of Richard Rodgers and Oscar Hammerstein II. This is a fine film of a classic fairy tale that the whole family should enjoy.

I'm gonna piggy-back right along with the previous comments. I just saw it on Maryland Public Television and it was a real event for me. I know both of the remakes, the Disney cartoon, the Prokofiev ballet, and the film EVER AFTER. But I'm a vintage T.V. junkie at heart, and more than anything else, this production was a phenomenal advancement in TV entertainment. Differing from the broadcast adaptation of the Broadway musical PETER PAN- and as Julie Andrews herself mentions in the opening monologue- this production was originally written for television by Rodgers & Hammerstein themselves. And it is the quirky, tongue-in-cheek script which is one of the show's delights. The biggest delight by far, is the fact that this was a LIVE performance, shown warts and all- like a boom mike shadow on a draping wall or a missed song cue in the second act. This performance occurred roughly six months ahead of the first ever videotaped images. No CGI or ILM movie effects here. Once you fully understand that, you can suspend yourself completely into a more innocent and wondrous frame of mind and let the performances and especially the music speak for themselves. A cleaned up, remastered kinescope film, you'll notice the unusually high contrast in some of the darker images and nighttime sequences. But the "Impossible" Act 1 finale with Andrews and gorgeous fairy godmother Edie Adams is still a stellar moment, from the sparkler lighting effects to the final shot inside the moving coach. And it is nice to see so many surviving cast members (Kaye Ballard, Edie Adams, and Jon Cypher) comment on this 47-year-old production. I loved it!!

Back in the golden age of television, when TV specials were just that, waiting for the broadcast of a show like "Cinderella" was truly an anticipated event. Add the names of Rodgers and Hammerstein and Star-in-the-making Julie Andrews, and you have an entertainment milestone! This was the celebrated songwriters only musical especially written for television, and it is a classic. The project was specifically intended to showcase Andrews (then appearing on Broadway in "My Fair Lady"). The hand-picked cast included Ilka Chase as the stepmother, Edie (here billed as Edith) Adams as the fairy godmother, and Broadway Stars Howard Lindsay and his wife, Dorothy Stickney as the king and queen. A newcomer, John Cypher, later to gain fame on ''Hill Street Blues'' was cast as the prince, and up and coming comedians Alice Ghostley and Kaye Ballard played the stepsisters. Because this was before the advent of videotape, the production was kine scoped while being broadcast live, although the original color kine scope was lost. Julie Andrews may look somewhat matronly (even at 21) to be Cinderella, but her lovely voice and star quality carry her through. Fans of "Mary Poppins" and "The Sound Of Music" will be pleasantly surprised to see how vulnerable she can be. Cypher is a suitable prince, with a good voice, while Adams is pushing a bit too hard as the godmother. Ilka chase, as the stepmother, and Ghostley and Ballard as the stepsisters are more silly than wicked. In all fairness though, this version was written more as a modern take off on the fairy tale, while the 1965 remake returned to the mood of the traditional story. The sets and costumes are rather cut-rate, somewhere between medieval and '50s modern, but they get by. Andrews is really the reason to see this, and it did attract a record audience at the time. The DVD is a treat with a remastered black-and white picture which, while not perfect, is good enough. There are several nice extras, including a documentary with Andrews, Cypher, Adams and Ballard reminiscing about the making of the production. Either for historic or entertainment reasons, "Cinderella" is well worth having. It's not every day you can watch a star being born.