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Verrückt nach Mary

Originaltitel: There's Something About Mary
  • 1998
  • 12
  • 1 Std. 59 Min.
IMDb-BEWERTUNG
7,1/10
341.801
IHRE BEWERTUNG
BELIEBTHEIT
1.010
578
Cameron Diaz, Matt Dillon, Ben Stiller, and Lin Shaye in Verrückt nach Mary (1998)
Romantische KomödieSlapstickKomödieRomanze

Ein Mann hat die Chance, sich mit seiner Traumfrau aus der Highschool zu treffen, obwohl sein Date mit ihr damals eine Katastrophe war.Ein Mann hat die Chance, sich mit seiner Traumfrau aus der Highschool zu treffen, obwohl sein Date mit ihr damals eine Katastrophe war.Ein Mann hat die Chance, sich mit seiner Traumfrau aus der Highschool zu treffen, obwohl sein Date mit ihr damals eine Katastrophe war.

  • Regie
    • Bobby Farrelly
    • Peter Farrelly
  • Drehbuch
    • Ed Decter
    • John J. Strauss
    • Peter Farrelly
  • Hauptbesetzung
    • Cameron Diaz
    • Matt Dillon
    • Ben Stiller
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    341.801
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.010
    578
    • Regie
      • Bobby Farrelly
      • Peter Farrelly
    • Drehbuch
      • Ed Decter
      • John J. Strauss
      • Peter Farrelly
    • Hauptbesetzung
      • Cameron Diaz
      • Matt Dillon
      • Ben Stiller
    • 715Benutzerrezensionen
    • 119Kritische Rezensionen
    • 69Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 17 Gewinne & 17 Nominierungen insgesamt

    Videos2

    There's Something About Mary
    Trailer 2:18
    There's Something About Mary
    Athletes Who Chose Acting Over Football
    Video 3:14
    Athletes Who Chose Acting Over Football
    Athletes Who Chose Acting Over Football
    Video 3:14
    Athletes Who Chose Acting Over Football

    Fotos210

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    Topbesetzung99+

    Ändern
    Cameron Diaz
    Cameron Diaz
    • Mary
    Matt Dillon
    Matt Dillon
    • Healy
    Ben Stiller
    Ben Stiller
    • Ted
    Lee Evans
    Lee Evans
    • Tucker
    Chris Elliott
    Chris Elliott
    • Dom
    Lin Shaye
    Lin Shaye
    • Magda
    Jeffrey Tambor
    Jeffrey Tambor
    • Sully
    Markie Post
    Markie Post
    • Mary's Mom
    Keith David
    Keith David
    • Mary's Dad
    W. Earl Brown
    W. Earl Brown
    • Warren
    Sarah Silverman
    Sarah Silverman
    • Brenda
    Khandi Alexander
    Khandi Alexander
    • Joanie
    Marnie Alexenburg
    • Lisa
    Danny Murphy
    Danny Murphy
    • Boss' Brother
    • (as Dan Murphy)
    Richard Tyson
    Richard Tyson
    • Detective Krevoy
    • (as Richard M. Tyson)
    Rob Moran
    • Detective Stabler
    Jackie Flynn
    Jackie Flynn
    • South Carolina Police
    Hillary Matthews
    • Dom's Wife
    • Regie
      • Bobby Farrelly
      • Peter Farrelly
    • Drehbuch
      • Ed Decter
      • John J. Strauss
      • Peter Farrelly
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen715

    7,1341.8K
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    Empfohlene Bewertungen

    rachdeveraux

    Unconventional satire stays on course while delivering major laughs

    A lot of my friends said they hated this, but after i saw it and loved what I saw, it became apparent that many of these people hadn't seen it, they just KNEW they would hate it from the degradingly mysoginistic slapstick it supposedly represented. Sorry, wrong movie. This is a classic satire, replete with balladeer narrator. The gags flow fast and funny and expertly walk the tightrope between politically incorrect and unkind. This is surprisingly a movie that is very true to itself and its characters with a lot of plotlines that tie up nicely in unusual ways. And, it's a feel-good movie too. Cameron Diaz and Ben Stiller are marvelous together in the leads.
    7Chris J.

    Funny, but surprisingly sweet too.

    The shock comedy aside (zipper and hair gel scenes), purposeful unpolitically correct moments (humor at expense of handicapped, animal cruelty), the most surprising thing about this film is it has heart and is rather sweet. It's not the completely nasty, cruel comedy you might have been expecting. There's a nice love story in here too. It's corny and cliche'd and doesn't feel overly cloying because there are enough shockingly funny moments to offset it. The acting is good, the pacing brisk, and the jokes, well... you've heard all about the best ones by now.
    9Coxer99

    There's Something About Mary

    Insanely off the wall comedy from the Farrelly Brothers that delivers from start to finish. Wonderful early sequence with Keith David as Diaz's father busting heavily braced Stiller's chops. Stiller's zipper scene goes down as one of the funniest and most painful things I have ever witnessed on film. Diaz is divine the woman of Stiller's dreams...Dillon is hired to find Diaz...He falls in love with her and gives Stiller a bum story... Lee Evans, a pizza boy, is in love with her too... then Brett Favre comes into the picture. Every scene has something memorable from Dillon's attempts at reviving a dog to Stiller's "pre date entertainment." A classic that doesn't take itself too seriously.
    8lambiepie-2

    Ya gotta have a sense of humor!

    When this film came out with all of the PR and things, I hated it. I hated it without even seeing it. Then, as with many movies, I caught this on Digital Cable TV, by accident. I had NO intention of seeing it, but once I did, I cannot tell you how much I loved it.

    This is the Farrley Brothers at their funniest. The idea is simple, a guy (Ben Stiller) who had a crush on a woman (Carmen Diaz) he knew since high school and continued to yearn for her privately, finally getting an opportunity to try to reconnect what never got going. This is something almost everyone can identify with.

    What makes this work...is its a dead-on hard hitting comedy. The Farrley Brothers spared no one: male or female, handicapped or able bodied, black or white, rich or poor, job or not, straight or gay, animal or vegetable, blonde or brunette, educated or not. It is NOT a cinematic masterpiece so don't look for one, it is not a punch line comedy or slapstick comedy, it is sophomore humor done very well because you're going to be laughing at what you think you shouldn't no matter how much you want to say you would never laugh at something like that.

    Plus the Farrley Brothers added in "some things" that...well... may have just happened to you at some point in your adolecence, and put a comedic/gross quality to it that shocks you into laughing at it. All through the film you might laugh because you're thinking, "Better them than me".....even if it was you!

    Not for eveyone's taste, even those who think they know comedy, but this is that kinda comedy that is hard to do once you've reached maturity and forgotten what it was like to laugh at simple things. This is as simple as it gets. Don't put too much into it, it is what it is, and to me, it was really funny! Good Show!
    7jaysilentbob37

    One of the funniest movies of the 90's.

    I desperately wish that the Farelly brothers would go back to doing gross-out comedies like they did with Dumb and Dumber, Kingpin, Me, Myself, and Irene, and this. This is by far the best of all their movies. There are three kinds of comedy. Comedies that make you smile (Sixteen Candles), comedies that make you laugh (Airplane), and comedies that cause you to nearly asphyxiate yourself from laughing so hard. This is one of those rare third category movies. With the friends I watched it with, the laughs sounded like nuclear bombs going off in my room. It's that funny.

    Thirteen years ago, Ted (Ben Stiller) landed a prom date with the most popular and beautiful girl in school, Mary (Cameron Diaz). Unfortunately, the date wasn't meant to be, for Ted has his manhood damaged right in front of Mary, and ends up in the hospital instead of the prom.

    Thirteen years later, Ted decides to track Mary down, and have a second chance with his dream girl. He hires sleazy private eye, Pat (Matt Dillon)to find her for him. Pat finds her, and she's grown up beautiful. Pat decides he wants to date her. He stalks her, finds out everything she wants in a man, and poses as just that. Meanwhile, Ted has been led to believe that Mary has become fat white trash in a wheelchair. Pat and Mary start dating.

    Well, by the end of the movie, every man who is involved in the story has tried to make a move on Mary. We all know how it ends, but it's one funny ride. One thing about this movie that's commendable is how the mentally retarded character is treated. He is treated in a way that isn't rude, or offensive. Mary sticks up for him, and he's really innocent. The funniest gag in the movie involves a NEW brand of HAIR GEL (compliments of Ted, and tested by Mary). I won't tell you what's really being mistaken for hair gel, but when you find out, you'll laugh so hard, you gag. This movie knows what a comedy of this type should be like. Each gag goes somewhere, and is really big. They're usually extended scenes with punchlines. Me, Myself, and Irene goes for the cheapest laughs you can find, but There's Something About Mary takes it's time, carefully planning each gag, in order to make it gut-bustingly hilarious. That's just what this movie is. 10/10.

    It is rated R for Strong Comic Sexual Content, and Language. Sex: 8/10 Violence: 3/10 Swearing: 9/10 Drugs: 2/10

    Handlung

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    Ändern
    • Wissenswertes
      (at around 18 mins) Dropping Ted on the stretcher wasn't scripted. When it happened, they cut to make sure Ben Stiller was okay and then thought it was so funny they left it in.
    • Patzer
      In the shot where Ted ducks to avoid being mauled by Puffy, a hand can be seen on the left side of the shot throwing the prop Puffy out the window.
    • Zitate

      Hitchhiker: You heard of this thing, the 8-Minute Abs?

      Ted: Yeah, sure, 8-Minute Abs. Yeah, the excercise video.

      Hitchhiker: Yeah, this is going to blow that right out of the water. Listen to this: 7... Minute... Abs.

      Ted: Right. Yes. OK, all right. I see where you're going.

      Hitchhiker: Think about it. You walk into a video store, you see 8-Minute Abs sittin' there, there's 7-Minute Abs right beside it. Which one are you gonna pick, man?

      Ted: I would go for the 7.

      Hitchhiker: Bingo, man, bingo. 7-Minute Abs. And we guarantee just as good a workout as the 8-minute folk.

      Ted: You guarantee it? That's - how do you do that?

      Hitchhiker: If you're not happy with the first 7 minutes, we're gonna send you the extra minute free. You see? That's it. That's our motto. That's where we're comin' from. That's from "A" to "B".

      Ted: That's right. That's - that's good. That's good. Unless, of course, somebody comes up with 6-Minute Abs. Then you're in trouble, huh?

      [Hitchhiker convulses]

      Hitchhiker: No! No, no, not 6! I said 7. Nobody's comin' up with 6. Who works out in 6 minutes? You won't even get your heart goin, not even a mouse on a wheel.

      Ted: That - good point.

      Hitchhiker: 7's the key number here. Think about it. 7-Elevens. 7 dwarves. 7, man, that's the number. 7 chipmunks twirlin' on a branch, eatin' lots of sunflowers on my uncle's ranch. You know that old children's tale from the sea. It's like you're dreamin' about Gorgonzola cheese when it's clearly Brie time, baby. Step into my office.

      Ted: Why?

      Hitchhiker: 'Cause you're fuckin' fired!

    • Crazy Credits
      A montage of scenes from the film as well as outtakes involving the cast lip-syncing to The Foundations' song "Build Me Up Buttercup" runs during the end credits.
    • Alternative Versionen
      An extended version which runs 10 minutes longer was released on DVD:
      • The credits start as clay animations which then blend into real people.
      • Ted talks with Woogie about his session with the psychiatrist. Ted thinks he is a loser. Woogie tries to lift Ted's spirits by telling him how lucky he was, when his brother got killed in an explosion so that his kidneys could save Ted's life.
      • Healy and his buddy Sully visit his apartment. When parking the car, the guy brags how easily it is to pick up women in Miami.
      • Healy admires Sully's apartment and gets to know Bill, the python.
      • Mary tells Magda she shouldn't drink alcohol that early in the morning cause she stinks like a distillery.
      • Sully who gets a phone call from Healy because of the borrowed car. Healy made Sully sniff cocaine.
      • Whilst helping a disabled man move, a reporter meets him halfway up the steps to tell him that he parked his car in the handicapped area.
      • At the architecture exhibition Tucker asks Healey for his business card.
      • In front of Marys house, Healy asks if he may touch her breasts.
      • Sully is shown sniffing coke.
      • Sully is shown lying on a couch. There are some shots of his dog and Bill, the python, which he hasn't fed in ages.
      • Mary admits to Magda that when it came to Healey, she had trusted her head and not her instincts.
      • After Healy exposes Tucker, the orderer of the pizza appears. Tucker throws the pizza after him.
      • The barkeeper in the strip-club knows Tucker has no money and threatens to throw him out.
      • The fight Puffy vs. Ted is longer.
      • At Sully's apartment Ted and Healy see Bill, the python. Healy assumes that Bill ate the dog. We learn that neither Healy nor Tucker sent the letter to Mary. Then suddenly Sully's dog comes and Healy realizes that Sully was eaten by Bill.
    • Verbindungen
      Edited into Tough Guise: Violence, Media & the Crisis in Masculinity (1999)
    • Soundtracks
      There's Something About Mary
      Written and Performed by Jonathan Richman

      Jonathan Richman appears courtesy of Vapor Records

      [Played during the opening titles]

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    Details

    Ändern
    • Erscheinungsdatum
      • 29. Oktober 1998 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizielle Standorte
      • Facebook
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Verrückt nach mehr Mary
    • Drehorte
      • Baltimore, Maryland, USA
    • Produktionsfirma
      • Twentieth Century Fox
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 23.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 176.484.651 $
    • Eröffnungswochenende in den USA und in Kanada
      • 13.740.644 $
      • 19. Juli 1998
    • Weltweiter Bruttoertrag
      • 369.884.651 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 59 Min.(119 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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