Ein Spezialist seiner Branche

This is an odd film - the cast don't gel at all. The story is the usual run-of-the-mill stuff as a gang carry out a robbery but soon discover, with the police on their tail, that one of their number isn't reliable so turn this case of robbery into one of murder. William Hartnell's "Tracey" is the henchman who holds this together but "Sue" (Shirley Eaton) and "Miles" (Tom Drake - presumably drafted in to bolster US box office attendance) have all the chemistry of yesterday's scrambled eggs. The photography is basic and the production standards are decent enough but the ending is just a bit too bit hammy.

The above actor shown in a blue shirt in the film poster, holding a blonde actress (Shirley Eaton), was evidently "promoted" by the producers from film extra to talking featured part in this 1957 British "B" film as he appears in the film credits which I saw on "Talking Pictures" channel 81 yesterday.

As a 72 year old I love watching these type of films with views of the capital blissfully free of double yellow lines, resident parking only, parking meters , traffic wardens etc. as it reminds me of what London used to be like in the 1950s when you could park in the high road and could park where you desired and did not need to wander around fruitlessly looking for a free space.Also I like seeing vintage cars like the Humber Hawk, Morris Minor and police Wolseleys.

The captioned actor because of his appearance was usually cast as a villain and in "Date with Disaster" was no exception.At least he was recognisable because of his looks.In "A Night to Remember" (1958) Richard was cast as an extra as a member of "Titanic"'s crew with one line to speak which was "She"'s going!" said on the deck as the liner prepared for her final descent and which was probably nearer to the actual historic facts than any similar film about this maritime tragedy.

Shirley Eaton was obviously the "eye candy" in the captioned film and in the course of its length had romantic scenes with Maurice Kaufman, Tom Drake as well as having Richard Shaw thrust himself on her.Of course with the British board of film censors criminals could not appear to profit from their misdeeds and this film was no exception.Who can forget Shirley painted head to toe in gold as Jill Masterson in "Goldfinger" (1964). which must be her seminal film role although I remember her in "Three Men in a Boat " (1956) as "Sophie" which she announced in seductive tones! As to the rating of the captioned film, I awarded it 6/10 mainly due to Shirley's appearance.

An interesting cast founder in this incredibly cheap-looking and inconsequential second feature that resembles a short public information film sternly warning us that Crime Does Not Pay that inadvertently came in at feature length.

Apart from the robbery sequence itself, lighting cameraman Brendan Stafford makes no attempt at all to make the film look like a thriller; which ceases to matter, however, when the crew finally take to the uncluttered streets of fifties Southall and the Thames Embankment.

Tom Drake looks as if he wandered in off the set of an adjacent production; while I'd much rather have seen the leaner, meaner picture that a spiteful-faced brunette called Deidre Mayne (as Richard Shaw's grasping and not to be trifled with moll Judy) escaped from.

Goodness gracious! What a caper! Hartnell's heist is in the paper.

Don't get too excited, this is no 'Rififi'. Hartnell, Kaufmann and Shaw's attempt to carry out a daring robbery in the dead of night falters at every stage, from broken drill bits to a stalling getaway car that just about gets away, narrowly beating an on the beat Bobby, in hot, but ultimately hapless pursuit.

The bogies are soon nosing around Hartnell's modest terraced house, which appears to be situated in an alibi free zone, whilst the cocky, caustic Kaufmann is hitting the bottle and mouthing off indiscriminately. Oh!....and there's a love triangle too with beautiful Shirley Eaton the centre of attraction for honest garage owner, Tom Drake and the insidious Kaufmann.

Simplistic and one dimensional, the plot leads to a murder, a laughable punch-up and the most feeble minded moment of self incrimination imaginable. It should all add up to a listless, insipid viewing experience. So why did 'Date With Disaster' leave me sporting a grin as wide as The Thames? Perhaps it's due to the fundamentals of story telling. By stripping everything down to the basic essentials, the movie's weakness is transformed into a strength, creating a simple, economical guilty pleasure. An entertaining, undemanding, eminently watchable little crime flick.

Here's a foggy notion. A review that's ALL in rhyme. If you second that (e)motion. I might try it out sometime.

Tom Drake is a partner in a used car lot with Maurice Kaufman. Drake is an honest fellow in the business, who likes the secretary, Shirley Eaton, but she's Kaufman's girl. It's a marginal business, but Kaufman has worked out a way to supplement his income. He's going to provide the getaway car for cracksman William Hartnell. However, when the first job goes wrong, and it looks as if the watchman they slugged may die, police inspector Michael Golden warns suspect Hartnell that someone will talk... so one of the fellows kills Kaufman, and suspicion falls on Drake.

It's far too brief and rote a crime drama to be particularly good, but it does have some good performers in it, and they do their best; the script, although bare, is serviceable in the hands of director Charles Saunders.