Green Fish

Green Fish is not a real gangster movie, but more an illustration of the battle between good and evil, between innocence and depravity, between the righteous one and those who only believe in the law of the strongest, between the city (and all its poisons) and the countryside (with its green fish). The law of the strongest is not only a matter of physical forces (strength, number), but also of mental ones (deception, manipulation, ambush, cynicism of the individual). The film has also a socio-economic dimension: the protagonist of the movie is a young man who has been released from the army. He has no job, but is hired by the immoral leader of a gang who appreciates his courage, his sincerity and his 'morality' (his sense of justice). And the women in all that? They have no other choice but to follow the strongest, if, and only if, they are young and beautiful. As for the unborn child, there is more than serious doubt about the real father…

The first film by Lee Chang-dong contains already many ingredients of his later movies: a train, spasticity, gratuitous violence or exploitation of innocence. It says a lot about the director's vision on the way of the world.

I purchased this movie after reading some of the very positive reviews found on this site but what a disappointment it was. It is not that the film is terribly bad, it's simply one of the many stories focused on innocent people entering the gangster world and their struggle to remain true to themselves and what they stand for in life.

GREEN FISH, just simply is not very unique or particularly moving. Yes, there are a few subplots and themes that make you want to follow the story and promise it to be an interesting one, but somehow, I feel the narrative does not gather the strength that it could have achieved to make it a remarkable story. At this stage and age it is very difficult to exploit the exploited, and a simple change of setting does not work miracles. If there is something that works well for the film, it must be the character insight, however, this does not make up for all of its weaknesses. In all, not a bad movie but I would not really recommend it as enthusiastically as others have done. Korean cinema has much higher quality representatives than this one.

For a debut movie, then Chang-Dong Lee really hit it right on the head with "Green Fish". This movie was really beautiful and captivating.

The story is interesting and picks you up right from the very beginning and takes you on a very emotional ride through hope, love, frustration, anger, remorse and pity. The story is about Mak Dong who has been released from the army, returning back to his home village, finding it a completely new place, no longer a village, but now a bustling town. Struggling to find his place in a different environment, Mak Dong happens to fall upon a chance to work for Bae Tse-Yong, who isn't particularly running business according to the law.

Chang-Dong Lee is really a great storyteller, and he is great at portraying people that aren't exactly "normal". His characters in his movies are very vibrant and full of personality and life, despite them having been dealt a bad hand from life. And if you enjoyed "Green Fish", then you definitely need to watch "Oasis" as well.

It never ceases to amaze me the amount of amazingly beautiful movies that come out of Asia. "Green Fish" will stay with you for a long time after you have seen it. And it had the most memorable death scene in a movie that I have seen since Willem Dafoe's death scene in "Platoon".

"Green Fish" is really a brutally honest movie that plays high on emotion and empathy. I enjoyed this movie quite a lot and highly recommend you to watch it if you like Asian cinema.

If you're looking for a good story that'll leave you awe-stricken or at least satisfied, then you've chosen the wrong film. How a man in his mid twenties can be naive on the par with a 14 or 15 year old just isn't plausible in the real world, especially in the late 90s, unless he is retarded. And the lead character is not retarded. Another idiocy of the film is that the lead who is, and looks obviously to be, in his mid 30s is playing a naive, almost moronic 24 year old. The film is hogwash, and I was annoyed after wasting almost 2 hours watching it.

Lee Chang-Dong's movie have common themes I have noticed as I move backwards through his oeuvre. Male protagonists romance story tied up in a class system or one hierarchical social structure or another. Its about the indignation and class struggle, being mislead by the bright lights, whether it be women fame or fortune. The good are seldom rewarded and success is not won by having principles. Its more like a 'dogme 95' movie than a hollywood affair. Its not overly violent and the overall tone is kinda light considering the bleak outcome of the story, conveying the absurdity of life rather than looking at it in a nihilistic way. City scapes contrast with rural city outskirts as do the inhabitants; this again puts it in similar ground to his latest movie Burning, which has alot in common with this one in many thematic ways. I would say that his fim making skills have grown and Burning was better, the cinematography for one thing is superior in the latter.