Kreuz und queer

Though I saw this movie dubbed in French, so I'm sure it lost something in the translation, lack of accents, etc., it was an excellent, fun movie for a lonely night in a hotel room--a real pick-me-up that portrayed accurately and positively the complexities of individual sexuality, gender role, and finding a place within the communities to which one is supposed to belong--male, gay, urban, 30-ish, etc. I was very proud of French television for showing such an honest and positive portrayal of the gay community. While the fact that the gay lead character ends up somewhat "straight" in the end is mildly disappointing, that's life, and that happens sometimes. This is a great movie, whether alone or with a date! A really enjoyable experience.

Leo (Kevin McKidd), handsome, gay, and a bit vacuous, turns 30, still without a special someone in his life. His West London flatmates, the ragingly camp Darren (Tom Hollander) and liberated flight attendant Angie(Julie Graham) throw a surprise birthday party for him. Leo is mortified and retires to his room to watch TV - "the place is full of people I don't want to see." We see why this is by way of flashback through the past few months of Leo's life. Highlights include some very funny scenes in a new age mens' encounter group facilitated with voyeuristic aplomb by Keith (Simon Callow), an affair with Brendan, a hunky Irish cafe owner (an unrecognisable James Purefoy), and reunion with an old female flame Sally (Jennifer Ehle). Tucked into this plotline are the sexual adventures of Darren and real estate agent Jeremy (a straight acting Hugo Weaving). Their scene is making love in the houses Jeremy has for sale while the owners are out, until one day an owner unexpectedly returns with Darren still handcuffed to the bedposts. Darren explains himself as an S & M a-gram sent to the wrong address.

The theme of the film is gender bending. Sexual identity is not set in concrete and given the right circumstances and person many of us can swing between gay and straight. This is hardly an original insight but this film tackles the issue with zest and a great sense of fun. A highlight was the men's group back to the wilderness camp, where the men, having failed to find anything to eat in the forest, call up for Chinese takeaway on a mobile phone. A few things grate. Keith's wife (Harriet Walter), author of a book called "The Obsolete Penis" seems to have strayed in from another movie and Brendan looked a bit too disheveled to be the front man in a trendy cafe operation.

Rose Troche, responsible for the rather didactic lesbian comedy "Go Fish," directs with a much lighter touch here and takes full advantage of Robert Farrer's light hearted but occasionally poignant script. The tone is comedy rather than comic and we do care a bit at the end how it's going to work out for Leo, colourless as he is. Compared with a conventional romantic comedy like "Notting Hill" this film derives its tension from the unexpected rather than the inevitable, and gives the audience a lot more stimulation on the way. As for me, I'll never entrust the keys of my house to a real estate agent again.

I saw this film as part of a focus group in Riverside, CA, before any other American release. I loved it. Witty, amusing and fun. It was wonderful. A study of relationships and the troubles we all seem to have, plus a hilarious look at all the Touchy Feely New Age Mumbo Jumbo nonsense that was so prevalent in the 90's.

Sadly, the focus group was poorly chosen and almost 1/3 of the people in the audience left after the first "guy with guy" scene. If you are not disturbed by sexuality, you should be very well entertained. This mass exodus should be interpreted as saying anything about the film, but about the number of narrow minds in Riverside.

I only hope that it will be released on video in the USA...

This is a thoroughly enjoyable, well-acted film. It is funny and sometimes hilarious. The finale is a bit disappointing, since it tries to wrap everything up into too neat a package. The film is better remembered for its priceless vignettes: the Jane Austen staging, the camping trip as examples. B & H does not attempt to mirror the predominant attitudes toward homosexuality and bisexuality. Most of the characters are quite accepting of sexual diversity. In that sense it is a joyous vacation from homophobic society. And it is a celebration of a flexibility, a loosening of rigid sexual categories--perhaps a happy harbinger of things to come.

Rose Troche introduced herself to us in 1994 with the small budget, pleasant lesbian love story called Go Fish which was set in the United States.

Her very assured Bedrooms And Hallways moves its locale to urban England and follows the will I, won't I musings of Leo (Kevin McKidd).

He's fallen for five o'clock shadowed Irishman Brendan (James Purefoy) but Leo fears he might have got himself into trouble. He's terrified of falling in love with a straight man.

But is Brendan straight or gay or both? He's just come out of a long standing relationship with a woman.

The two men meet at a men's s group run by a serious eyed and voiced Keith (Four Weddings and a Funeral's Simon Callow).

It would seem that Rose Troche and her team find a lot that goes on at these groups to be pretty funny. There's much clasping of the "honesty rock" and a particularly apt solution to catering.

Meanwhile the sexually unambiguous characters get their fair shake. The flag is flown strongly for all sexual inclinations.

Very camp Darren (Tom Hollander) knows what he wants. He's having a great time with Jeremy a real estate agent played with terrific intensity by Australian actor Hugo Weaving. They sneak into people's houses which are on the market to have sex.

Leo is wavering, he's showing some interest in women as well as in Brendan and Darren is incensed, expecting calls from the sex police. Meanwhile Angie and Sybil have no qualms about being happily heterosexual. But all remains fluid.

Bedrooms and Hallways is a cheerful comedy romance with a homosexual bent. It gathers pace in its final third when, as in nearly all comedy romances, everyone finds a mate and/or a lover. There are plenty of laughs in what is a smart, impressive new movie from Rose Troche.

Things have changed over the years in films. The boys and girls used to be nearly ten years younger in these sorts of comedies and we were used to them finding a life long, heterosexual partner in the final reel, to then live happily ever after.

These days a three night trial liaison is probably more than can be expected, a situation which more suitably fits the thirty somethings these films are about.