Baby Blues

I continue to be impressed with Laura Dern's range. i've been a fan since Enightened, but I wasn't totally aware of how much range she has, how warm she can make her characters, how natural despite not necessarily playing them subtlety. She's an amazing actress, and this is actually one of her finest performances that I've seen. It's full of great pathos, great expressions that sort of tell you everything you need to know while not saying anything explicitly, Her character here could've come across as a caricature for most of the running time with a lesser actress, but Dern instantly makes her relatable and likable, and sort of empathetic towards her. That's a truly great mark.

Stockard Channing stars in yet another tele-movie. Her performance is very good as usual and she deservedly picked up a Golden Globe nomination. Laura Dern gives a fine performance as a pregnant woman who wants to give her baby up for adoption. The movie shows the struggles of these two women and there is a twist at the end which did not surprise me.

"Baby Dance" is a fine addition to the onslaught of scrupulous films about birth rights and the dynamics involved when nature is not left to its own design, or is in some fashion revealed prematurely. In "Twilight of the Golds" it was homosexuality, and in "Gattaca" it was genetic predisposition, but Baby Dance is a bit more of a human drama with very real situations. I highly recommend this movie as a thought-provoking, intensely personal look at infertility and adoption. You may not like what you see, but what you see is real and genuine.

Didn't care for this one, way too slow and the subject was uninteresting. Why do folks want to adopt, especially from a pack of mobile home misfits? One look at these losers and I would have been hanging an exit. This trash couldn't afford a whiff of fresh air but they always had their beer and ciggies. Not a bad production, I just found all the people involved very irritating.

The world was Stockard Channing's oyster when she thrilled us with Rizzo in "Grease", but since then her orbit has been somewhat lower. She's carved out a nice niche in the upper echelons of made-for-TV melodramas, and nearly every year she gets nominated for some award or other. It was the Golden Globes this year, for this performance. She seems particularly adept at playing women in tug-of-love battles over children (see also `An Unexpected Family'), and here she and Peter Riegert are the anguished but wealthy childless couple who throw money at poverty-stricken trailer-trash mother-of-four Laura Dern, hardly happy about the impending appearance of kidling number five; Dern and abusive hubby Richard Lineback are only too happy to sell the superfluous sprog. So far, so usual, but the twist (unlike most TV movies, there is a twist) comes when complications at the birth raises the possibility of brain damage. Will the yuppie couple pay for damaged goods? Will love of child conquer love of money for the trailer trash?