Die Frau aus dem All

This is probably the finest example of soviet sci-fi movie-making. Great cast, great story and one-of-the-kind atmosphere, brought mostly by the efforts of the director.

The only reason I can find for all the negative reviews here is the simple fact of culture differences. In the West, US of A in particular with the exception of maybe Star Trek and 2001 all sci-fi movies fall into block-buster category, whereas in Soviet Union and perhaps even now in modern Russia sc-fi genre tries to be more on philosophical side (original Solaris for example). Result - nearly total unacceptance of such films by the western audience. Yes this movie does have some corny moments and looks childish, but, overall, the issues it deals with much more serious than today's space-action flicks.

And on the lighter note. Being myself a huge MST3K fan, I don't think it did the movie justice. Of course they riffed awfully dubbed Sandy Frank import, but still...

If you really want to check out this movie - get the DVD re-release with remastered 5.1 soundtrack and clean picture.

"Per Aspera Ad Astra" is really excellent film. It contains a lot of poetry elements. It is very sorry that American lookers cannot view this movie with the correct translation. The author of screenplay Kir Bulychov is a famous Soviet sci-fi writer. He is author of such books as "Girl From The Earth", "The Last War", "Wonders in Guslyar", "Witches' Cave", "The Settlement" etc. And fine music of composer Alexey Rybnikov. In 1970's in USSR Rybnikov was known as author of music for some children's movies. Some musical fragments from "Per Aspera Ad Astra" were used in famous Rybnikov's opera "Juno and Avos". The work of creators of this film was awarded in 1982 with State Prize of Soviet Union.

Cherez ternii... was released when I was a boy of 14 living in the Soviet Union and hungry for anything sci-fi. Well, this one fit the bill perfectly. With a typical 1980s story (ecological catastrophe, hints on the "soullessness of the capitalist society") and special effects somewhat more advanced than those of the British Dr. Who series, it still was two heads above anything else released in the USSR until then.

The film became an instant hit.

Now, keep in mind that we could not see the Star Wars or any other of the many Western sci-fi flicks of the time, with rare exceptions. And the sci-fi culture of the "socialist camp" was, no pun, campy. Special effects were typically like those of the early Dr. Who series (not that we had heard anything of Dr. Who either), and the plot simple as a nursery rhyme. In this context, Cherez ternii was a star indeed.

Plus, the nude scene, albeit short, was unusual for the Soviet cinematography of the time and rather attractive to the boys who had just advanced to the adolescent state.

All this made the fan base of the movie as wide as the Soviet Union itself, which is about as wide as Russia is now. Speaking of which, those boys of 1981 are today grownups, and so they decided to re-release Cherez ternii, with an improved picture and sound quality and somewhat rehashed frame sequence. If you understand Russian and decide to watch it, you can order it online.

As an adult, I would rate Chere Ternii k Zvezdam about the same as an average Star Trek episode, no better, no worse. Wish I could see Star Trek when I was a child.

The director of Cherez Ternii, R. Viktorov, made two more cult sci-fi films: Moskva-Kassiopeya (Moscow to Cassiopeia) and Otroki vo Vselennoj (Youths in the Universe). Check them out if you feel like it.

Oh, and btw, this Sandy Frank's version, Humanoid Woman, is total crap. But you knew that already, didn't you?

A bit long but worth seeing. The story of Kir Bulychyov and Richard Viktorov is interesting and honorable by the same Richard Viktorov along with Nikolay Viktorov. It made me think of Tarkovski, "Solaris" and "Stalker". Yelena Metyolkina is impeccable in the role of the Niyya clone. And all the other actors are very credible and convincing. The film has a little humor, thanks to several characters. The decorations and the costumes are very well done. And Aleksey Rybnikov's music is super special.

..then people would understand it in its full beauty. It seems many reviewers condemn it for the particular - such as a poor example of scifi cinema robot or alien (the latter competing with that of Dark Star), or a sequence where a villain is found to be ticklish, which sets them oblivious as to the signifiance thereof and the movie's meta-narrative. For me, this film is of the school which performs a deftly deceptive lightness of touch around profound issues. But here, uniquely, we see utilised measured and studied absurdist interludes, and a romantic dreamlike dynamic. I write 'deceptive', because at its core, if you care to look deeper into the pool, there is a story which is a subtle yet quite profound exposition of and meditation on the nature of isolation; the yearning inherent in loneliness (who in their heart didn't hope for Neeya to be comforted with kisses and held in a loving embrace by Stepan before the end?) the transitory nature of being; how great beauty can exist alongside great tragedy; the whole wrapped in an environmental parable. Oh, and the soundtrack is powerfully evocative, like a fleeting nimbus of forgotten childhoods around quotidian adulthood; the shimmering whimsical harpsichord figure alternating with tone-poems and Kraftwerkian industrial-electro grooves on analogue synth are utterly fitting.