Ein mitfühlender junger Mann, der in einem Waisenhaus aufgewachsen ist und dort zum Arzt ausgebildet wurde, beschließt zu gehen, um die Welt zu sehen.Ein mitfühlender junger Mann, der in einem Waisenhaus aufgewachsen ist und dort zum Arzt ausgebildet wurde, beschließt zu gehen, um die Welt zu sehen.Ein mitfühlender junger Mann, der in einem Waisenhaus aufgewachsen ist und dort zum Arzt ausgebildet wurde, beschließt zu gehen, um die Welt zu sehen.
- 2 Oscars gewonnen
- 8 Gewinne & 30 Nominierungen insgesamt
Evan Parke
- Jack
- (as Evan Dexter Parke)
Lonnie Farmer
- Hero
- (as Lonnie R. Farmer)
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Sentimental but well-told, visually beautiful and enjoyable story of an orphanage and the moral dilemmas of abortion, exploring emotional issues from leaving home and fatherhood, to first love, self-discovery and the burdens of responsibility. "Sometimes you have to break the rules to make things right."
The Cider House Rules is a folksy tale about a boy from an orphanage and his coming of age. He's been trained to deliver babies at the orphanage by the benevolent Dr. Wilbur Larch (Michael Caine).
Notably this boy's passage into manhood necessitates him accepting the responsibility of also performing illegal abortions! Now there's a twist. John Irving, also wrote the books The World According To Garp and The Hotel New Hampshiire, made into films of the same name, as well as A Prayer For Owen Meany which was made into the puzzling Simon Birch, a film Irving vigourously disowns. Irving subsequently, in the case of Cider House, has also written the screenplay.
The actual cider house rules are a minor element of a rambling film that is full of such minor events.They are a non-consequential, ignored set of laws meant to govern the behaviour of the workers who bunk in the cider house on an apple farm.
But life's like that, or so John Irving and his film would have you believe. It's just that usually films concentrate a little more on life's more tumultuous moments.
Young Homer Wells (our budding unlicensed doctor) is played delightfully by Tobey Maguire (Pleasantville)with a sweet smile and sleepy eyes. Those of you who prefer your actors to be more dynamic might find Maguire to be too even, but in this film his style was just the ticket.
He's one of the boys who were never chosen to be adopted at the orphanage. There are some touching scenes centred around the children in particular not being selected, hovering with their bags packed.
Homer sets off to see the world with new friends Candy (Charlize Theron) and Wally (Paul Rudd). They had attended the orphanage for an abortion.
Homer sees the sea for the first time. He learns how to pick apples and to get on with his work mates. He has a romance. And he learns how to accept responsibility for his and other's actions away from the shelter of the orphanage. And that's about it. And that's just enough.
The mood of the film accentuates a dreamy continuance; years and seasons merge. Life goes on. The apples grow. Relationships develop. The scenery is beautiful. The black labourers accept their lot.
This is life (and death) seen from the personal; a snapshot of middle, rural America; a land where you're meant to just get on with it and accept your lot.
The Cider House Rules is sensitively directed and written with an emphasis on people caring for each other. It's a bit of a weepy. Even villains are given their good sides.
Notably this boy's passage into manhood necessitates him accepting the responsibility of also performing illegal abortions! Now there's a twist. John Irving, also wrote the books The World According To Garp and The Hotel New Hampshiire, made into films of the same name, as well as A Prayer For Owen Meany which was made into the puzzling Simon Birch, a film Irving vigourously disowns. Irving subsequently, in the case of Cider House, has also written the screenplay.
The actual cider house rules are a minor element of a rambling film that is full of such minor events.They are a non-consequential, ignored set of laws meant to govern the behaviour of the workers who bunk in the cider house on an apple farm.
But life's like that, or so John Irving and his film would have you believe. It's just that usually films concentrate a little more on life's more tumultuous moments.
Young Homer Wells (our budding unlicensed doctor) is played delightfully by Tobey Maguire (Pleasantville)with a sweet smile and sleepy eyes. Those of you who prefer your actors to be more dynamic might find Maguire to be too even, but in this film his style was just the ticket.
He's one of the boys who were never chosen to be adopted at the orphanage. There are some touching scenes centred around the children in particular not being selected, hovering with their bags packed.
Homer sets off to see the world with new friends Candy (Charlize Theron) and Wally (Paul Rudd). They had attended the orphanage for an abortion.
Homer sees the sea for the first time. He learns how to pick apples and to get on with his work mates. He has a romance. And he learns how to accept responsibility for his and other's actions away from the shelter of the orphanage. And that's about it. And that's just enough.
The mood of the film accentuates a dreamy continuance; years and seasons merge. Life goes on. The apples grow. Relationships develop. The scenery is beautiful. The black labourers accept their lot.
This is life (and death) seen from the personal; a snapshot of middle, rural America; a land where you're meant to just get on with it and accept your lot.
The Cider House Rules is sensitively directed and written with an emphasis on people caring for each other. It's a bit of a weepy. Even villains are given their good sides.
I was getting agitated while reading these reviews because I found it hard to believe that so many people missed the point of this movie. John Irving's main focus was not "pro-choice" in terms of abortion, but pro-choice in terms of each and every one of us making important and responsible decisions for ourselves. The fact that the title is "The Cider House Rules" reveals that the author thinks this idea sums up the whole narrative. Those rules posted in the cider house represent a more powerful, outside force attempting to control those that live within that cider house. It was also rhetorically inquired earlier at the isolated orphanage: What have their [the outside's] laws ever done for you? The intent of the film was profound in its simplicity: There are no absolute rules (in a cider house or anyplace else) which govern our lives other than those which we out of necessity construct for ourselves. One needs to "know their business," and caring human beings have the responsibility to develop rules that are appropriate to the unique circumstances in which they find themselves. The only time where imposing across the board rules that automatically prescribe responses to every situation is in a robot. We are not robots. Irving's views on abortion follow directly from this mentality, and this story is an attempt to explain the rational reasons behind them. But please realize that it is merely an example. If you were to get hung up about your own staunch views, be it pro-choice or pro-life, then you are missing out on a bigger picture that transcends both. If you can't see the forest for the trees, then you're better off watching Saturday morning cartoons.
Outstanding Features: Story, Acting
IMDb rating: 8
Outstanding Features: Story, Acting
IMDb rating: 8
This is one of my favourite films (if not my favourite), so I cannot be altogether objective, but I must say I find it an eye-opener. It's a lesson on tolerance carried out by a really talented cast and crew.
Everyone fits in his/her role, although the movie is more Maguire's than anyone else's. He's definitely a natural, and while other actors in the business try to impress the audience and make the most to show their talent, Maguire acts with subtlety and thoughtfulness.
The film might seem a bit slow for some people accustomed to more pacey and epic films. However, those who have read the novel will realize just how fast everything goes.
Rachel Portman's score is truly beautiful: probably one of her best.
Everyone fits in his/her role, although the movie is more Maguire's than anyone else's. He's definitely a natural, and while other actors in the business try to impress the audience and make the most to show their talent, Maguire acts with subtlety and thoughtfulness.
The film might seem a bit slow for some people accustomed to more pacey and epic films. However, those who have read the novel will realize just how fast everything goes.
Rachel Portman's score is truly beautiful: probably one of her best.
This movie will be looked at from many different views. I forgot about race and religion and watched a very good movie about the human condition. John Irving did the screenplay of his own novel. A young boy, played by Tobey Maguire, is born and raised in an orphanage. He is taught the ways of childbirth and abortion by the headmaster, Dr. Larch, played by Michael Caine. The young boy wants to be more useful in life and goes on his own way to end up working in an apple orchard and learning about lobster fishing.
The Maguire boy/man character fights with his own morals and lack of worldliness as the movie progresses. The predictable ending probably couldn't have been any better. Life happens. Bad things often happen to good people. This movie does question your thoughts of humanity.
I found raw emotion, humor and tenderness in this movie. The story is set in Maine; but actually filmed in Vermont and Connecticut too. Scenery is awesome. Maguire's timid, monotone character does take some getting used to. Caine was very good. Charlize Theron proved that not only is she beautiful, but she can act as well. Erykah Badu did extremely well in a small, but important role. This movie is worthy of its many Oscar nominations.
The Maguire boy/man character fights with his own morals and lack of worldliness as the movie progresses. The predictable ending probably couldn't have been any better. Life happens. Bad things often happen to good people. This movie does question your thoughts of humanity.
I found raw emotion, humor and tenderness in this movie. The story is set in Maine; but actually filmed in Vermont and Connecticut too. Scenery is awesome. Maguire's timid, monotone character does take some getting used to. Caine was very good. Charlize Theron proved that not only is she beautiful, but she can act as well. Erykah Badu did extremely well in a small, but important role. This movie is worthy of its many Oscar nominations.
Wusstest du schon
- WissenswertesThe scenes featuring the orphanage were filmed at the Northampton State Hospital, an abandoned mental asylum in Northampton, Massachusetts.
- PatzerWhen the orphans watch King Kong und die weiße Frau (1933), the giant ape peels off Ann Darrow's clothes. That scene was cut shortly after the premiere, and was not publicly available until 1971.
- Zitate
Dr. Wilbur Larch: Goodnight, you princes of Maine, you kings of New England.
- SoundtracksUkulele Lady
Music by Richard A. Whiting
Words by Gus Kahn
Performed by Vaughn De Leath
Published by Bourne Co. (ASCAP)/Whiting Music Corp. (ASCAP)/Gilbert Keyes Music (ASCAP) c/o SGA
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Gottes Werk & Teufels Beitrag
- Drehorte
- Northampton, Massachusetts, USA(State Hospital/Orphanage)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 24.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 57.545.092 $
- Eröffnungswochenende in den USA und in Kanada
- 110.098 $
- 12. Dez. 1999
- Weltweiter Bruttoertrag
- 88.545.092 $
- Laufzeit2 Stunden 6 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
By what name was Gottes Werk und Teufels Beitrag (1999) officially released in India in Hindi?
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