[go: up one dir, main page]

    Kalender veröffentlichenDie Top 250 FilmeDie beliebtesten FilmeFilme nach Genre durchsuchenBeste KinokasseSpielzeiten und TicketsNachrichten aus dem FilmFilm im Rampenlicht Indiens
    Was läuft im Fernsehen und was kann ich streamen?Die Top 250 TV-SerienBeliebteste TV-SerienSerien nach Genre durchsuchenNachrichten im Fernsehen
    Was gibt es zu sehenAktuelle TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightLeitfaden für FamilienunterhaltungIMDb-Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestival CentralAlle Ereignisse
    Heute geborenDie beliebtesten PromisPromi-News
    HilfecenterBereich für BeitragendeUmfragen
Für Branchenprofis
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
  • Wissenswertes
  • FAQ
IMDbPro

Der grosse Macher

Originaltitel: The Big One
  • 1997
  • 0
  • 1 Std. 31 Min.
IMDb-BEWERTUNG
7,1/10
8116
IHRE BEWERTUNG
Der grosse Macher (1997)
DokumentarfilmDramaKomödieKriminalität

Füge eine Handlung in deiner Sprache hinzuOn his book tour, Michael Moore exposes wrongdoing by big greedy businesses and callous politicians around America.On his book tour, Michael Moore exposes wrongdoing by big greedy businesses and callous politicians around America.On his book tour, Michael Moore exposes wrongdoing by big greedy businesses and callous politicians around America.

  • Regie
    • Michael Moore
  • Drehbuch
    • Michael Moore
  • Hauptbesetzung
    • Michael Moore
    • Elaine Bly
    • Dan Burns
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    8116
    IHRE BEWERTUNG
    • Regie
      • Michael Moore
    • Drehbuch
      • Michael Moore
    • Hauptbesetzung
      • Michael Moore
      • Elaine Bly
      • Dan Burns
    • 39Benutzerrezensionen
    • 28Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 6 wins total

    Fotos11

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 4
    Poster ansehen

    Topbesetzung28

    Ändern
    Michael Moore
    Michael Moore
    • Self
    Elaine Bly
    • Self - Random House Media Escort
    Dan Burns
    Dan Burns
    • Self - Radio Personality
    Chip Carter
    • Self - Forbes Campaign
    Bill Clinton
    Bill Clinton
    • Self - Presidential Candidate
    • (Archivfilmmaterial)
    Jim Czarnecki
    • Self
    • (as Jim)
    Brian Danitz
    • Self
    • (as Brian)
    Robert Dornan
    • Self - Congressman
    • (Archivfilmmaterial)
    Joel Feick
    • Self - Radio Commentator
    Steve Forbes
    Steve Forbes
    • Self - Presidential Candidate
    • (Archivfilmmaterial)
    Doug France
    • Self - Random House Representative
    Mary Gielow
    • Self - Media Escort in Milwaukee
    Bev Jacowski
    • Self - Johnson Controls representative
    Richard Jewell
    Richard Jewell
    • Self - Innocent Guy
    Kevin Keane
    • Self - Governor Thompson's Press Secretary
    Garrison Keillor
    Garrison Keillor
    • Self
    Andy Crash Kelly
    • Self - Radio Personality
    Phil Knight
    Phil Knight
    • Self - Nike Chairman
    • Regie
      • Michael Moore
    • Drehbuch
      • Michael Moore
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen39

    7,18.1K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Empfohlene Bewertungen

    tfrizzell

    Pulp Non-Fiction.

    Yet more excellent work from documentarian Michael Moore as he hits the road in 1996 for a 47-city tour to promote his new book "Downsize This". Funded by Random House Publishing, with that company having no idea that Moore is not just going to sign books, the all-world film-maker pulls no punches as he gets to the heart of corporation down-sizing just as some of the biggest money-makers in the U.S. start to have all-time record high profits. We see regular folks laid off by monsters like Pay Day (the candy bar company), Procter & Gamble, General Motors, Johnson Controls and Pillsbury. National corporations leaving the U.S. to pay lesser fees to employees in third-world countries is explained in great detail and Moore even has a unique conversation with Phil Knight, the CEO of Nike (also the only CEO brave enough to verbally spar), and needless to say Moore comes out looking much better than his opponent. "The Big One" shows the lack of political choices for the general public (the film makes it blatantly clear that the Clinton/Dole race of 1996 was a no-win vote) as blue-collar, middle-class workers fall in the work-place due to the lack of government control on power-mad corporations that only look at the bottom line and constantly talk about competition in their industry (this makes the big-wigs look even sillier in reality). The main theme from "Pulp Fiction" late during Moore's run of metropolitan areas ends up setting the overall tone of this exceptional documentary feature. 5 stars out of 5.
    Basil-3

    A bio-pic of Michael Moore's state of mind.

    The Big One (1997) presents itself as a spontaneous documentary of Michael Moore's outrageous adventures during the tour of his book, "Downsize This!" Moore does a good job of focusing on what's wrong in America- people work 60+ hours a week just to get by, profitable, productive factories closing to move to Mexico where workers are paid 60 cents an hour.

    Unfortunately, for all of Moore's focused anger at corporate America, Moore doesn't offer much of a solution. When someone asks him why he didn't limit his book tour to union or non-corporate stores, he makes a joke about the success of his book changing his politics. Moore asks a corporate spokesperson if she thinks it's a good idea for the US to pass punitive laws against profitable corporations who export their labor to other countries. This is admirable, but I wish he had followed up on his own question.

    In this film, Moore comes across as someone who has spent a lot of time focused on America's problems, but spends only a token effort in dwelling on potential solutions. This imbalance handicaps what could have been a sublimely entertaining, informative documentary. I expected information at the end of the movie about corporate ethics organizations like Corporate Watch (http://www.corpwatch.org) or information on how to start a labor union (http://www.aflcio.org). Alas, no such luck.

    Despite its faults, The Big One (1997) is a must-see for anyone who believes 1) unions are corrupt; 2) corporations are corrupt; or 3) earns a salary of less than six figures a year.
    8TBJCSKCNRRQTreviews

    Exposing the indifference that is the core of corporate America

    The earliest of Moore's films I've seen so far, this is definitely not his best work... technically, this is the least impressive of the ones I've seen(the others are Bowling For Columbine and Fahrenheit 9/11). The editing, pacing and presentation just isn't as sharp or clean as the other two. The score isn't as ironic or fitting either. The humor, tone and 'direction' is just as good, though. This time, Moore takes a clean shot at corporate America, and clearly exposes the indifference of the common man's fate displayed by all executives. Several times in the documentary we're introduced to companies that, despite of high profits and no problems with their workers are laying people off, closing and moving factories... putting people out of work, effectively robbing them of their livelihood. As usual, it's done in Moore's fashion of outlining the facts that support his cause and denying or ignoring the ones that do not. Of course, he gets so many laughs throughout that you barely notice it... and what he says is true, at least to a certain extent. The interviews in which Moore asks all the right questions, usually very controversial and direct are inter-cut with what appears to be a stand-up performance by him, which adds a sense of closeness that means a lot for the effect of the film. Not as memorable and interesting as Bowling or Fahrenheit, but most definitely worth watching. I recommend this to any fan of Michael Moore and humorous documentaries. 8/10
    6allyjack

    Moore doesn't address the broader revolutions that would be required to make his ideas stick

    The movie is frequently reminiscent of Letterman, visiting corporate headquarters with silly stunts - there's no way for the victims to win; even when they play along, as Phil Knight tries to, there's no room for rational argument. Moore is pretty engaging and energetic, but it soon becomes apparent that his movie has little ambition other than to string together such diverting moments and to hammer away at the main anti-downsizing theme. Astonishing that everyone makes the opposing case so poorly - it's a walk over; an overwhelming victory for the Forces Of Good. But Moore doesn't address the broader revolutions that would be required to make his ideas stick - the corporate heads are surely culpable, but if they didn't play along they'd be fired: it's investment-obsessed America (Beardstown Ladies and all) that keeps this crazy cycle going. Moore has a great gift for getting into the middle of activity and is a great raconteur, but for someone so relentlessly pure on hammering at the same anti-capitalist drum he leaves his own success conspicuously unexamined. The ragbag style is always entertaining though and the film has an appealing zippy pace - reservations aside, the uncertain encounter with Knight makes for a good climax.
    9Tom-402

    Not ONLY a time capsule

    As one user before said, he feels the film to be more of a time capsule today, since the impacts and importance of downsizing has been overwritten by other issues like terrorism, homeland security, 9/11 etc.

    Well, I live in Europe and I can just say that here in Europe the film just comes out on DVD (I saw it only yesterday, July 15th, 2004 on TV) at the right time for Europe (if not a little too late). Economical matters are getting worse here in Europe day by day, and the patterns CEO's use to make their companies "profitable" (which should just always correctly read: "MORE profitable) are just the same as CEO's use in the USA. In fact, the only idea that comes to their minds is: downsizing, laying off people and transferring labour into countries with extremely cheap labour-cost. That's all.

    Surprisingly there is just very little resistance to these tendencies, even though Europe is (in most countries) far better organised as far as Labour Unions are concerned. People are told by politicians that reforms are necessary, and people just sit back and accept it and continue to suffer.

    In this context, "The Big One" by Michael Moore just comes at the right time here in Europe, even though I think that not many of the concerned people will actually see it.

    But it's worth watching it, even though sometimes I questioned myself how I could laugh over such sad facts. But this is the virtue of Michael Moore and this film: it doen't leave you desperate, it gives you a laugh at the time and maybe, if we're all lucky, it will lead to a better organisation of the people concerned and to more resistance against the 1 percent of the rich keeping the rest in poverty.

    Mehr wie diese

    Roger und ich
    7,5
    Roger und ich
    Kapitalismus: Eine Liebesgeschichte
    7,4
    Kapitalismus: Eine Liebesgeschichte
    Sicko
    8,0
    Sicko
    The Awful Truth
    6,9
    The Awful Truth
    Where to Invade Next
    7,5
    Where to Invade Next
    Fahrenheit 9/11
    7,5
    Fahrenheit 9/11
    Fahrenheit 11/9
    7,2
    Fahrenheit 11/9
    Captain Mike Across America
    5,3
    Captain Mike Across America
    Bowling for Columbine
    8,0
    Bowling for Columbine
    Michael Moore in TrumpLand
    5,8
    Michael Moore in TrumpLand
    Two Mikes Don't Make a Wright
    2,9
    Two Mikes Don't Make a Wright
    Pets or Meat: The Return to Flint
    5,2
    Pets or Meat: The Return to Flint

    Verwandte Interessen

    Dziga Vertov in Der Mann mit der Kamera (1929)
    Dokumentarfilm
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Will Ferrell in Anchorman - Die Legende von Ron Burgundy (2004)
    Komödie
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Die Sopranos (1999)
    Kriminalität

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Michael Moore: [Flint] Moore tries to convince Phil Knight to open a factory in Flint, Michigan.
    • Zitate

      Michael Moore: [referring to McDonald's] They put vegetables on my fish filet. Fuckers.

    • Crazy Credits
      To make a reservation on TWA call 1-800-221-2000
    • Verbindungen
      Featured in Late Night with Conan O'Brien: Tom Brokaw/Michael Moore/Ben Harper (1998)
    • Soundtracks
      Panic In Detroit
      (1973)

      Written and Performed by David Bowie

      Courtesy of Jones/Tintoretto Entertainment Co., LLC

      By kind permission of Tintoretto Music/RZO Music

      EMI Publishing Ltd., Chrysalis Music

    Top-Auswahl

    Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
    Anmelden

    FAQ18

    • How long is The Big One?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 10. November 1999 (Frankreich)
    • Herkunftsländer
      • Vereinigte Staaten
      • Vereinigtes Königreich
    • Offizieller Standort
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • The Big One
    • Drehorte
      • Bryn Mawr, Pennsylvania, USA
    • Produktionsfirmen
      • Mayfair Entertainment International
      • British Broadcasting Corporation (BBC)
      • Dog Eat Dog Films
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 720.074 $
    • Eröffnungswochenende in den USA und in Kanada
      • 146.909 $
      • 12. Apr. 1998
    • Weltweiter Bruttoertrag
      • 720.074 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 31 Min.(91 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby
    • Seitenverhältnis
      • 1.85 : 1

    Zu dieser Seite beitragen

    Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
    • Erfahre mehr über das Beitragen
    Seite bearbeiten

    Mehr entdecken

    Zuletzt angesehen

    Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
    Hol dir die IMDb-App
    Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
    Folge IMDb in den sozialen Netzwerken
    Hol dir die IMDb-App
    Für Android und iOS
    Hol dir die IMDb-App
    • Hilfe
    • Inhaltsverzeichnis
    • IMDbPro
    • Box Office Mojo
    • IMDb-Daten lizenzieren
    • Pressezimmer
    • Werbung
    • Jobs
    • Allgemeine Geschäftsbedingungen
    • Datenschutzrichtlinie
    • Your Ads Privacy Choices
    IMDb, ein Amazon-Unternehmen

    © 1990-2025 by IMDb.com, Inc.