Terror in Portland City

Bit late for a vintage noir, by definition, and whilst not deeply caste in dark shadows throughout, makes up for this a little on the sleaze front. Competently made and presented as 'based on a true story' this is quite interesting for its detail on organised crime and its involvement at very modest levels with the help of 'rotten apple' police and corrupt union official plus assistance 'all the way to the top'. There are in fact some surprisingly sleazy moments, including a well shot and fairly vigorous attempted rape. There is also a super body disposal scene involving a train at night with the flashing lights of the carriages lighting up the killer's obvious delight. The central character is, however, just a little too much of a 'goodie two shoes' for my liking and the film does slow to a crawl at times when we have to consider the family implications. Worth a watch.

PORTLAND EXPOSE is another one of those films from the 1950's that purports to expose the crime, vice, sin and corruption of some major city. Think of all the films with a major city in the title followed by : "expose", "story", "syndicate", and "confidential". Perhaps someone with a lot of time on their hands should put together a list. Then again, perhaps not.

In this film Edward Binns plays a honest tavern owner who is forced to go into partnership with the mob. At first he goes along, but decides to fight the mob when one of the mobsters tries to rape his daughter.

PORTLAND EXPOSE a conventionally made low-budget crime thriller from the fifties. Like many films of this genre, the ads claimed it is based on a true story. The film is a bit rougher than some other films from the period. In one scene Binns' daughters boyfriend suggest they go to a hotel for a night of...well you know, because he thinks she is loose because he knows that her fathers tavern has been used by the mob as a pickup place for hookers. Then mob thug Frank Gorshin tries to rape her. Its also mentioned that Gorshins character did time for a sexual offense involving children. Pretty rough stuff for a 1957 low budget crime thriller.

"Portland Exposé" follows a tavern owner in Portland, Oregon in the mid-20th-century who finds himself a linchpin to a crime syndicate's gambling racket after installing their pinball machines in his business. His attempts to overthrow them endanger the life of himself and his family.

This low-budget film noir is one of the more slick, gritty, and iron-fisted out there, but it's unfortunately been largely forgotten. It's a B-movie through and through, and while it does suffer some pacing issues and a lack of development, it is at times surprisingly shocking. It depicts rape attempts (including a preemptory one from a teenage girl's boyfriend), and other types of violence that are a bit shocking given the time it was made. It also depicts prostitution in a manner that is frank, reminiscent of how the subject is treated in pre-Code films like "The Story of Temple Drake."

Based on a series of crimes committed by real-life kingpin Jim Elkins, the screenplay never really fleshes out the inner workings of the syndicate or how exactly all of this ties together in the context of the labor unions, and that is probably its biggest trouble. At a quick-paced 72 minutes, there is not sufficient time to elucidate all of this. Where the film makes up for it is in its photography and acting, particularly that of Edward Binns as the tavern proprietor, Virginia Gregg as his concerned wife, and genre favorite Carolyn Craig (probably best known for her role in the original "House on Haunted Hill") as their tormented teenage daughter. All of the acting is surprisingly believable, and the scenarios pack a further punch because of it. The film possesses a borderline-documentary style that recalls 1955's "Kiss Me Deadly," though this film is far less surreal.

All in all, "Portland Exposé" is a solid film noir/thriller that largely succeeds on the basis of its performances and overall tone. It's a dark and gritty film noir, and has a certain kind of bitterness about it that makes it memorable even though it has narrative shortcomings. 7/10.

A tavern owner helps authorities get the goods on gangs trying to take over a labor union.

This Lindsley Parsons production is one of the many "confidential" or "expose" films of the time. Usually the tabloid title would include the name of a city whose supposed racketeers the movie would then expose. This movie appears inspired by the acid blinding of New York City labor reporter Victor Riesel in 1956 for his investigations into labor racketeering in that city.

The low-budget Parsons outfit may have produced this programmer, but they managed two key assets, despite the lowly origins. First, they got heavyweight actor Ed Binns for the lead, along with familiar face Virginia Gregg and that fine little actress Carolyn Craig. What Binns lacks in marquee value, he makes up for in sheer talent, having been one of the Twelve Angry Men (1957) in that powerhouse film of the same year.

Second, the movie did extensive location filming in Portland, lending the visuals both interest and a realistic air. The woodsy tavern, in particular, looks genuine instead of the usual Hollywood fakery. Then too, the screenplay manages some suspense, especially when Madison (Binns) goes undercover. But the highlight may be hoodlum Joe's (Gorshin) attempted rape of sweet little Ruth (Craig). It's pretty explicit for the time.

If there's a downside, in my book, it's the absence of real menace from any of the bad guys (contrast with the subtle menace of kingpin Edward Andrews' in Phenix City Story {1955}). All in all, however, the movie manages a number of interesting features without being anything special.

(In passing—Catch sexpot Jeanne Carmen (Iris) who was Marilyn Monroe's "bosom buddy" in more obvious ways than one. Also, such a shame that Carolyn Craig died so young and under rather mysterious circumstances, as well.)

Edward Binns stars in this B movie about a tavern owner in Portland who is offered a jukebox, a pinball machine, and a slot machine to install.

However, a tough syndicate takes over the area and begins controlling the business, turning it into a hard-core gambling establishment that includes B girls.

At first, family man George Madison goes along after his family is threatened. However, one night, a thug that likes jail bait (Frank Gorshin) nearly rapes his daughter (Carolyn Craig). Madison sends his family away and agrees to go undercover, wearing a wire.

Nothing special, the underdog against a crime syndicate. However, it does show a wholesome American '50s family up against the sleazeballs. It's also fairly gritty.

The story is based on Portland crime boss Big Jim Elkins.

Jeanne Carmen, purportedly a close confidant of Marilyn Monroe, does a terrific job as the B girl who exposes Madison as undercover. Carmen claimed knowledge of Monroe and the Kennedys.

After the death of Monroe, Jimmy Rosselli, who worked for Sam Giancana, told get to leave Hollywood as her life was in danger. She lived incognito for over a decade. However, her stories have been questioned and denied by those who knew Monroe.