Füge eine Handlung in deiner Sprache hinzuSarah Taylor, a criminal psychologist, embarks on a torrid affair with a seductive stranger. However, she begins doubting whether she can trust him when a mysterious stalker begins harassing... Alles lesenSarah Taylor, a criminal psychologist, embarks on a torrid affair with a seductive stranger. However, she begins doubting whether she can trust him when a mysterious stalker begins harassing her.Sarah Taylor, a criminal psychologist, embarks on a torrid affair with a seductive stranger. However, she begins doubting whether she can trust him when a mysterious stalker begins harassing her.
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As the plot unfolds, it appears as if De Mornay's character has nowhere to hide and nobody she can really trust. Various characters appear more or less likely to be guilty of terrorizing her. The film also very deftly portrays Sarah's need for a relationship with Tony even though she is terrified that he is hiding something from her. The acting is top notch and the plot is full of satisfying twists and turns. If you are in the mood for a strong, solid thriller then this ought to be a top choice.
Firstly I liked the main musical score running throughout the film and the Director was quite clearly going for a Hitchcockian feel, which only partially succeeds though.
The chemistry between the leads is excellent and the scenes containing both DeMornay and Banderas are the strongest and most watchable. I have to say I did not think Harry Dean Stanton put too much effort into his part as he was not all that convincing and Dennis Miller was just plain irritating. Len Cariou was okay as DeMornay's father, but really the two leads are the main focus and the main reason to watch this. The love scenes although a bit lengthy were stylishly made and did not detract from the film, the ending although a bit of a stretch was at least surprising and acted fairly convincingly (although I am no shrink).
So although being far from a classic I certainly thought it was far from being the worst thriller. I would rate it above the Meg Ryan effort "In The Cut" & Ashley Judd's "Twisted" along with Sandra Bullock's "Murder by Numbers" to name a few.
My rating 6.6 out of 10
Rebecca De Mornay is a troubled shrink who whilst dealing with the mind games of a serial killing loony (Harry Dean Stanton), meets sexually charged Latino guy (Antonio Banderas) and indulges in passions unbound. Then she starts to get very unwelcome presents in the post...
The erotic thriller has been well trodden, and will continue to be so for sure, so it feels a little churlish to decry Hall's movie for coming off as a weak willed imitator of previous purveyors of the sub-genre, but this blend of Silence of the Lambs meets Sea of Love - cum - Dressed to Kill - cum Fatal Attraction etc etc just comes across as a cheat. And that's because it is!
The makers know this and try to hide their ridiculous folly behind eroticism as the two lovely looking headlining stars get sweaty and wet, indulging in sexual play that's as powerful as the surroundings (Banderas lives in a loft apartment resplendent with metal cage and wrought iron doors). But, or should that be butt? The mystery element is weak, the suspense equally so, while the back story of De Mornay's father (a key character) is hopelessly under developed.
Then there is H.D. Stanton, stealing every scene is he is in, quid pro quo indeed, yet he's hardly in the film, which ultimately proves to be a tragedy as the plot hurtles towards its implausible and risible revelations. Red herrings come and go as quickly as Becca and Tony's underwear (the continuity editor should have been sacked along with the writers because of one scene BTW), and even though Pino Donaggio scores the music with customary swirling qualities, this just comes off as a piggyback tactic...
This is a poor thriller in spite of two very committed and visually attractive perfs from the leads - and of course Stanton's knowingly sleazy turn. Seek this out only if you think Body of Evidence is in the upper echelons of erotic thrillers. 5/10
But as a sex movie, it's not bad. I mean, who else would you rather see getting it on than Banderas and De Mornay. There's one classically trashy scene when Antonio nails the naked and voluptuous Rebecca up against a very trendy chain-link fence inside her very trendy loft. Antonio looks more angry than turned on and Rebecca looks more ashamed and uncomfortable, but she's naked, sexy, and making some happy sounds, so who cares? And who cares whodunit either?
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- WissenswertesRaúl Ruiz was originally slated to direct this film.
- PatzerAfter Sarah plants the gun in Tony's right hand she goes into the bathroom to clean up. When she comes out and kneels by Tony, the gun is no longer there.
- Zitate
Dr. Sarah Taylor: Mr. Ramirez, my mother taught me never to talk to strangers.
Tony Ramirez: If you never talk to strangers, you'll never meet anyone new.
- Alternative VersionenAn unrated version is available on laserdisc.
- SoundtracksHer Body Makes Vows
Performed by Exchange featuring Marc Jordan
Written by Gerald O'Brien, Steve Sexton and Marc Jordan
By Arrangement with Warner Special Products
Top-Auswahl
- How long is Never Talk to Strangers?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
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- Drehorte
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Box Office
- Budget
- 6.400.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 6.858.261 $
- Eröffnungswochenende in den USA und in Kanada
- 2.903.457 $
- 22. Okt. 1995
- Weltweiter Bruttoertrag
- 6.858.261 $
- Laufzeit
- 1 Std. 26 Min.(86 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1