Mr. Holland's Opus

I remember seeing "Mr. Holland's Opus" for the first time in high school. I liked it then, and still do. Films about teaching often involve tough kids and less than ideal teachers, among other things. I have to say this film is an exception. Mr. Holland is an inspiration in so many ways that he does not realize or even want to acknowledge. It is also a story that could have taken place and that some people can relate to. This is why I enjoyed it so much.

Mr. Holland has a dream of composing a very memorable and moving symphony, and to ultimately be "rich and famous." But working odd jobs in pursuit of his dream doesn't appeal to him. Reluctantly, he takes a day job as a high school music teacher to support the family and at first hates it. His students are not motivated to learn through readings and tests, and do not respond well to the music of Bach. When he finds they love rock and roll, he integrates this into the curriculum, much of the disapproval of the administration, who believe "rock and roll by its very nature leads to a breakdown in discipline." He teaches and mentors many students over the years, from a clarinet student who doubts her talent and feels inferior to her musically talented family, to a wrestler who becomes a drummer, and a talented singer with her eye on him who wants to go to Broadway despite any barriers. Whether or not he knows it, Mr. Holland inspires them to do something worthwhile.

Despite his love and talent for teaching, Mr. Holland cannot develop this same level of rapport and love with his wife Iris and son Cole, who is deaf. His desire for Cole to appreciate music is outweighed by Cole's inability to hear and his father's reluctance to help him. Cole learns sign language from his teachers and mother predominantly. Mr. Holland appears to be the kind of person who detests imperfection of any kind, and this strains his familial relationships. Gradually, though, he learns to accept and deal with these challenges, and becomes more loving and appreciative.

I recommend "Mr. Holland's Opus" for musicians, singers, music teachers, and really everyone. Enjoy the show!

Many reviewers have blistered this movie, and I agree it contains too many cliches and is overly sentimental. But compared to the endless supply of Hollywood vapidity, this one isn't THAT bad. Mr. Holland is neither saint nor bad guy, but he clearly loves music and cares about his students. I understand that music is a very serious topic for many people including several reviewers who hated this film. But I think they miss the point; Mr. Holland is not a musical genius, he's a high school music teacher. And yes, his opus truly sucks balloons, and that's because Mr. Holland is a musical mediocrity. His dream of being a famous composer was delusional, a ridiculous pipe dream. But he Found his true calling in life as a decent teacher. That's the point of the movie.

After wanting to see this film since it came out, I finally was lucky enough to see it tonight. As a music lover, this film blessed my soul. The score was gorgeous, and the struggles and victories of Mr. Holland made me laugh..made me cry and warmed my heart. Richard Dreyfuss was glorious in his performance as the troubled Music Teacher. He showed that anyone, be they a young girl who struggles to be good at something, or a teen in the 60's who wants to play the drums but can't find the beat..can be changed by music. Bravo, Mr. Holland!

It's a MOVIE! I'm reading comments so vastly polarized to one extreme or another so as not to be believed.

Okay, I am a musician. I've been one on a professional level for over ten years, both as a writer and performer. And I LOVED this movie (apologies to all those pretentious 'serious' musicians out there). I enjoyed my theatrical viewing and I have watched my DVD several times.

Is MR. HOLLAND'S OPUS musically accurate? No, of course not, no more so than STAR TREK paying attention to factual science and the laws of physics. But for the most part, nobody other than most of us ego-driven, high horse bound musician types will ever know it.

Designed to have a broad appeal outside the aforementioned musically inclined crowd? Yes, but then so is nearly every movie to come out of Hollywood. It has to be palatable to a certain degree, and I believe that the much maligned "Play the sunset" scene is far more entertaining than having Mr. Holland give us lengthy exposition on the proper articulation and technique that goes into playing a given instrument.

And if I hear one more poster scream about Mr. Holland's 'opus' only being ten minutes long (the "It took him a lifetime to write THIS?" mantra) I think I'll scream. Did it ever occur to anybody that what we heard was only a small part of a much larger work? Most classical and semi-classical pieces occur in (get ready) MOVEMENTS! It's entirely possible that we only heard the prologue to a much larger piece. Think outside the box, people.

As for the quality of the piece itself, I found it to be acceptable, if not the most dynamic piece of work I've ever heard. But seeing as how we had been hearing snippets of this piece THROUGHOUT THE MOVIE, I can't say that I was so overwhelmingly let down as some of our more 'educated and refined' musician types that have posted here.

Sure, there were some flaws. Ms. Headly is not the greatest actress in the world, and beside Dreyfuss she's downright embarrassing. William Macy's character is so cliched that it warrants no further discussion. The whole subplot with Rowena and her romantic interest in Mr. Holland ran about ten minutes too long. And the ending bit where the arts funding gets cut seemed a little too political.

But overall, a great film, surely one of Dreyfuss' best, and one of my favorite films.

I'm a musician. And I liked it. So sue me....

Glenn Holland is a young composer. In the fifties he stops touring with his band to teach music in a school which he hopes will free him from touring to allow him to work on his main love of composing his own music. Despite initially hating his job, Holland soon learns to enjoy it and how best to communicate the love of music to his pupils. We trace his life over 30-40years as he has a son with his wife and goes through great emotional times while putting his personal dreams to one side.

Although this had `sentimental life lesson film' written all over it, I still wanted to give it a go and strangely still enjoyed it. The film is very much a bit of praise for all those who are unsung heroes in there lives and it had the potential to be really sickly sentimental. Happily a good script manages to avoid this for the majority of the time.

The weakness of the film is the fact it that it does try to cover a lifetime and occasionally there isn't enough plot to do that well. I know it would have been difficult but I do feel that the film could have been either a little tighter or filled to overflowing with plot to make it feel shorter. As it is it is still enjoyable but it does feel a little wandering at times – but I guess that's like life in a way. When the climax comes though it is hard not to be a little moved by the lesson that the film is teaching us.

However, the reason for the success of the film is also the reason for it's Oscar nomination – Richard Dreyfuss on good form. He kept me watching even when the material was stretched. He is totally believable in the role – for a microcosm of his performance watch his face when the announcement is made about the surprise they have prepared for him – his emotion got me right away! He deserved his nomination for this as he is captivating over the whole film. He even ages very convincingly and make up should be congratulated. However while makeup were concentrating on Dreyfuss they totally forgot about Headly who doesn't age a bit until the final time period (apart from looking a bit tired). She is badly miscast and she doesn't fit the role at all. Thomas, Macy, Dukakis and Anderson (as the teenage Cole) all do well in support – but this is Dreyfuss' movie.

Overall I enjoyed this. I usually struggle with things like this because they pile the sentiment on thick like a daytime TVM. Happily this script avoids that are the majority of the flaws are compensated for by a strong performance from Dreyfuss.