Der Mann, der niemals starb

This is a fun made for TV murder mystery movie starring James Bond actor Roger Moore, who plays Thomas Grace. He teams up with psychic Jessie Galardo (Nancy Allen) to stop the homicidal Bernard Drake (Malcolm McDowell) from carrying out murders that were based on novels.

Moore and Allen had some great on-screen chemistry and made a great detective duo. The acting is spot on and the plot has much momentum; just the criminal Drake escaping from prison and wanting to revenge himself on Thomas Grace for 'stealing his personality' created a unique plot device and is sure to grab the audience's attention. The duo roles played by Moore and McDowell are a clever touch.

Moore is my favorite Bond actor, and it is a treat seeing him in an out-of-character role but retaining his investigative and detective skills in catching bad guys. It's a classic-style murder mystery movie that will give you nostalgia and great excitement and fun!

Grade B+

Society columnist and former thriller writer Thomas Grace (Roger Moore) based his most successful book, "The Man Who Wouldn't Die", on the notorious killer Bernard Drake , now supposedly dead following a prison fire. But an artist (Nancy Allen) approaches Grace after she has psychic visions and claims that Drake is alive and carrying out murders featured in the plot of Grace's book.

Roger Moore stars in this lively and offbeat thriller which is a sort of an ode to mystery/pulp fiction. Moore is a joy to watch, smooth as ever and sharp. He's 67 here and doesn't look it. He always makes a film watchable. Pity he didn't make more mystery films around this period, or do a TV series. He is well supported by Nancy Allen, a psychic who warns Moore about the murders about to occur from his arch nemesis Malcolm McDowell, who relishes in his fiendish role and is deliciously hammy.

I've always been interested in Roger Moore's post-Bond twilight years. I spotted this film gathering dust in a video shop while on holiday in Copenhagen and hired it. It's excellent! Moore is on top form and very funny. He was 67 when this was made but plays a 48 year old - those who say he was too old to play Bond, take note!).

The plot concerns a mystery writer turned journalist, Thomas Grace (Moore) who is approached by psychic Jessie Gallardo (Nancy Allen from Robocop) who claims that a master criminal, Bernard Drake (MacDowall) is going around murdering people in a style based on Grace's books. After initial scepticism, Moore pits his wits against MacDowall's criminal genius.

There are some interesting fantasy sequences where Moore imagines himself as the heroes of his own mystery books. Shame about his attempt at a northern accent though! My one criticism would be the low budget, shaky tv-movie production values and some rather offbeat comic-book style scenes. It's exciting stuff, but probably won't appeal to those who aren't fans of Moore or MacDowall.

You know the type of film, you leave your comfortable chair to make some tea and don't bother to pause the film, and that's when you are forced to acknowledge the film is not so good, as otherwise you would have paused it. Well this is a non pauser of a film, so if you like tea or coffee and have many breaks during your movies then this is perfect.

One of my all time favorite Stars is Roger Moore so when I saw this title on a VCD at $2 new whilst working here in Dubai I snapped it up.

As the film progresses the labored script becomes increasingly painful for the cast to deliver, sometimes you feel they are almost screaming to get to the end of the next scene and they would start each scene petrified especially if it were long, I noted to myself how they began to look happier towards the end of the film, ....as I did.

Macolm McDowell tries very admirably to deliver his lines seriously but he questions you with pain in his eyes as to what type of Film this is, but you will have the same look as he does and as the director must have had.

I always have been a sucker for Roger Moore films. Even though his charm has inevitably diminished with age, he still remains Simon Templair for me. His 'savoir faire' on the screen is unmistakable, it should be copyright protected (if it hasn't been already).

In this somewhat Hitchcockian film for TV (whivh proves once again that low budget TV movies can nowadays be much better than many made for the large screen), he creates a good atmosphere together with Malcolm McDowell who is as always, a truly exceptional villain. A thriller almost (as Moore) of other times, based on plot, twists and turns, and not on special f/x. A very welcome change. Thanks Roger!