Mad Love - Volle Leidenschaft

This wasn't necessarily a bad movie, but it wasn't that good either. It desperately tried to cash in on the teen audience, with a "hip" cast and soundtrack, but as a teenager I couldn't really relate. Chris O'Donnell's performance was pretty bland, but Drew spiced it up a bit. It started to get better towards the end when we finally got to see the extent of Drew's depression, but the first 3/4 of the movie was such a paint by numbers approach to a romance that I'm not sure that it was worth the wait. Leaves little to criticize, but even less to praise.

Well, I have to say I really did like this movie. I went in expecting to hate it. I really tried hard to hate it. Normally I hate the "romantic mush" type films, but... this movie actually transcended that. Instead of focusing mainly on the love, they focused on the mental illness. Heh, I have some issues myself, so I was able to relate quite a bit to her character. I'm severely agoraphobic, so I'd never run away, lol. I love Drew Barrymore. I think she's sexy through and through, absolutely adorable to boot. I will give any movie with her in it a chance. Some I loathe, some I like, some I love. "NEVER BEEN KISSED" is one that I loathe... But oh my, she was so cute! - I say everyone should give this movie a chance. Ignore the "violent" behavior and the irrational behavior, because you can't properly portray such a mental illness without it. I also don't think a movie dealing with mental illness to this depth should be rated R. I love that this film showed that those of us with mental illness are people too. We too have feelings. I wish I'd watched it sooner rather than just assuming I'd probably not like it.

The bipolar stuff is dead on and Barrymore sells it. O'Donnell as the significant other dealing with it is also good but the movie opens slow and takes a while to hook you and lame half-assed attempts at emotional dialogue derail it toward the end, which is too bad because a good movie on bipolar deserves to be made but this is not quite it. Joan Allen is good as always but the man playing her husband has one note. Other cast members do what they can with small parts but in the end this is a two person story. And unfortunately it is about a man in over his head written by a writer in over hers.

Shirtless in Seattle, handsome blue-eyed Chris O'Donnell (as Matt Leland) has his telescope trained on jiggling blonde Drew Barrymore (as Casey Roberts). Later, the sexy high school seniors go to a concert by themselves, which is strange, and do some head-banging. They skip school and have fun driving her yellow Volkswagen around town. These two are attractive, affluent and in love. However, something seems wrong. To be with Mr. O'Donnell during a test, Ms. Barrymore pulls the school fire alarm. "What are you, nuts?" asks O'Donnell. "Yeah," she replies. This turns out to be true...

Director Antonia Bird gets all her spark plugs in line for a fine sequence involving traveling salesman Liev Schreiber...

Barrymore seems emotionally disturbed, with a confidential diagnosis. After a suicide attempt, she is committed. O'Donnell helps her bust out of the mental hospital and they go on a joyride to Mexico. Barrymore's road "games" are so obviously over the top, it's a stretch to believe O'Donnell doesn't catch on faster. Possibly, it would have worked better if writer Paula Milne gave him some substance abuse; the character seems too level-headed. Barrymore and O'Donnell look great together, but are unconvincing as an amateur "Bonnie and Clyde". Besides, it looks like car theft is legal in the southwest.

***** Mad Love (5/26/95) Antonia Bird ~ Chris O'Donnell, Drew Barrymore, Kevin Dunn, Liev Schreiber

It seems like the title of this movie was chosen at the last minute by the guy in the business suit. "So it's about a coupla teenagers, let's say they're 'in love', and one of them has mental problems, let's call her crazy..." The film itself though, I think, resists cliches, especially the fact that the four letter word (love) was avoided, which has a tendency to suck dry any useful plot content that might be found in a movie, opting for some different ways of illustrating their relationship. The two main characters are well portrayed, and believable. I think Barrymore and O'Donnell hold together something that may not have great elements like soundtrack, plot originality etc, because despite the fact that Drew's eyebrows really annoyed me, they both did a good job.