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Libertarias

  • 1996
  • 2 Std. 5 Min.
IMDb-BEWERTUNG
6,9/10
2284
IHRE BEWERTUNG
Victoria Abril, Ana Belén, Ariadna Gil, and Loles León in Libertarias (1996)
DramaGeschichteKrieg

Füge eine Handlung in deiner Sprache hinzuAt the outbreak of the Spanish Civil War, the nun Maria is forced to flee her convent. She takes refuge in a brothel, until it is liberated by a woman's anarchist group. Maria joins the grou... Alles lesenAt the outbreak of the Spanish Civil War, the nun Maria is forced to flee her convent. She takes refuge in a brothel, until it is liberated by a woman's anarchist group. Maria joins the group and eventually goes to the front. The women's group faces the problems of fighting not o... Alles lesenAt the outbreak of the Spanish Civil War, the nun Maria is forced to flee her convent. She takes refuge in a brothel, until it is liberated by a woman's anarchist group. Maria joins the group and eventually goes to the front. The women's group faces the problems of fighting not only the nationalists, but also factions on the left seeking to impose a more traditional m... Alles lesen

  • Regie
    • Vicente Aranda
  • Drehbuch
    • Vicente Aranda
    • José Luis Guarner
    • Román Gubern
  • Hauptbesetzung
    • Ana Belén
    • Victoria Abril
    • Ariadna Gil
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,9/10
    2284
    IHRE BEWERTUNG
    • Regie
      • Vicente Aranda
    • Drehbuch
      • Vicente Aranda
      • José Luis Guarner
      • Román Gubern
    • Hauptbesetzung
      • Ana Belén
      • Victoria Abril
      • Ariadna Gil
    • 10Benutzerrezensionen
    • 3Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Gewinne & 7 Nominierungen insgesamt

    Fotos29

    Poster ansehen
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    Topbesetzung75

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    Ana Belén
    Ana Belén
    • Pilar
    Victoria Abril
    Victoria Abril
    • Floren
    Ariadna Gil
    Ariadna Gil
    • María
    Blanca Apilánez
    • Aura
    Laura Mañá
    Laura Mañá
    • Concha
    Loles León
    Loles León
    • Charo
    Jorge Sanz
    Jorge Sanz
    • Obrero Hijo
    José Sancho
    José Sancho
    • Obrero padre
    Joan Crosas
    • Boina
    Antonio Dechent
    Antonio Dechent
    • Faneca
    Miguel Bosé
    Miguel Bosé
    • Cura secretario de Durruti
    Paco Bas
    • Un miliciano
    Greg Charles
    • Reportero extranjero
    Claudia Gravy
    Claudia Gravy
    • Madama del burdel
    Francisco Maestre
    Francisco Maestre
    • Obispo
    Héctor Colomé
    Héctor Colomé
    • Durruti
    María Galiana
    María Galiana
    • Superiora
    Ángeles Martín
    • Carmen
    • Regie
      • Vicente Aranda
    • Drehbuch
      • Vicente Aranda
      • José Luis Guarner
      • Román Gubern
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen10

    6,92.2K
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    Empfohlene Bewertungen

    10frejbabes

    Superb

    The best docu drama I have ever seen. Everything was spot on. I have studied this period in detail and it does not disappoint. Only saw it with French subtitles but no problem for me. Why isn't there one with English titles? That is absurd as English speakers need educating
    The AK

    An encapsulation of Spanish anarchism

    As social commentary, Libertarias succeeds incredibly well. Despite the ignorant reviews written by some critics complaining that "90's politics ruin war drama," it is clear to any student of the Spanish conflict that the politics displayed are those of the 1930's. The film roundly criticizes the absurd hypocrisy of the Catholic Spain that Franco and his fascists were defending, illustrated perfectly by a scene in which the nun Maria is forced into bed with a bishop in a brothel - women are expected to be both whores and chaste nuns simultaneously.

    As an encapsulation of Spanish (and international) anarchism it also succeeds - the film is peppered with quotes from Bakunin and Kropotkin, Buenaventura Durruti is portrayed as a character (giving his famous "new worlds in our hearts" speech) and the film even goes so far as to portray the ghost of Mateo Morral, an actual historical figure, who in 1906 attempted to assassinate the Spanish royal couple. Unlike Land and Freedom, Libertarias portrays the Spanish Revolution more than the Civil War, showing the Confederacion Nacional del Trabajo and Federacion Anarquista de Iberica (CNT-FAI) at their height, in 1936 after having liberated Barcelona from the fascists. This film does an excellent job of correcting many of the slanders launched against anarchism, and of unearthing one of the most important events of the 30's, the Spanish Revolution. For anarchists, this film is a superb vindication that finally shows the movement at its most powerful.
    9ElianaM

    A grandiose epic about the Spanish Civil War

    This film, an impressive epic about the Spanish Civil War, focuses on the roles of women in the conflict. Thus, the title which translates to "Female Libertarians." This is probably the definitive film on the subject, with all its flaws. Some critics may see the film as "overkill" since it features extreme examples of female suffering, as well as extreme characterizations of the female center and left-wing fighters in the war. The characters include bourgeois women, working class girls, anarchists, and even a nun. The cast is a who's who of female actresses of Spanish Cinema in the 90's. But, considering the horrors and excesses of the war itself, whether the film can be excessive at all, is an open question. Very worth-while watching, and a must for those who follow Spanish Cinema or 20th century History.
    7jotix100

    Utopian society

    It's the outset of the Spanish Civil War of the 1930s. Anarchy and confusion broke in those first days of the conflict that was to change Spain and scar it forever. The divisions between the communist and fascists are at center stage in this tale which is seen from the feminist viewpoint, since it concentrates on a group of women who are prepared to die for their cause.

    Vicente Aranda's epic about the Spanish conflict serves to clarify what triggered it. On the one hand were Franco and his followers, and on the other, the revolutionaries who dreamed about a better society and a more equal one in which all its citizens had a role. Alas, it was only short lived, as history tells us. Utopia, after all, is just that, a dream, at best.

    Maria, the nun, quickly understands how little the convent life has helped her to face the hard facts she must face alone. Befriended by the revolutionary women force that is trying to make women aware of the new reality in the country, she learns quickly how wrong she has been, and even though she never takes a rifle to defend the women's cause, she is sympathetic to the women's plight. By the way, even the revolutionary leaders didn't particularly appreciate the contribution of the women and wanted them doing other jobs, but not at the front, fighting alongside them.

    Ariadna Gil does a good job as Maria. Ana Belen is intense as Pilar. Victoria Abril plays Floren, the medium that channels a man who tried to kill a royal couple earlier in the century, in a hilarious scene. Juan Sancho, Loles Leon, Jorge Sanz, and Miguel Bose are some of the faces in the large cast.

    The film shows an aspect of the Spanish Civil War not shown often and it helps to put in perspective the causes of the conflict.
    m-kennedy

    Libertarias presents a visual image of how the struggle for a new common sense and a new social order require selfless sacrifice and organic rather than imposed leadership.

    I was at home attempting to plan a lecture for students. I was attempting to explain the Enlightenment, humanism and anti humanism. I particularly wanted to make an emphasis on how 'progressive' post structural and postmodern thinking has fragmented working class struggle into dozens of small micro struggles. The essence of this framework is that whilst genuine attempts are being made to create a new collective social order and a new common sense some left wing intellectuals impose their 'progressive' credentials to position themselves as the vanguard of change. Whilst the 'progressives' are engaged in a never ending but fragmented debate over the divine right over which fragment of the intelligentsia will lead the struggle the conservatives are able to organize and win the day.

    Whilst attempting to put this lecture together Libertarias appeared on my television set. It was in Spanish with English sub-titles. I couldn't believe my luck as it explained. Marxism, Socialism, Anarchy, Feminism, Fascism, Conservative, Progressive, Humanism, Anti-Humanism, Religion, the Monarchy. I have to confess that my lecture eventually comprised of playing the movie Libertarias to students.

    The outcome was very impressive. It explained the conflicts and contradictions associated with any social struggle.

    Years later I was to visit Spain and as I travel-led through Barcelona. Madrid and Toledo the movie took on a new meaning. Perhaps this is a flawed performance; perhaps it focuses too much on the struggle of women. What it does more than anything else is leave a never-ending impression of the sacrifices we have to make in order to bring about change.

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    Handlung

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    • Zitate

      Pilar: I'm going to explain, so listen well. We don't see why the revolution is in the hands of only half the population. We are anarchists, but we are also women and we want to make our revolution. Not have men make it for us. We don't want a struggle designed to fit the male because we'll be fucked, as always. We want to fight so that we can claim our part in the share-out. And we want to make it clear that just now we're beside ourselves with joy and it would be a mistake to keep us at home knitting! We want to die! But we want to die like men, not live like servants!

    • Verbindungen
      Featured in The Movie Show: Folge vom 7. September 1997 (1997)
    • Soundtracks
      Melodia de Arrabal
      (Carlos Gardel (as Gardel) / Alfredo Le Pera (as Le Pera) / Mario Battistella Zoppi (as Battistella))

      (C) 1938 Ricordi Americana

      Por cortesía de Peermusic Española, S.A.

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    Details

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    • Erscheinungsdatum
      • 19. April 1996 (Spanien)
    • Herkunftsländer
      • Spanien
      • Italien
      • Belgien
    • Offizieller Standort
      • Official site
    • Sprache
      • Spanisch
    • Auch bekannt als
      • Juegos de Guerra
    • Drehorte
      • Plaça Reial, Barcelona, Katalonien, Spanien
    • Produktionsfirmen
      • Academy Pictures
      • Canal+ España
      • Era Films
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      2 Stunden 5 Minuten
    • Sound-Mix
      • Dolby SR
    • Seitenverhältnis
      • 2.35 : 1

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