IMDb-BEWERTUNG
5,4/10
15.167
IHRE BEWERTUNG
Ein aufgeweckter Assistenz-Staatsanwalt untersucht einen grausamen Axtmord und versteckt einen Hinweis, den er am Tatort gefunden hat.Ein aufgeweckter Assistenz-Staatsanwalt untersucht einen grausamen Axtmord und versteckt einen Hinweis, den er am Tatort gefunden hat.Ein aufgeweckter Assistenz-Staatsanwalt untersucht einen grausamen Axtmord und versteckt einen Hinweis, den er am Tatort gefunden hat.
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- Auszeichnungen
- 2 Nominierungen insgesamt
Empfohlene Bewertungen
I think this movie has the lowest IMDB user vote rating of any movie that I like. It is really an entertaining movie and I am not sure why it is getting such poor ratings here. It is not perfect and may have a few plot holes, but it is definitely worth seeing. There must be an anti-Caruso IMDB splinter cell operating in cyberspace and conspiring to drop the IMDB user rating for all his movies about 2 to 3 points. Check it out and see what you think. Linda Fiorentino is truly hot and well cast as the steamy babe. Caruso's performance is very believable. Richard Crenna is underrated and good here too. Angie Everhart and Donna Murphy are pleasing to look at and also give good performances in smaller roles. Ignore the anti-Caruso crowd, who must be a band of closet NYPD Blue freaks that are still upset that he left that show to make films.
Jade has a pretty straight forward story with a murder and a love triangle between the three main characters. Because of the love triangle, it creates a conflict of interest between the two male characters. The plot sounds interesting enough. However, the way the final product was executed did not deliver an exhilarating or satisfactory story, conclusion, or thriller. Although, the unrated version, which is 12 mints longer, does assist in creating additional development for some of the characters.
The film does inhabit i think some of Friedkin's finest work. An example would be the car chases sequence, which is in fact one of the most spectacular and thrilling chases ever filmed. I think it's his best to date. Cinematography for the film is beautiful and very noir like in the night scenes. Although he did a decent job with directing the leading characters, only Chazz Palminteri came across as really inhabiting his character. To me the problem with the film is that the story probably got lost in the editing or through rewrites.
The bluray for this film, by Lionsgate, is one of the worst transfers I've ever seen. I wish paramount would put out both version of the film on a bluray. The theatrical version is not impressive at all but the unrated cut does a better job.
The film does inhabit i think some of Friedkin's finest work. An example would be the car chases sequence, which is in fact one of the most spectacular and thrilling chases ever filmed. I think it's his best to date. Cinematography for the film is beautiful and very noir like in the night scenes. Although he did a decent job with directing the leading characters, only Chazz Palminteri came across as really inhabiting his character. To me the problem with the film is that the story probably got lost in the editing or through rewrites.
The bluray for this film, by Lionsgate, is one of the worst transfers I've ever seen. I wish paramount would put out both version of the film on a bluray. The theatrical version is not impressive at all but the unrated cut does a better job.
I'm shocked by the huge number of negative comments. This film is great, obviously written before Showgirls was released (when the screenwriter's ego was still intact.) Between Joe's deliriously entertaining B-movie dialogue and Friedkin's rock-solid direction, I find this movie fascinating and fun, the only downpoint being the lackluster ending. Jade has the greatest car chase I've seen in any film since the last time this director tackled one, and it's full of cute little references to the rest of his career. There is even a blatant homage to "Cruising" (Al Pacino) for those of you who were really paying attention. When David Caruso takes those cufflinks out of the drawer and looks in the mirror as we fade to the beach skyline...shot for shot and beat for beat it's the last two shots of Cruising, and it even conveys a similar meaning. This movie is clever, raunchy, sexy and fun. It's not the greatest film ever made, but it certainly deserves a lot more credit than it is receiving here. When did film lovers become such humorless prudes? (And why did Friedkin insist that the DVD be released only in a fullscreen version? Why, why, why???)
This unanimously panned film in the erotic thriller sub-genre marked both the beginning and the end of David Caruso's career as a leading man in feature films, and turned out to be among director William Friedkin's biggest commercial flops. There's no doubt that this is a flawed film with a cluttered Joe Eszterhas script that doesn't really hold up, but it's a lot better than its reputation would suggest. Friedkin himself was saddened by the film's lack of success, citing it as his favourite movie. And one can see why, because there are some portions of crisp filmmaking in here which are as edgy and emphatic as Friedkin was in his New Hollywood films of the 1970s, such as The French Connection. In particular, there's a car chase segment which stands out, directed with an old-fashioned craftsmanship that makes most of today's modern action sequences look inorganic. For as long as he is able to veil the script's obvious plot holes, Friedkin along with an industrious and fairly believable David Caruso make this an enjoyable thriller.
San Francisco ADA David Corelli (David Caruso) is attending a ball with friend Matt Gavin (Chazz Palminteri) and his wife, David's former love, Trina (Linda Fiorentino). David is called away to the brutal murder of a wealthy businessman. He finds a silver case engraved with the Chinese character Jade. The police uncovers photos of Governor Edwards (Richard Crenna) with an unknown woman later identified as prostitute Patrice Jacinto (Angie Everhart). Bob Hargrove (Michael Biehn) is a disagreeable police detective. As the investigation continues, the Gavins are pulled into the sexual political intrigue.
Joe Eszterhas' psycho-sexual script may not be fitting material for director William Friedkin. The rewriting is evident of that and not necessarily fixed anything. This concentrates more on the lurid in this stylized erotic thriller. Bless his heart, Friedkin tried. There are some car action on the steep streets but he has done better work before. Driving thru the parade may be an interesting idea. The execution is more frustrating than thriller.
The movie got caught up with the Caruso factor during its initial release. He is a perfectly serviceable actor if he doesn't get romantic. His sex appeal is limited and any attempt at sexuality is awkward at best. His character is rarely a lawyer and runs around investigating like a cop. He plays a better cop than a lawyer. Corelli should have been a police detective. Fiorentino has her great smoldering dark sexuality and that helps in this role. The story is a little messy and drags sometimes. It needs a little simplification to allow better flow and heightened tension. None of it is that compelling but it's not completely bad.
Joe Eszterhas' psycho-sexual script may not be fitting material for director William Friedkin. The rewriting is evident of that and not necessarily fixed anything. This concentrates more on the lurid in this stylized erotic thriller. Bless his heart, Friedkin tried. There are some car action on the steep streets but he has done better work before. Driving thru the parade may be an interesting idea. The execution is more frustrating than thriller.
The movie got caught up with the Caruso factor during its initial release. He is a perfectly serviceable actor if he doesn't get romantic. His sex appeal is limited and any attempt at sexuality is awkward at best. His character is rarely a lawyer and runs around investigating like a cop. He plays a better cop than a lawyer. Corelli should have been a police detective. Fiorentino has her great smoldering dark sexuality and that helps in this role. The story is a little messy and drags sometimes. It needs a little simplification to allow better flow and heightened tension. None of it is that compelling but it's not completely bad.
Wusstest du schon
- WissenswertesAccording to Joe Eszterhas's autobiography, he hated the final film. Director William Friedkin changed Eszterhas's script so much, he threatened to remove his name from the credits. Paramount settled with him by giving him a "blind script deal" worth $2-4 million. Later, Friedkin admitted that he did virtually rewrite the script, but Friedkin also said that this was his favorite film.
- PatzerWhen David is chasing the black car you can clearly see his airbag coming out with the second jump. In the next scene the airbag is gone.
- Zitate
David Corelli: Cristal, Baluga, Wolfgang Puck... it's a fuckhouse.
- Alternative VersionenWilliam Friedkin created a director's cut of the film, approximately twelve minutes longer, which added quite a few scenes including a different ending. This version aired exclusively on USA cable network Cinemax in August/September 1996. It has also been posted on Hulu.
- VerbindungenEdited into The Green Fog (2017)
- SoundtracksThe Mystic's Dream
Written, Performed and Produced by Loreena McKennitt
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Special Products and Quinlan Road Limited
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
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- Auch bekannt als
- Джейд
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 50.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 9.851.610 $
- Eröffnungswochenende in den USA und in Kanada
- 4.284.246 $
- 15. Okt. 1995
- Weltweiter Bruttoertrag
- 9.851.610 $
- Laufzeit
- 1 Std. 35 Min.(95 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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