Ein Winternachtstraum

Cliches be damned, this is a wonderful movie, all about transformations, change, and deciding what is really important. Everyone in this movie becomes a real person, moving away from the stereotypes presented in the beginning, and the comic timing is impeccable. (Don't buy the hype that Jennifer Saunders is a star of this movie, though; she's in it for maybe five minutes. Spend your time watching Richard Sessions' magnificently funny performance instead.) Branagh's Hamlet is dull, dull, dull; Branagh's movie -about- making Hamlet is another shade of wonderful entirely.

A perfect little movie, this tale of provincial actors struggling to deliver a production of Hamlet is one that will cheer your Bleak Midwinter if you have any heart whatsoever. Definitely under-rated and one of Branagh's best, it is simply and effectively photographed in black and white, and features a witty, amusing, and at times, hilarious script performed by a stand-out ensemble cast. Although its tale of backstage trials and tribulations will not appeal to all tastes, there is a lot of subtlety and truthfulness to the gentle, genuine sentiment on offer here. Among very few false notes, only Jennifer Saunder's dire caricature as a Hollywood producer really disappoints. The rest of the cast are just terrific. Almost as good a Christmas movie as It's a Wonderful Life, I recommend it.

This was really good. The coming together of a number of people who create a 'family' is so positive in an, at present, negative world. They support each other and offer positive strokes So much film and tv portrays our planet's inhabitants as violent and unpleasant. Children must have a strange idea of the environment in which they are to grow. This did have witty dialogue and no special effects because it had things to say and slightly exaggerated characters who were different from each other. Although it is British it is about eternal values of persistence, commitment which is not financially motivated and thinking about others beside self and therefore applicable to humanity generally. It certainly wouldn't do any harm in our modern world. It did no damage to the image of theatre and film either. No guns or knives, no car chases, no police or ambulances, how quaint, how rare but harder to write.

Bizarrely, given its small scale, this may be Branagh's best film to date. Shorn of the over-ambition which hampered Frankenstein and Dead Again, this minor masterpiece (which almost looks made for TV) will be a joy to anyone who's ever worked in under-funded theatre (excuse the tautology).

The cast are in fine form, and the photography is suitably glowing - but the film's greatest strength lies in its witty and accurate script. Obviously born of years of painful experience, the dialogue sparkles with insight and humour. Why the hell doesn't Branagh write more of his own material? Subtly directed, cleverly structured and superbly performed, this is recommended to all Branagh followers, all theatre lovers, and all fans of grown-up British humour. 9 out of 10.

PS The connections with Branagh's own version of Hamlet are obvious, but who is Dylan Judd, who gets offered a three-film sci-fi deal? Could it be Liam Neeson or Ewan Macgregor? Answers on a postcard to Shepperton Studios...

I selected this movie from the video shelf because the title seemed consonant with my mood. My girlfriend had just dumped me, my best friend had just broken off with me, and it was raining. The realisation that it was black and white throughout seemed to be perfect. Yet the story, of a struggling actor's frantic attempts to mount a benefit showing of Hamlet to save a church, along with Branagh's comedic editing, begins as a farce, sails along with Coward-like snippets of conversation (along with the use of Coward's song "The Show Must Go On") and develops facilely and elegantly into a moving portrait of the camaraderie of an acting company without one noticing. I didn't realise I wasn't unhappy and in love with all these people until the movie was over and I was beaming quite sunnily (who needs friends and girlfriends anyway when you've got movies?). Julie Sawalha's reading of the line "Let's face it, we're all depressed" may very well have saved my life.