Füge eine Handlung in deiner Sprache hinzuThrough letters to his lover Julian and Julian's brother Kevin, Dennis's actions unfold as his friends try to determine if he's a psychopath while ritual-like murders occur.Through letters to his lover Julian and Julian's brother Kevin, Dennis's actions unfold as his friends try to determine if he's a psychopath while ritual-like murders occur.Through letters to his lover Julian and Julian's brother Kevin, Dennis's actions unfold as his friends try to determine if he's a psychopath while ritual-like murders occur.
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There is a brief scene after the credits that perhaps most people have not waited to see. I wonder if the UK censors in the mid - 1990's did as well; it is in my opinion the key to the whole film. Without spoilers it implicitly says that the whole film is a joke, and that the supposedly ' unbearable scenes ' are a kind of acted out pantomime for adults, and that over 18 years olds are adults! The acting is no worse than what you can see in other short for cash cult films, and sometimes it is quite good. The gist of the scenario is a fascination with killing so as to see the inner organs within our outer flesh, and only two scenes one in a windmill and one at the end that I averted my eyes. I have done this in certain family Westerns! Also, and that is again in my opinion this is not a purely gay film at all. A young woman joins the men in the so-called atrocities, so using logic this crosses over the divide of how it is just men who think about killing. I do not think it is gruesome especially as in 2025 you can see worst atrocities on television news. And they are real, and this film is definitely not. And Todd Verow is a good queer director who is not afraid of choosing risky material. If the film was submitted today in the UK would it get a certificate ? A question that I think needs an answer.
This is a very difficult film to review.
First of all, if you are not a gay man then you might as well not bother with this film. Even if you are a gay man, it is still important to note that it is *supposed* to be a revolting and disgusting film. I read the book first, and let me tell you -- it messes with your mind.
What disturbs the s**t out of you when seeing the movie is also what is so "awful" about the book: if you stop to think about what the central character's thought process is, then you see certain basic pieces of it that actually make some sense. THAT is what stayed with me and actually gave me a nightmare.
Unfortunately, this is where the film is lacking. In the book, we get into the head of the central character, and we hear his thoughts. In the film, Dennis's thought process is implied but not stated sufficiently. The result is a muddled film that just gets more and more violent as it goes on.
The men in this film are VERY attractive, and this of course makes it all the more disturbing -- everyone wants to see killers be like Charles Manson -- it's scarier when they look like the boy next door, and they get off on disemboweling other boys next door.
I would say that the high point of the film is probably Parker Posey. Lordy lordy, that woman... Tales of the City to Scream 3, with a stop in the middle in Frisk. She brought her usual perkiness to a role that is, well, murderous.
To sum up: definitely made for a queer male audience. Far too disturbing for the average sensitive gayboy. Hard to follow if you haven't read the book. A few moments of brilliance, but overall it's muddled. Worth seeing if you have nothing else to do and have a strong constitution and a sick mind. Otherwise, don't bother.
First of all, if you are not a gay man then you might as well not bother with this film. Even if you are a gay man, it is still important to note that it is *supposed* to be a revolting and disgusting film. I read the book first, and let me tell you -- it messes with your mind.
What disturbs the s**t out of you when seeing the movie is also what is so "awful" about the book: if you stop to think about what the central character's thought process is, then you see certain basic pieces of it that actually make some sense. THAT is what stayed with me and actually gave me a nightmare.
Unfortunately, this is where the film is lacking. In the book, we get into the head of the central character, and we hear his thoughts. In the film, Dennis's thought process is implied but not stated sufficiently. The result is a muddled film that just gets more and more violent as it goes on.
The men in this film are VERY attractive, and this of course makes it all the more disturbing -- everyone wants to see killers be like Charles Manson -- it's scarier when they look like the boy next door, and they get off on disemboweling other boys next door.
I would say that the high point of the film is probably Parker Posey. Lordy lordy, that woman... Tales of the City to Scream 3, with a stop in the middle in Frisk. She brought her usual perkiness to a role that is, well, murderous.
To sum up: definitely made for a queer male audience. Far too disturbing for the average sensitive gayboy. Hard to follow if you haven't read the book. A few moments of brilliance, but overall it's muddled. Worth seeing if you have nothing else to do and have a strong constitution and a sick mind. Otherwise, don't bother.
I make it a general rule to dismiss any comment by someone using "trangressive" somewhere in the review.
Folks I braced myself for a horrible, bloody, unredeeming movie and came away underwhelmed. Frankly, there is no gore and there is less blood in the entire movie than one sees in the first 3 minutes of any slasher film.
The only reason to rate this movie low is because it is a B-movie with cheap production values and some wooden acting. Other than that, it managed to keep my interest throughout the entire film.
I cannot believe people would boo this film. That is absurd. If the characters were straight, no one would have a problem. But the main characters are gay and all of a sudden, we now have "social commentary" instead of just mindless entertainment.
Except for some male frontal nudity, this movie could be shown on network TV, although late-night.
For those that believe all gay movies should be affirming, this movie is not for you. For those that are looking for yet another gay romantic comedy with lots of eye candy and bad acting, well there is some eye candy and bad acting, but not much romance or humor.
It's not the greatest movie, it has flaws, but I didn't come away feeling as if I totally wasted my time watching it.
Ignore the prudes. See the movie. Make up your own mind. You will be shocked at how mild this movie is given the strange plot and subject matter.
Folks I braced myself for a horrible, bloody, unredeeming movie and came away underwhelmed. Frankly, there is no gore and there is less blood in the entire movie than one sees in the first 3 minutes of any slasher film.
The only reason to rate this movie low is because it is a B-movie with cheap production values and some wooden acting. Other than that, it managed to keep my interest throughout the entire film.
I cannot believe people would boo this film. That is absurd. If the characters were straight, no one would have a problem. But the main characters are gay and all of a sudden, we now have "social commentary" instead of just mindless entertainment.
Except for some male frontal nudity, this movie could be shown on network TV, although late-night.
For those that believe all gay movies should be affirming, this movie is not for you. For those that are looking for yet another gay romantic comedy with lots of eye candy and bad acting, well there is some eye candy and bad acting, but not much romance or humor.
It's not the greatest movie, it has flaws, but I didn't come away feeling as if I totally wasted my time watching it.
Ignore the prudes. See the movie. Make up your own mind. You will be shocked at how mild this movie is given the strange plot and subject matter.
Perhaps it's not entirely fair for me to review this movie since I walked out in disgust about halfway through and came back only for the last ten minutes. But I agree with Dennis Cooper: The literal interpretation of his book makes the film an entirely predictable exploitation flick - in terms of narrative and in the amateurish way it's all presented - instead of a compelling and artful auto-interrogation of f*cked-up desire. The most damage done is by director Todd Verow's inability to transpose the colloquial first-person of the book into something that makes sense for a movie. At this point in his career, he doesn't have the skills to pull it off, which results in a decision to make the serial killing explicitly real. I suppose Verow thinks that makes his movie more transgressive than Cooper's book which only tells me he didn't understand the book in the first place. Verow can be a creative and entertaining filmmaker - his Once and Future Queen is a scream; and Anonymous showed promise - but Frisk is dull and obvious, and only a half-star away from being complete garbage.
Pretty awful. Even though I had read and loved the book, I couldn't make heads or tails of the movie. Although one thing needs to be pointed out, in the films brief conventional narrative moment, Craig Chester is brilliant as the semi-comatose whore. When his trick for the evening is trying to drag his lifeless body out of his house, Chester wakes up to ask if there was anything he could have done better for them. It's hard to explain, but in a way, that one moment almost gives this terrible, rootless film a sense of humanity that leaves an impression. I would watch the first 30 minutes again for that scene alone.
Wusstest du schon
- WissenswertesThe San Francisco gay film festival, Frameline, came to a chaotic close in 1995,when the disturbing serial killer thriller caused catcalls and walkouts.
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 87.433 $
- Eröffnungswochenende in den USA und in Kanada
- 10.110 $
- 24. März 1996
- Weltweiter Bruttoertrag
- 87.433 $
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