Vergiß Paris

Forget Paris is admittedly a film carried almost entirely by Billy Crystal, but with such witty delivery, he's perfect. Having said that, the whole cast look to be having a ball and it really comes across on-screen. Rose-tinted views of Paris, alongside near slapstick sketches in the States, makes for a fast-paced tale that you can just sit back and enjoy.

Mickey (Crystal) travels to France to bury his father, only to find that the airline has accidentally sent the body to the wrong airport. Ellen (Winger) is the airline official sent to assure Mickey that everything possible is being done. Despite meeting under such an awkward situation, soon enough they are walking the streets of Paris together and romance blossoms. But with lives on different sides of the Atlantic, there are going to be a lot sacrifices...

And if the movie ever begins to feel as though it might be getting bogged down in the romance, it steps out to the "present day" restaurant scene where friends are sharing the story, each telling a different part and eager to find out what happened in the end.

An entertaining, funny and above all, charming story.

On date 5 November 1998, IMDb user "OffYear" from Chicago wrote:

>Billy Crystal: The poor, stupid man's Woody Allen.

>Crushingly bad. Crystal, having already ripped off 'Annie Hall' with the vastly overrated 'When Harry Met Sally' now rips off the lesser 'Broadway Danny Rose'.

And, on date 13 March 2002, IMDb user "Movie-Robot" from New York agreed:

>The guy here who called Crystal "The poor, stupid man's Woody Allen" has a point.

On the other hand, on date 2 March 2002, "The Movie Buff" from Nyc had written:

>This movie holds the record of earliest advanced screening before being released of all-time, 18 years. The film was shown at an advanced screening back in 77 when it was under the working title ANNIE HALL!!!

Does it mean that Woody Allen, when directing "Broadway Danny Rose", ripped off "Annie Hall"!?

Ok, I apologize to these users, whose comments I found anyway very interesting, and suggested me a point of view I had not taken. That's the point! I was not able to see any unforgivable pillage from Allen's movies.

I think Billy Crystal did not want to Explain The Mystery Of Love neither to portrait New Characters Of Modern Times. This is mostly Allen's trade.

Forget Paris is essentially a light comedy, and Billy Crystal is a brilliant guy. Debra Winger is amiable and graceful and many funny dialogues are as original as unforgettable (as the one when he asks her to marry him).

There is actually a scene which irritated me, the one where they lie by the fireplace, I found it kitch, it does not fit well with the rest. But the movie is a must-see for all lovers of the genre.

What about the soundtrack? Well, it just picks up some of the most beautiful songs by Cole Porter, the Gershwins and some other great american composer. If it is lawful, well, it is a beautiful soundtrack!

This movie is interesting and unique, in the sense that it focuses on love AFTER marriage, and not before.

Billy Crystal plays a basketball referee who travels to Paris in order to bury his recently-deceased father. However alone the way the casket is lost and he's stuck in Paris, where he meets another single woman (Debra Winger) who's under similarly unfortunate circumstances.

They go out, have a fun time, and then resume their normal lives. Crystal goes back to basketball in the US but soon finds he can't concentrate and keeps thinking about his relationship.

Eventually they reunite and get married but it's an uphill struggle.

The movie kind of reminded me of "GoodFellas" (!) due to its structure and how it focused on the downfall of the marriage. Like Ray Liotta's marriage in "GoodFellas" it's not all peachy like most Hollywood films portray them as being.

My favorite sequence is when Crystal is transporting his semen to a hospital and gets stopped by a traffic cop. Some very funny moments like this, as well as good chemistry between the stars and an interesting narrative structure, make it a worthwhile - if not particularly memorable - romantic comedy, better than many others in its genre. At least it's entertaining and believable.

Is there a specific reason why Crystal has not directed more often? I'm feeling like starting a petition and sending a copy of this to anyone who would potentially sign it. He, Mantegna, Kavner(the three reasons I gave it the much-deserved chance), Winger and Stevenson are fantastic. Their performances and the timing, spot-on. This is incredibly funny, in the clever, dry, not trying too hard kind of way. The humor does have a few gross moments, however, apart from that, it's all hilarious, if you're into the sarcastic, at times cynical, type of material. Hardly any gags or jokes fall flat, throughout it. It's well-acted, and the characters are good. In addition, it's highly involving, and you find yourself caring, not just laughing, during this. Part of the emotion comes from the honesty of this, that it isn't your usual romantic comedy of "boy who looks like a male model meets female lead who appears to have stepped right off the train from Glamourville", and so on and so forth. This has ups *and* downs, and goes beyond the superficial level of the Hollywood pap that we all know, without forgetting what genre of film it is. The story is imaginative and holds surprises. The writing is top-notch. Do note that this is not for kids, the rating the MPAA gave it makes sense. There is language and themes herein. I recommend this to any fan of anyone who was part of creating it, Billy in particular. 7/10

I have genuinely loved this movie! I've seen it many times, I rewatch it every time I need something sweet to soothe my soul...realistic, romantic, funny! Plus...let's NOT forget Paris...seeing the beautiful city really adds up to the movie charm! If you ever come across this one and aren't sure if it's worth watching, I hope my review will help you to just leave everything aside and press 'play'! Beautiful romantic comedy!