Der erste Ritter

Mighty and pretty spectacle about Lancelot , King Arthur , Guinevere and the famous romance in color magnificence . This spectacular production from Jerry Zucker that gave you ¨Ghost and Airplane¨ among others and only Columbia TriStar could bring it so magnificently to the screen including a majestic soundtrack and splendid cinematography . The classic story of romantic adventure come to life enriched in glamorous color and with such great stars as Richard Gere (roving spirit Lancelot), Julia Ormond (wonderful Guinevere), and of course the great Sean Connery (upright Arthur) in the classic love triangle . Restless Lancelot who lives by his wits falls in love with Guinevere, who is due to be married to King Arthur . Meanwhile, a violent warlord attempts to seize power from Arthur and his Knights of the Round Table , as they set out in fight against the traitor Prince Malagant (Ben Cross), a Sir Mordred-alike . Whilst in the meantime the bride Guinevere and Sir Lancelot betray the king in their own way . Adding the apparition of knights of the round table as Sir Kay (Christopher Villiers) , Agravaine (Liam Cunningham) , Sir Patrise (Valentine Pelka) and Sir Mador (McCormack) , though there doesn't turns up neither Merlin , nor Morgana LeFay and all things supernatural are out of this flick . This is an overwhelming tale with adventures, villainy,romance and heroism in the grandeur of big screen although in television set is lost its splendor .

This sweeping movie displays adventures , thrills , a romantic love story , breathtaking battles and epic confrontation with a terrific climax final for a mortal confrontation . Excellent main cast as an attractive Richard Gere , a gorgeous Julia Ormond , and exceptional , as always , Sean Connery as Arthur , an aged and war-weary king who is forced to go to battle one last time . Rousing battle scenes with impressive production design by John Box , though is also used computer generator . Excellent settings , the castles ,outdoors and tournaments or jousts are well staged . Handsome story well written by William Nicholson though contains some awkward narrative elements . Luscious costumes and gowns specially suited for Julia Ormond . Colorful wide-screen cinematography by stylish cameraman Adam Greenberg . Emotive and sensational musical score by the classic Jerry Goldsmith . However this epic film never takes off as it should despite of pomp and circumstance showed . The motion picture is imaginatively directed by Jerry Zucker working at the peak of his powers . Other movies on the matter of legends of Arthur are the following : MGM's first wide-screen film titled ¨Knights of the Round Table¨ 1953 ( by Richard Thorpe) , the musical ¨Camelot¨(Joshua Logan) , the fantastic ¨Excalibur¨(John Boorman) and recently ¨King Arthur¨(Antoine Fuqua). The picture will appeal to aficionados with chivalric ideals and historic movies fans , it is a fine production that will lose much on small television screen .

This spellbinding film is freely inspired on legends and supposedly based on facts and famed personages . In spite of there aren't real documents about legendary feats King Arthur , allegedly in VI century he was King of Bretons and then were created in 12th century some writings by notorious French authors who romanticized the legend as Chretien of Troyes , Thomas Malory that wrote the Breton series with their knights looking for the Holy Grail . Besides Godofredo of Mormouth publicized in 1136 the History Regnum Britanniae and in XX century John Steinbeck wrote about the events of King Arthur . The story concerns when the Romans had withdrawn Britain and the Empire dissolved into chaos,then rules the king Arthur, he achieved to maintain the Christianity and civilization in the west of England ,though no exactly congruent with the VI century , time was presumed to have lived but the film is developed in a high medieval panoply .

Richard Gere should play detectives or cowboys but not Knights.This is the worst King Arthur movie i have seen in my life.He really is too American and besides the whole story is just bad.Before and after have been much better movies telling movies about King Arthur,Beides there should be less of an age gap between King Arthur and Lancelot.This movie is like a meal at McDonalds it feeds you but its not a good meal.

This film deserves recognition for what it is : a good interpretation of part of a legend, with an excellent casting.

Who else but Sean Connery as an ageing and dignified King Arthur ?

Julia Ormond is a convincing and stunning princess with her graceful, touching beauty; her looks are also refreshing and different from all the ever-present boring blondes who get a part in anything because of their hair colour.

As for Richard Gere he is as handsome, charming and fearless as Camelot would be.

This film is not for historians or purists nor does it claim to have a documentary value. It has a sense of magic and the pace is well alternated between romance and action. The emotion and intensity are present thanks to the actors and the music, appropriate to all the scenes in the movie. That is what matters.

Who cares about details such as a castle looking a bit dodgy, blue clothes (we have seen much worse and tackier in cinema history) or the odd line or fact. Never mind that. Just relax and escape : it is only entertainment at the end of the day, not a time for History or Legend Reconstruction. You are better off going to a course or reading a book, do not rely on films to educate you all the time.

Why comparing films ? Let's just say there are different approaches to a subject, that is what makes the interest. Enjoy !

There were three medieval/British Isle films released in 1995 -- "Braveheart," "Rob Roy" and "First Knight." Mel Gibson's "Braveheart" is certainly the most epic of the three at three hours, but I found it overrated; which isn't to say I don't like it, I just don't feel that it's as great as the hype would suggest (only about half of it is worthwhile). I liked "Rob Roy" better than "Braveheart;" it's very adult-oriented, violent, gritty and grim, however.

"First Knight" is a believable take on the King Arthur/Camelot legend starring Sean Connery as Arthur, Richard Gere as Lancelot and Julia Ormond as Guinevere. They get tangled up in a bit of a love triangle. Ben Cross plays the villain, ex-knight Malagant.

Being a relatively realistic portrayal of the folkloric story, the tone is similar to "Robin Hood: Prince of Thieves" (1991), but without the witch and the campy Alan Rickman. So don't expect any of that silly magical jive with Merlin, Excalibur, etc. This might explain why so many pan the film, but I don't get their beef. Aren't there enough cinematic depictions of the Camelot tale with supernatural elements for them to enjoy, like 1981's "Excalibur"? I'll put it this way, "First Knight" is to the Arthur/Lancelot legend what the film "Troy" (2004) is to the Helen of Troy chronicle, although "First Knight" is less gritty.

The film caught my fascination right away with the character of Lancelot. He is portrayed as an expert swordsman, drifter, loner and all-around lost soul. The beginning reveals something integral to understanding his character: Lancelot takes on an intimidating dude in a swordfight contest at a village he's traveling through. After Lancelot prevails, the big guy asks him for advice on how to be as skilled a swordsman. Lancelot tells him that he needs a couple of obvious sword-fighting skills, to which the man confidently replies, "I can do that." Then Lancelot tells him the last quality he needs: "And you have to not care whether you live or die."

This is a powerful scene; Gere plays the character very convincingly (in fact, if you hate Gere, this film might give you a new-found respect for him). This character-defining episode reveals HOW Lancelot is the only one able to prevail against an incredible and decidedly deadly weapons gauntlet later in the story, which is a highlight.

The rest of the film is just a solid medieval/British Isle adventure with a noble folkloric tone, requisite forest scenes and all. What I mean by "folkloric" can be seen in Lancelot's heroic rescue of Guinevere in Malagant's cave fortress, which is pretty implausible. But these are larger-than-life figures, right?

"First Knight" more than satisfied my hunger for a medieval/British isles flick and surprised me with the intriguing character of the suicidally-brave Lancelot. If one doesn't have hang-ups regarding the absence of Merlin, Excalibur and the magical baggage that goes with 'em, this is an entertaining and classy heroic film.

On top of all this, the movie features a fascinating allegorical subtext: King Arthur is God, Camelot is Heaven, Malagant is the fallen Lucifer, his dark, cavernous 'castle' is the Underworld, Guinevere represents humanity caught in the epic fight between good (Arthur) and evil (Malagant), and Lancelot represents worldly temptation.

The film runs 2 hours, 14 minutes and was shot in Wales & England.

GRADE: B

The Arthurian legend gets another reinterpretation in First Knight with an impressive Sean Connery as King Arthur. The last time Connery was at Camelot was his appearance as the Green Knight in Sword of the Valiant back in 1984. Julia Ormond is a fetching and beautiful Guinevere any knight worth his salt would saddle up and rescue her.

Richard Gere is Lancelot and try as he might he comes off as way too American. This role calls for someone with the dash of an Errol Flynn and I'm surprised no one ever cast Flynn in a Camelot tale. Gere is not Errol Flynn, why was no one from across the pond cast? My first guess would be that Gere was a box office name, but certainly Sean Connery in the cast would take care of that.

Some elements of Knights Of The Round Table got into the plot here. Lancelot who is kind of a medieval sword fighter for hire rescues the evil Prince Malagant played by Ben Cross. He's the Mordred of this story, not a believer in the ideals of Camelot by any means. His philosophy is that Arthur is mistaken, men don't want brotherhood they want leadership and he's just the guy to provide it. Cross is also thinking in terms of real politik, Guinevere's domain of Lynness lies adjacent to Camelot, good base for an invasion.

Gere joins the Round Table brotherhood in part because of sincerely believing in the Arthurian ideals, but also to be close to Julia Ormond. If you've seen any number of Camelot based films or have read Thomas Malory you have some idea on how this will end. But in the case of this particular film, not completely.

First Knight is not first by any means in Camelot films. But it's enjoyable enough for the fans of the leads. And Ben Cross comes really close to Stanley Baker's outstanding Mordred in Knights Of The Round Table.