IMDb-BEWERTUNG
6,2/10
19.046
IHRE BEWERTUNG
Jordan White und Amy Blue, zwei rebellische Teenager, nehmen einen jugendlichen Herumtreiber, Xavier Red, im Auto mit. Gemeinsam begibt sich das Trio auf eine Reise voller Sex und Gewalt dur... Alles lesenJordan White und Amy Blue, zwei rebellische Teenager, nehmen einen jugendlichen Herumtreiber, Xavier Red, im Auto mit. Gemeinsam begibt sich das Trio auf eine Reise voller Sex und Gewalt durch das Amerika der Psychopaten und Quickie Marts.Jordan White und Amy Blue, zwei rebellische Teenager, nehmen einen jugendlichen Herumtreiber, Xavier Red, im Auto mit. Gemeinsam begibt sich das Trio auf eine Reise voller Sex und Gewalt durch das Amerika der Psychopaten und Quickie Marts.
- Auszeichnungen
- 2 Nominierungen insgesamt
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One of my personal favorite films is this tale of a road adventure between a teenage couple and a guy they pick up, leading to lots of sex, gory violence and bizarre events. This one is quite a dark movie, with lots of death and tragedy, but at the same time a brilliant look at the whacked-out characters involved in these harrowing situations. Director Gregg Araki seems to have a knack for these types of movies. His next film was the even better NOWHERE. Definitely Recommended.
The Doom Generation is a stunning, gripping, gut-wrenching movie. It's easy to see why reactions are so strongly polarized, with almost everybody either loving it or hating it. It's scary to imagine what kind of mind would react with genuine indifference.
I admit I didn't read all the reviews already posted for it, but in the ones I did read I was surprised to find so few that mentioned how funny and how charming this movie is. Like it or not, it's primarily a romantic comedy, and if you miss that you've missed what holds it all together. It's extremely intelligent, very dark, very sweet, profoundly erotic, and shockingly bloody. But most of all it's very, very funny. If I'd missed the humor, I'd still like the freewheeling sexiness, but I'd be appalled by the violence. But I didn't miss the humor, so I loved it all.
Everything about it is brilliant: the writing, the direction, even the gory special effects, and every single member of the large cast is perfect, especially the three leads. For a "heterosexual" movie, as Araki labeled it (with some irony, I have to think), with plenty of sex between the girl and both guys, the most powerfully erotic scenes are between the two men alone. There's no sex acted out between them at all, not even a kiss, but the heat is intense and stunning, much more powerful than the explicit sex between either of them and the girl. It's the best proof I've ever seen that eroticism and sex are completely different, and in a movie eroticism is much more entertaining. The sex acts in this movie may be all hetero, but the real heat is as gay as it gets. That's quite a coup.
I for one am glad it's not in widescreen on the DVD. If a movie that's filmed widescreen is shown at 4:3, you do lose information. But a lot of independent movies from that period were filmed at 4:3, so that a "widescreen" version just crops off the top and bottom of the picture, and you actually get less information. (The widescreen version of Gus Van Sant's brilliant Elephant is like that, but fortunately that DVD includes both versions.)
I admit I didn't read all the reviews already posted for it, but in the ones I did read I was surprised to find so few that mentioned how funny and how charming this movie is. Like it or not, it's primarily a romantic comedy, and if you miss that you've missed what holds it all together. It's extremely intelligent, very dark, very sweet, profoundly erotic, and shockingly bloody. But most of all it's very, very funny. If I'd missed the humor, I'd still like the freewheeling sexiness, but I'd be appalled by the violence. But I didn't miss the humor, so I loved it all.
Everything about it is brilliant: the writing, the direction, even the gory special effects, and every single member of the large cast is perfect, especially the three leads. For a "heterosexual" movie, as Araki labeled it (with some irony, I have to think), with plenty of sex between the girl and both guys, the most powerfully erotic scenes are between the two men alone. There's no sex acted out between them at all, not even a kiss, but the heat is intense and stunning, much more powerful than the explicit sex between either of them and the girl. It's the best proof I've ever seen that eroticism and sex are completely different, and in a movie eroticism is much more entertaining. The sex acts in this movie may be all hetero, but the real heat is as gay as it gets. That's quite a coup.
I for one am glad it's not in widescreen on the DVD. If a movie that's filmed widescreen is shown at 4:3, you do lose information. But a lot of independent movies from that period were filmed at 4:3, so that a "widescreen" version just crops off the top and bottom of the picture, and you actually get less information. (The widescreen version of Gus Van Sant's brilliant Elephant is like that, but fortunately that DVD includes both versions.)
I write this because I read a harsh critic from a fellow watcher here and I don't really understand his opinion.
this movie is highly surrealistic, and in its on way very truthful - regarding the fact that it shows the story through the eyes of these overcharacterized stereotypical teens. being an eastern European guy, I think I can say that this movie requires the watcher to step out of his usual westernized filters he's watching films through, and try to be as objective a listener as possible. I must disagree with the opinion that this movie has to be taken seriously - this is a weird kind of entertainment, weird in a positive way like those C-trash horrors that are so bad you start to collect them on your shelf. araki may not be the brightest star in independent film-making, but he's reasonably strong and original.
I recommend this to mature people who don't think that knowing high arts requires them to deny their childhood classics or spider-man. watch it with much self-irony and have a good time. :)
this movie is highly surrealistic, and in its on way very truthful - regarding the fact that it shows the story through the eyes of these overcharacterized stereotypical teens. being an eastern European guy, I think I can say that this movie requires the watcher to step out of his usual westernized filters he's watching films through, and try to be as objective a listener as possible. I must disagree with the opinion that this movie has to be taken seriously - this is a weird kind of entertainment, weird in a positive way like those C-trash horrors that are so bad you start to collect them on your shelf. araki may not be the brightest star in independent film-making, but he's reasonably strong and original.
I recommend this to mature people who don't think that knowing high arts requires them to deny their childhood classics or spider-man. watch it with much self-irony and have a good time. :)
Some films divide audiences immediately. 'Eraserhead', 'Beyond The Valley Of The Dolls', 'Night Of The Living Dead'. 'The Doom Generation' is one of those movies! I don't know of anyone who has seen it that has a luke warm response. You either love it or hate it, and I love it!
Gregg Araki makes unique movies. Self conscious, self parodying, INTELLIGENT trash. His world is not really our world. It's an exaggerated, surreal version of "reality". Sexy, violent, pop culture bombarded, dream-like, impossible to forget or ignore. 'The Doom Generation' is clever, ironic, disturbing fun.
Personally, I think his next movie 'Nowhere' is his masterpiece, but this is almost as good. Plus we get lots of Rose McGowan flesh on display - not a bad thing! Her performance as Amy Blue ALMOST makes her the 1990s version of Tura Satana! She will never knock off Tura's crown as Queen of Sleaze, but she seems to be having a hell of a lot of fun trying, and I have a hell of a lot of fun watching her!
Gregg Araki makes unique movies. Self conscious, self parodying, INTELLIGENT trash. His world is not really our world. It's an exaggerated, surreal version of "reality". Sexy, violent, pop culture bombarded, dream-like, impossible to forget or ignore. 'The Doom Generation' is clever, ironic, disturbing fun.
Personally, I think his next movie 'Nowhere' is his masterpiece, but this is almost as good. Plus we get lots of Rose McGowan flesh on display - not a bad thing! Her performance as Amy Blue ALMOST makes her the 1990s version of Tura Satana! She will never knock off Tura's crown as Queen of Sleaze, but she seems to be having a hell of a lot of fun trying, and I have a hell of a lot of fun watching her!
A quirky comedy (?) that takes a dark turn at the end. I can't quite tell if The Doom Generation is good or bad. Regardless, I quite enjoyed this wonky ride of a movie.
It contains very questionable acting and pacing but this movie is undoubtably entertaining and begging to be endlessly quoted. That dark ending really comes out of nowhere with very little build up. But it showcases that we live in a society, mannnn.
When all is said and done I can't quite say this is a masterpiece but I also can't say I didn't enjoy myself. A cult classic indeed, and one that kinda needs to be seen to be believed.
It contains very questionable acting and pacing but this movie is undoubtably entertaining and begging to be endlessly quoted. That dark ending really comes out of nowhere with very little build up. But it showcases that we live in a society, mannnn.
When all is said and done I can't quite say this is a masterpiece but I also can't say I didn't enjoy myself. A cult classic indeed, and one that kinda needs to be seen to be believed.
Wusstest du schon
- WissenswertesEvery time one of the characters uses the skull lighter, the flame is a different color; Blue when Jordan White lights it, White when Xavier Red lights it and Reddish Orange when Amy Blue lights it.
- PatzerAround 12:30 when the trio are running out of the store, you can see Jordan White's flannel fall off. it reappears throughout the film.
- Crazy Credits"A big no thanks to Cheryl Ladd"
- Alternative VersionenThe edited, R-rated version omits 13 minutes of footage, including explicit dialogue bits, sex scenes, and large portions of the ending.
- SoundtracksHeresy
Performed by Nine Inch Nails
Written by Trent Reznor
©TVT/Interscope Records
Courtesy of Warner Special Products and TVT Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Generación sin futuro
- Drehorte
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 284.785 $
- Eröffnungswochenende in den USA und in Kanada
- 27.812 $
- 29. Okt. 1995
- Weltweiter Bruttoertrag
- 287.230 $
- Laufzeit1 Stunde 23 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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