Dilwale Dulhania Le Jayenge

Dilwale made me glad to be a Westerner, just so I could experience the sheer rush in the glorious way this film simply throws its Indian sensibility in your face. It is one of the most completely, openly joyful films I have ever seen. In many ways a totally Western film, it is yet completely un-Western, and absolutely invigorating.

I found the (rather oddly looped in places) mix of Hindi and English dialog to be a lot of fun to follow (as incomplete as the subtitles sometimes seemed). The Indian/Western pop structure of the songs was entertaining and infectious. The choreography is simply amazing, and some of the most sheerly athletic I've seen. The Indian roots of the dance routines were at first almost unnerving--at once familiar yet bizarre, almost surreal (to my Western eyes). It was sheer fun making the cultural adjustment.

The plot is predictable, almost pedestrian--certainly not what you'd call "never done before," and yet I found myself completely absorbed in the story, and rooting for the main characters. This is in large part due to Shahrukh Khan's and Kajol's performances as Raj and Simran. He is totally endearing, and she is totally hot!, and their on screen chemistry is as cute & perky and smoldering & steamy as Fred and Ginger at their peak. It was, simply put, fun to watch them having so much fun.

Director Aditya Chopra was, I understand, only 24 when he made Dilwale, and the film was so successful its Indian first run lasted a world-record 11 years (and may still be going on, as far as I know). A heckuva testimony to Bollywood indeed. This movie has instantly become one of my favorite musicals, and I look forward to finding more films from Chopra, Khan, and Kajol. What a treat!

I usually go for Bollywood films for the music-dance numbers. While this flick has a few good ones, I was mostly pleased with the plot. I liked the second half the best. I was very disappointed to learn from IMDb that this is the second of only two films done by Pooja Rupanel. She brought a lot of life and spark to a minor role - the female lead's younger sister. She should have done more films. Like any really good comedy, the story had its serious aspects - just enough to make the plot interesting. The stand=by Bollywood love triangle plot can be used as many times as one wishes as long as one has good actors, terrific musical numbers, and a few novel plot twists.

Bollywood has changed a lot over the last two decades. Production values have increased dramatically and that cheesiness that was so typical of old Bollywood films has been toned down somewhat and replaced by a professionalism that is often on a par with Hollywood. So how does this 20 year old film stack-up?

In short, it is brilliant. Yes, it is has a certain kitschness. It has musical interludes that are so cheesy you almost want to laugh, and some of the acting is pretty questionable. But at the same time there's something sublime about the film. Somehow, the kitschness, the cheesiness and the low-budget production seems to have come together to create a work of art that will live on for decades to come.

Raj and Simran, the male and female leads, are endearing. The support cast are very good. The story line, whilst at times being predictable, also has some clever little twists and turns, and by the end of it you feel like you've watched a movie that will stay with you for many years to come, which I guess answers why Dilwale Dulhania Le Jayenge has such enduring popularity.

Is it perfect? Definitely not. Is it worth watching? If you enjoy a little light-hearted, Bollywood romantic-comedy then that would be a definite yes.

This was the top Bollywood film of the 90s and after seeing it I really can't think of one that was better. There are some that are just as good but I can't recall seeing one that's better. The story's pretty routine: boy meets girl in Europe, they fall in love, girl is engaged to some other idiot, and the rest writes itself... Sound familiar? Well it wasn't back in '95 (or even if it was it wasn't done as well) and Aditya Chopra's treatment of the story was a big reason for it's success. In every other movie the couple first wants to kill each other before falling in love. But in this movie it's slightly different and more plausible. Shahrukh doesn't want to kill Kahol - I mean Kajol - and she doesn't really hate him either, she just (like the rest of us) is annoyed by the guy. Their situations aren't that far-fetched and their Europe storyline is played out quite realistically (of course the piano scene is an exception). This was the beginning of the "Shahrukh plays Shahrukh era" and, for what it's worth, he hasn't made a better movie or given a better performance since. Sure there are places where he overacts but there are just as many places where he's able to hit all his cues. His comic timing was never better and there was still some sincerity in his eyes, a reminder of the fact that he was still an actor, which has since been replaced by the cockiness of a megastar. This is the movie that shot him to superstardom and put him alongside Aamir and Salman. Kajol is just as good (if not better), and I think after their next movie they'll win the Nobel Prize for Chemistry. The supporting cast is fine although no one really stands out. There are many moments in the film, most notably in the script, where you might feel a sense of deja vu. But keep in mind that this was the original, it's everything else that's a rehash. Bollywood headed straight for the sewer after this movie with almost all films, many of them starring Shahrukh, copying the same formula. Even at its 3 hour length the movie never drags till after the two-hour mark. I also want to comment on the film's Art Direction because it warrants a mention. Whether it's in Europe, England, or India, the movie has a very natural look to it. Unlike today's big films like Dil To Pagal Hai, or K3G, this movie looks good without trying to look good and I think that's a quality that's been lost on today's films. Too much attention is spent on the look at the expense of the story (if there is one!). The soundtrack of course is a classic, truly one of the all-time bests, with almost every song being a hit. The film won an unprecedented number of awards while breaking many records. There was a feeling that Aditya would follow in his father Yash's footsteps but regrettably the pressure got to him. He followed this up with the dreadful Mohabbatein which was slammed by audiences and critics alike. But so what. His first film was good, and with the current state of Bollywood movies - Devdas anyone? - you really can't get better than this.

'DDLJ' is An Immortal Film! It's among those "FINE" films, that remain perfect forever. It's among those gems, that can never go dated. Be it the direction, the screenplay, the songs, the performances, the cinematography...everything just gets better!

'DDLJ' Synopsis: A young man and woman - both of Indian-descent, but born and raised in England - fall in love during a trip to Switzerland. However, the girl's traditional father takes her back to India to fulfill a betrothal promise.

'DDLJ', even if not so hugely successful, it still would have gained a cult-following. Aditya Chopra's Screenplay is engaging, moving & most importantly entertaining. The Love-Story works big time, so do the characters & the situations. Cinematography by Manmohan Singh is picture perfect. Editing is smooth. Chopra's direction is sensitive. Music by Jatin-Lalit, is fabulous.

Shahrukh's performance as Raj, became a rage & catapulted him into Superstardom. He is lovable as Raj. Kajol as Simran, is fantastic, as always. The Chemistry between Shahrukh & Kajol, is infectious. Amrish Puri, however, steals the show as the traditional Indian father. The late legend delivers an incredible performance, that truly leaves you in awe of him. Farida Jalal is first-rate. Anupam Kher is great. Parmeet Sethi plays the bad-guy well. Satish Shah is decent, while Mandira Bedi is passable. Others are perfect.

On the whole, 'DDLJ' is one of THE Finest films to come out of Hindi Cinema. It's The Mughal-e-Azam of the 1990's!