Eine reiche Gymnasiastin versucht, die Popularität einer neuen Schülerin zu steigern, rechnet aber nicht damit, dass Herzensangelegenheiten in die Quere kommen.Eine reiche Gymnasiastin versucht, die Popularität einer neuen Schülerin zu steigern, rechnet aber nicht damit, dass Herzensangelegenheiten in die Quere kommen.Eine reiche Gymnasiastin versucht, die Popularität einer neuen Schülerin zu steigern, rechnet aber nicht damit, dass Herzensangelegenheiten in die Quere kommen.
- Auszeichnungen
- 6 Gewinne & 12 Nominierungen insgesamt
Zusammenfassung
Reviewers say 'Clueless' is celebrated for its witty satire of 90s teen culture, clever adaptation of Jane Austen's 'Emma', and iconic performances, especially Alicia Silverstone's portrayal of Cher. Common themes include social standing, high school drama, and character transformation. Criticisms often point to reliance on stereotypes, predictability, and the controversial romantic subplot between Cher and her stepbrother. Despite mixed opinions on its depth and lasting impact, 'Clueless' is frequently praised for its humor, style, and cultural significance in the 90s.
Empfohlene Bewertungen
Just the other day I watched Heckerling's wonderful romantic comedy satire 'I Could Never Be Your Woman' and I thought I'd revisit 'Clueless'. The last time I saw it was 10 years ago and today I enjoyed it just as much. Heckerling's adaptation of Jane Austen's 'Emma' may appear like a fluffy teen flick on the surface but there is a lot more to it. It works on multiple levels and 'Clueless', in a way, is a social commentary as it reflects a reality that still exists in today's society. First of all, the teen life is very realistically portrayed albeit with a sarcastic tone (such as the striving for high grades, obsession with image and partying). It somewhat reminds me of 'Heathers' (another excellent teen satire). While 'Heathers' is a much darker film that looks at teens in the 1980s, 'Clueless' looks at the adolescents of the 90s. Moreover, Heckerling brilliantly uses different kid of comedies through one-liner and dialogue, situational, and slap stick.
Then the class distinction too is cleverly demonstrated through the eyes of Cher. The characters too work on multiple levels. Cher appears to be a popular stuckup bimbo type lass but once Hecklerling allows us to dig a little deeper, we see that she is unintentionally manipulative and knows how to use her strength (her power of persuasion). Yet, she is good at heart and even though her initial intentions of getting the two teacher together was to get an A grade, she's happy with the outcome of her matchmaking and the acts that follow are with more sincere purpose. Tai too appears to be the dumb new girl but she is far more experienced than Cher and when opportunity strikes she makes a place for herself in 'society' (i.e, highschool).
Alicia Silverstone plays the part as though it was made for her. She has the right looks, age, excellent dialogue delivery and is a total natural in performing. 'Clueless' was the film that made her an overnight star and a very promising actress however, unfortunately, her following movies have been disastrous and the actress rapidly vanished into oblivion. She is supported by an equally great cast that includes a goofy Breckin Meyer, a weirdly fashioned but still gorgeous Stacy Dash, a naive Brittany Murphy, a laidback Paul Rudd, a hilarious Donald Faison, a bitchy Elisa Donovan and a fire breathing Dan Hedaya.
For me 'Clueless' is among the top teen films along with movies like 'Heathers'. Those who childishly dismiss it as a fluffy chick-flick don't know what they missed. I was watching '10 Things I Hate About You' which is an adaptation of Shakespeare's 'The Taming Of Thew Shrew' and while that film failed to engage me for the most parts, 'Clueless' succeeds in all departments because it's much more than just another teen flick. It's a highly entertaining satire and it's a nuanced teen comedy with a subtle social comment.
Then the class distinction too is cleverly demonstrated through the eyes of Cher. The characters too work on multiple levels. Cher appears to be a popular stuckup bimbo type lass but once Hecklerling allows us to dig a little deeper, we see that she is unintentionally manipulative and knows how to use her strength (her power of persuasion). Yet, she is good at heart and even though her initial intentions of getting the two teacher together was to get an A grade, she's happy with the outcome of her matchmaking and the acts that follow are with more sincere purpose. Tai too appears to be the dumb new girl but she is far more experienced than Cher and when opportunity strikes she makes a place for herself in 'society' (i.e, highschool).
Alicia Silverstone plays the part as though it was made for her. She has the right looks, age, excellent dialogue delivery and is a total natural in performing. 'Clueless' was the film that made her an overnight star and a very promising actress however, unfortunately, her following movies have been disastrous and the actress rapidly vanished into oblivion. She is supported by an equally great cast that includes a goofy Breckin Meyer, a weirdly fashioned but still gorgeous Stacy Dash, a naive Brittany Murphy, a laidback Paul Rudd, a hilarious Donald Faison, a bitchy Elisa Donovan and a fire breathing Dan Hedaya.
For me 'Clueless' is among the top teen films along with movies like 'Heathers'. Those who childishly dismiss it as a fluffy chick-flick don't know what they missed. I was watching '10 Things I Hate About You' which is an adaptation of Shakespeare's 'The Taming Of Thew Shrew' and while that film failed to engage me for the most parts, 'Clueless' succeeds in all departments because it's much more than just another teen flick. It's a highly entertaining satire and it's a nuanced teen comedy with a subtle social comment.
Considering how long removed I am from both the '90s and high school, there's something entirely relatable about Clueless - and I'm as surprised as anyone. Alicia Silverstone is beyond charming and there's plenty of humor in the supporting cast as well (in particular, the late Brittany Murphy, incandescent in her own right). But the dialogue really put me back in that high school mindset, and I think the movie strikes a nice balance between satire and teen fluff. Like Mean Girls, this is a movie that I've dismissed over the years for being shallow, and for the life of me I can't explain why. This is good stuff.
"Let's set 'Emma' in a modern high school!" Does this sound the obvious kind of movie gimmick that everyone uses nowadays? Perhaps, but it's an inspired idea all the same. Jane Austen's characters, and her readers, and the society in which her novels are set, like Jane Austen herself, are HEAVILY conscious of class and social standing. No atmosphere quite so snobbish exists in the modern world. EXCEPT, that is, in the corridors and courtyards of the right kind of high school. And where else in the modern world would you find so many people who seem to spend all their time calling on one another?
I was reminded of how well Heckerling moulded "Emma" to fit a modern setting when I saw the idiotic 1998 version of "Great Expectations", adapted by someone who somehow failed to notice how important all the stuff about class and snobbishness was. It's clear that Heckerling understood her source. She isn't afraid to make changes - even radical changes, if the modern setting requires as much - and no character exists MERELY because they have an analogue in Austen's novel. (The most crucial thing is that the Emma-equivalent be sufficiently charming; and so she is.) The result is a film which is winning and satisfying, whether or not you know anything about the source material.
I was reminded of how well Heckerling moulded "Emma" to fit a modern setting when I saw the idiotic 1998 version of "Great Expectations", adapted by someone who somehow failed to notice how important all the stuff about class and snobbishness was. It's clear that Heckerling understood her source. She isn't afraid to make changes - even radical changes, if the modern setting requires as much - and no character exists MERELY because they have an analogue in Austen's novel. (The most crucial thing is that the Emma-equivalent be sufficiently charming; and so she is.) The result is a film which is winning and satisfying, whether or not you know anything about the source material.
Cher (Alicia Silverstone) is a popular ditz at her local high school in Beverly Hills. She's a spoiled, pampered little princess with all the right social connections and endless wealth. However she has yet to find a man in her life - all the Baldwins (as she and her clique of friends call guys they like) have been taken.
When Cher receives a foreign exchange student, she takes her under her wing and decides to try and find her a boyfriend - ironically without having her own yet. Predictability ensues.
I read "Emma" in early high school as I'm sure most kids did, and the movie puts a clever spin on the tale. Alicia Silverstone is surprisingly good in her role, perfectly playing a blond bombshell without a brain but a good heart - only Reese Witherspoon has done such a good job recently at portraying the west coast bimbos. (No offense to the west coast bimbos out there.) The movie's director, Amy Heckerling, has always been rather reliable on the whole and her direction is solid here - she could have turned "Clueless" into a crude, unfunny sex comedy with little wit or brains, but instead she takes a rather dubious idea for a film and transforms it into a well-made, well-acted, funny, inspired, lively, witty satire.
Much better than expected.
When Cher receives a foreign exchange student, she takes her under her wing and decides to try and find her a boyfriend - ironically without having her own yet. Predictability ensues.
I read "Emma" in early high school as I'm sure most kids did, and the movie puts a clever spin on the tale. Alicia Silverstone is surprisingly good in her role, perfectly playing a blond bombshell without a brain but a good heart - only Reese Witherspoon has done such a good job recently at portraying the west coast bimbos. (No offense to the west coast bimbos out there.) The movie's director, Amy Heckerling, has always been rather reliable on the whole and her direction is solid here - she could have turned "Clueless" into a crude, unfunny sex comedy with little wit or brains, but instead she takes a rather dubious idea for a film and transforms it into a well-made, well-acted, funny, inspired, lively, witty satire.
Much better than expected.
So if you're reading this in between a bunch of 1 ratings. You're probably wondering just what's going on? Why is it so loved. The movie is basically a reflection of the young Gen X era (more importantly how it's perceived). people also missed the classic 80s teen films and this was a bit of a jump back to that.
Most of the 1 reviews are from people born 10 years later who NEED to tell you it's based on Emma (because they're smart and have google). They also have to show they're completely against commercialism in all its forms (and again knew before you that this film is based on a Jane Austin book).
They're not watching the film for what it is. It's not trying to be Citizen Cane. Simple movie dealing with being a teen (a very rich teen) in the 1990s. Easy.
Wusstest du schon
- WissenswertesAlicia Silverstone (Cher) did not know how to correctly pronounce "Haitians" in the classroom scene. Director Amy Heckerling told the crew not to correct her because she liked it so much and wanted it to be in the film.
- PatzerWhen Cher is taking her driving test, she scrapes against a white car, causing her passenger mirror to be torn off. However, when the DMV proctor asks her to pull over, the mirror is still there and the car is unblemished.
- Crazy CreditsOther than the Paramount Pictures logo and the movie's title, there are no opening credits.
- VerbindungenFeatured in Jill Sobule: Supermodel (1995)
- SoundtracksKids in America
By Ricki Wilde and Marty Wilde
Performed by The Muffs
Produced by Rob Cavallo and The Muffs
The Muffs perform courtesy of Reprise Records
Top-Auswahl
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Details
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Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 56.631.572 $
- Eröffnungswochenende in den USA und in Kanada
- 10.612.443 $
- 23. Juli 1995
- Weltweiter Bruttoertrag
- 56.753.362 $
- Laufzeit1 Stunde 37 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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